Showing posts with label South Africa. Show all posts
Showing posts with label South Africa. Show all posts

Thursday, May 21, 2026

Disney+ Hikes South African Prices by 12.5% to R179 Per Month


by Thinus Ferreira

Disney+ is increasing prices in South Africa by 12.5% per month to R179 for the video streaming service's monthly premium plan, while the Disney+ annual plan will remain R1 590, and a Disney+ mobile subscription will remain R49 per month.

Disney+ subscribers pay R179 per month from 30 April 2026 as the new price. The annual plan and mobile subscription prices remain unchanged.

Disney+ last increased prices in September 2024 with 14.39% to R159 per month.

According to Disney, all new Disney+ monthly premium plan users on or after 30 April 2026 will be charged the revised subscription price.

Disney notes that all the existing direct-billed monthly premium users who signed up before 30 April 2026 will be charged at the renewed subscription price on the date of renewal, on and after 4 June 2026. 


"If the payment fails for these users, retries that happen on or after 4 June 2026 will also happen at the new price," says Disney.


According to Disney, existing users who subscribed to Disney+ through a third party like Apple in-app purchase, Google in-app purchase, or a local partner like MultiChoice "should refer to their third-party provider for more information".

Tuesday, March 29, 2022

Disney+ to launch 18 May in South Africa at R119 per month.


by Thinus Ferreira

Disney+ will launch on 18 May in South Africa and cost R119 per month, or R1 190 per year - a month earlier than what Disney+ was expected to arrive in South Africa. 

At R119 per month, Disney+, entering South Africa behind MultiChoice's Showmax, Netflix SA, Amazon Prime Video, Apple TV+ and others, are cheaper than Netflix's R159 per month, but pricier than Showmax's R99 per month and Amazon Prime Video's R87 per month.

Disney+ offers up to four concurrent streams, unlimited downloads on up to 10 devices, and the ability to set up to 7 different profiles, including the ability for parents to set Kids Profiles that have an easy-to-navigate, child-friendly interface to access age-appropriate content.

The Disney+ interface has various "tiles", grouping content under Disney, Pixar, Marvel, Star Wars, National Geographic and general entertainment from Star.

The arrival of Disney+ on 18 May will definitely add further oil on the fire of the heated race under over-the-top (OTT) direct-to-consumer streaming services in the South African market, with a big pent-up demand under consumers who have wanted to get access to Disney+ and content ranging from Star Wars: The Mandalorian to the recent The Book of Boba Fett series.

At R119 per month in South Africa, Disney+ will cost the same as in the United States with only a few countries like Brazil, India and Argentina getting Disney+ for cheaper. 

At its R119 price, Disney isn't giving any kind of "introductory" cheaper offer as a late-comer to the South African market for consumers - which was actually expected - but is coming in below the psychological threshold of R130 which was also expected.

Disney+ will be cheaper for South Africans than in New Zealand (R121), Australia (R132) and the United Kingdom (R153).   

Wednesday, January 26, 2022

Disney+ to launch in South Africa, St. Helena and a few North African countries as part of 42-country roll-out this winter.


by Thinus Ferreira

Disney+ will launch within a few months in another 42 countries including South Africa, Algeria, Egypt, Libya, Morocco, Tunisia and St. Helena the video streaming service confirmed on Wednesday.

As the most developed and sophisticated video streaming market in Africa, South Africa is the first and only country in sub-Saharan Africa to get Disney+, with the streaming service also launching this year in Algeria, Egypt, Libya, Morocco and Tunisia in North Africa.

St. Helena, part of the British Overseas Territory in the South Atlantic Ocean is also getting Disney+ this winter.


The past two years South African video consumers have been extremely vocal about being excluded from access to Disney+ as the Mouse House launched its streamer in the United States, Canada, the United Kingdom, Australia and other comparable markets.

Meanwhile, South African consumers have been snapping up Disney-branded merchandise from content only available on Disney+, showing a high awareness and brand recognition of shows and characters like The Mandalorian, likely due to pirate viewing of Disney+ content in the territory.

On Wednesday Disney confirmed that Disney+ will launch in 42 countries and 11 new territories this winter that will include South Africa where Netflix, MultiChoice's Showmax, Amazon Prime Video and Apple TV+ are competing for scale and subscribers.

Netflix SA, MultiChoice, Amazon Prime Video and Apple TV+ are all ramping up investment and their plans to increase their local market presence in South Africa and across sub-Saharan Africa as they try to snap up video consumers and to get them to sample their subscription video-on-demand (SVOD) services. 

With the oversaturated American market, streamers like Netflix as well as ones that haven't yet launched in South Africa like Disney+, WarnerMedia's HBO Max, ViacomCBS' Paramount+, NBCUniversal's Peacock, Discovery+ and others, are finally feeling the pressure to look internationally to expand their subscriber bases.

There is no firm date yet for the launch of Disney+ in South Africa this winter, but it will be any time from June. 

Disney is also staying tight-lipped about the cost, although it's likely that The Walt Disney Company will try to make a splash as a late-market entry in South Africa, and to quickly gain ground on Netflix SA and Showmax with an introductory price offer that would undercut and come in below the current Netflix and Showmax pricing.

The full list of countries that Disney+ will launch in this winter include:
1.    Albania
2.    Algeria
3.    Andorra
4.    Bahrain
5.    Bosnia and Herzegovina
6.    Bulgaria
7.    Croatia
8.    Czech Republic
9.    Egypt
10.  Estonia
11.  Greece
12.  Hungary
13.  Iraq
14.  Israel
15.  Jordan
16.  Kosovo
17.  Kuwait
18.  Latvia
19.  Lebanon
20.  Libya
21.  Liechtenstein
22.  Lithuania
23.  Malta
24.  Montenegro
25.  Morocco
26.  North Macedonia
27.  Oman
28.  Palestine
29.  Poland
30.  Qatar
31.  Romania
32.  San Marino
33.  Saudi Arabia
34.  Serbia
35.  Slovakia
36.  Slovenia
37.  South Africa
38.  Tunisia
39.  Turkey
40.  United Arab Emirates
41.  Vatican City
42.  Yemen


Saturday, April 20, 2019

The Walt Disney Company's upcoming new video streaming service, Disney+, not launching in South Africa until at least 2022 since Africa is not listed as one of its 'major regions'.


The Walt Disney Company's video streaming service Disney+ that it will launch in November 2019 in the United States and make available internationally in other key territories won't include South Africa or anywhere else in Africa for at least 2 years, since Disney doesn't consider the continent one of its "major regions".

Its decision not to roll out Disney+ as its new subscription video-on-demand (SVOD) service in South Africa and across the African continent, will lead to a high possibility that some of its buzz-making content currently produced exclusively for Disney+ will be grabbed, downloaded, shared and watched illegally through pirate content means.

With the expansion of broadband internet access and an explosion in illegal content downloads, MultiChoice recently told South Africa's broadcasting regulator, Icasa, that it "estimates that more than 2 million people view pirated versions of the series and movies available on DStv in South Africa".

Disney stands to lose revenue, audience retention and would-be Disney+ consumers in South Africa who will move on and find the content elsewhere with Disney+ that plans to release more than 25 original series, 10 original films, documentaries and specials during its first year.

South African video content consumers simply won't wait to watch buzzy new series specifically produced for Disney+ - ranging from the first Star Wars live-action drama series The Mandalorian, to a live-action High School Musical series, Marvel series like Loki with Tom Hiddleston reprising his film role, as well as The Falcon and The Winter Soldier; including a growing collection of animation series ranging from a revived Star Wars: The Clone Wars and Monsters at Work.


Disney that currently runs the linear TV channels Disney Channel, Disney XD and Disney Junior channels in South Africa and across the continent on MultiChoice's DStv satellite pay-TV service, says Disney+ "will offer fans of all ages a new way to experience the unparalleled content from the company's iconic entertainment brands, including Disney, Pixar, Marvel, Star Wars and National Geographic, and will be available on connected TV and mobile devices".

Disney Africa was asked for clarity about whether and when Disney+ would be launching in South Africa and the African continent.

If Disney+ isn't launched in South Africa, Disney Africa was also asked whether the content would then be made available through Disney's international distribution division for other linear TV channels to acquire, for instance M-Net (DStv 101) or FOX (DStv 125 / StarSat 131 / Cell C black 201) that previously and currently broadcast shows from Disney Television Studios and 20th Century Fox Television (now both owned by Disney).

The local Disney spokesperson said Disney South Africa didn't have any comment on the specific questions about the future of Disney+ for the African continent and referred TVwithThinus to the press statement that Disney issued following its Disney+ presentation it made as part of its investor day at Disney's Burbank lot in Los Angeles, California on 11 April.


In its statement, Disney that will launch Disney+ on 12 November at a subscription fee of $6.99 (R98.26) per month, says "following its United States debut, Disney+ will rapidly expand globally, with plans to be in nearly all major regions of the world within the next two years".

Together with the words "nearly all major regions" in its statement, the slides for Disney+ that form part of its investor day presentation however shows that Africa is not included as one of these "major regions" - at least not for the next two and a half years.


In its "global roadmap" slide, The Walt Disney Company showed that after launching Disney+ in North America, it will also launch its video streaming service in its 2020 financial year in the Asia-Pacific region that includes countries like Australia, New Zealand and India.

Disney indicates specifically that it will roll out Disney+ in Western Europe, meaning the United Kingdom and surrounding countries in 2020, with Eastern Europe following a year later in 2021.

South America will also get Disney+ in 2021.

These "major regions" exclude any mention or indication of Africa and South Africa, as well as the Middle East which at the earliest could possibly get Disney+ in 2022 or beyond.


It's not clear whether the broadcasting rights to content ranging from The Mandalorian to Monsters at Work would be made available by Disney to local channels in South Africa during the period that Disney+ doesn't have a commercial footprint with its streaming service in the country.

In the years before Netflix South Africa launched, Netflix sold the licensing rights to drama series like House of Cards and Orange is the New Black to M-Net, with House of Cards now also on SABC3 as well.

Amazon Studios sold its drama series like Mozart in the JungleTransparent and Deutschland 83 to M-Net as well before Amazon Prime Video launched in the country, and M-Net also snapped up Hulu Originals like The Handmaid's Tale, The Path and Castle Rock while MultiChoice's SVOD service Showmax grabbed Marvel's Runaways and Future Man.

Tuesday, April 16, 2019

Netflix commissions its first-ever African animation series, Mama K's Team 4 from Triggerfish Animation Studios in South Africa and set in a futuristic Zambia; now looking for specifically female writers from across Africa to write the scripts.


Netflix has commissioned its first original African animated series, Mama K’s Team 4., produced by the Triggerfish Animation Studios in Cape Town, South Africa as well as CAKE in London in the United Kingdom, following four diverse black girls in a futuristic version of Lusaka, Zambia, trying to save the world after they're recruited by a retired secret agent.

Mama K’s Team 4 was created by the Zambian writer Malenga Mulendema, one of 8 winners in the Triggerfish Story Lab initiative competition in 2015, and are drawn by the Cameroon artist Malcolm Wope, taking inspiration from retro 1990s  R&B and hip-hop girl groups.

Triggerfish Animation Studios and CAKE is now looking for specifically female writers across Africa as part of a pan-African writing talent search to become the writers of Mama K’s Team 4 .

"In creating a superhero show set in Lusaka, I hope to introduce the world to four strong African girls who save the day in their own fun and crazy way. Most importantly, I want to illustrate that anyone from anywhere can be a superhero," says Malenga Mulendema.

Melissa Cobb, vice president of original animation at Netflix, says "In addition to giving African writers a global platform on which to be heard, we are excited to present this powerful and entertaining new animated series that brings Malenga's incredible and unique vision to life on Netflix".

"Mama K's Team 4 has the potential to give a whole new generation of African children the opportunity to see themselves on-screen in the powerful, aspirational characters they look up to."

Wednesday, January 24, 2018

A real South African version of The Real Housewives coming to DStv as M-Net's new 1Magic reveals that it secured the international format rights from NBCUniversal for a local version.


A real South African version of The Real Housewives will be coming to DStv, with M-Net that confirmed that it had picked up the format licensing rights for a local South African version of the show for its new 1Magic (DStv 103) channel.

For the past few years M-Net has been showing seasons of The Real Housewives, and the various spin-offs from this American reality show franchise on the VUZU AMP (DStv 103) channel.

M-Net is now rebranding and relaunching VUZU AMP as 1 Magic on 29 January on MultiChoice's DStv satellite pay-TV platform, as it tries to court an upmarket black viewership demographic that's familiar with the existing Mzansi Magic (DStv 161) offering and who wants even more premium programming.

1Magic will be available to DStv Premium subscribers only, and although no broadcast date has been specified, the first real South African version of The Real Housewives will make its debut on this channel in the future.

It's not yet clear what exactly the show's title would be and where it would be set, for instance The Real Housewives of Jozi or Sandton, The Real Housewives of Clifton, or The Real Housewives of Soweto.

"1Magic has recently acquired the rights to produce a version of The Real Housewives format. There's no link to the SABC productions from some time back," said Reneilwe Sema, M-Net director of local entertainment channels, in response to a media enquiry from TVwithThinus following Tuesday's 1Magic media launch event held at Saxon Hotel in Johannesburg.

The Real Housewives is an NBCUniversal International format and is produced internationally in conjunction with NBCUniversal International Studios.

An official, "real" South African version of The Real Housewives for the country would be a long way coming.

In 2013 TVwithThinus reported on the drama when Barbie Brazil (real name Thembi Ennie Tshabalala) claimed that she was producing a local South African version entitled The Real Housewives of South Africa although NBCUniversal told me that Barbs doesn't have the rights to the show.

A year later in 2014, The Real Housewives of Johannesburg, reportedly produced by Tigere Media, became a hot topic again with several local well-heeled glitterati whose names were mentioned as being part of yet another attempt at the show. Production started and footage filmed, however the show was abruptly canned after just 6 months - again over format licensing issues.

In 2016 Divas of Jozi made its debut on SABC3. The reality series that was widely panned by viewers and TV critics alike didn't use The Real Housewives name but was a "refilm" of sorts of the 2014 project, with the exact same cast plus an additional woman, and was done by Bravoplex Media.

The Real Housewives has already seen several legitimate format licensing adaptations internationally - including series set in Athens, Vancouver, Melbourne, Cheshire, Auckland, Sydney, Bangkok and last year two, with one set in Toronto, Canada as well as one just called The Real Housewives of Hungary using the country's name.

Tuesday, November 14, 2017

2023 Rugby World Cup country announcement to be broadcast live on SuperSport on DStv and SABC on Wednesday 15 November.

The announcement about which country will be hosting the 2023 Rugby World Cup will be broadcast live on Wednesday afternoon from 14:30 on SuperSport channels on DStv as well as by the SABC.

The announcement of which candidate country will be hosting the 2023 Rugby World Cup - South Africa, Ireland or France - will be broadcast on Wednesday on SuperSport 1 (DStv 201), SuperSport 10 (DStv 210) and CSN from 14:30.

The announcement will be made by the World Rugby Council from London where South Africa will be represented by senior members of government and South Africa Rugby.

The SABC will be broadcast the announcement as well on SABC2, SABC News (DStv 404) and SABC radio stations (SAFM, Radio2000, RSG, and 9 other radio stations from 14:30 until 16:00.

RSG and Radio2000 will also do live crossings from the public viewing area at Sammy Marks Square in Tshwane from midday.

Thursday, October 19, 2017

Netflix: We're not in competition with MultiChoice's DStv says the global video streaming giant as it signals a bigger push into the South African market.


Netflix says it's not in competition with MultiChoice's DStv in South Africa and Africa and that any service offering compelling content to viewers as TV moves into the future, will continue thrive.

Netflix spoke to South Africa media and answered questions from the press at its first Netflix House SA media event in a lux high street Fresnaye mansion in Cape Town this week to showcase and preview it's existing and upcoming content and to hear from the press what they need - something it said it will be doing regularly from now on.

Netflix that has rapidly gained subscribers in South Africa, is making steady inroads as a brand since it launched in South Africa and across Africa in January 2016, where, besides traditional satellite pay-TV services DStv and China's StarSat, services like Naspers' Showmax, Amazon Prime Video, DEOD, ONTAPtv.com and Kwesé Play have made their appearance in a market segment of subscription video-on-demand (SVOD) services that has quickly become crowded.

When the global video streaming service was specifically asked if it's acquiring and licensing TV rights to keep it away from MultiChoice's satellite pay-TV service DStv, Netflix said that it's not acquiring show titles to stop DStv from having access to it.

"In terms of competition, we think there's room for everyone.  For us, competition is anything that's entertainment. So there's room for everyone. We're not saying that DStv shouldn't be around," Netflix told the media.

"In the United Kingdom there's always talk about the BBC and will the BBC end up dying because of Netflix? No. Because they offer something different. DStv has sports. There's always different things in every market and what Netflix is trying to do is to give people more."

Yann Lafargue, manager for technology and corporate communications at Netflix for the Europe, Middle East and Africa (EMEA) region, said that "On demand viewing is just the future of entertainment".

"Competition is healthy. Nobody has the monopoly on great stories. The companies like HBO, Amazon - those who create compelling stories that people like to watch and enjoy - they're going to survive; they're going to thrive."

"The thing that is the key is the exclusivity. If we all have the same content and you can watch the same type of content everywhere - why would you subscribe to some services specifically?" said Yann Lafargue.

"It's because it's a kind of signature show. So HBO has Game of Thrones for instance. So you want to sign up for Netflix because you want to watch Stranger Things or Narcos. And we're going to have more and more of those big hits to keep you entertained and captivated and to give you a reason to subscribe to Netflix."

He said "we know we have much more titles than the competition, but it's not about volume. For us it's not like DVDs on a shelf".

"We're trying to show around 300 shows from your algorithm on your interface. And when you start looking at something, then you will start seeing more suggestions because you like Robert DeNiro shows or something like that."

"Star Trek: DiscoveryDesignated Survivor - those shows are available here in South Africa on Netflix but not in the United States. So there is this misconception sometimes that it's always better elsewhere, the grass is greener somewhere else, and it's not the case necessarily."

Since last month subscribers of Kwesé Play can currently subscribe through that service to Netflix and be billed in rand by having the Netflix subscription added onto the Kwesé Play account but Yann Lafargue says all South Africans will eventually be able to pay in rand and not dollar.

"It's going to come. It's just a question of making sure that all the modes of payment - credit card, debit card and Paypal - everything could be shifted to rand. As Netflix grows and localises and create partnerships we do see that currency integration".

"What we see in some markets is that when you're new, people don't necessarily trust you. When you're a new brand, people wonder can I enter my credit card details on your website - is it safe?"

"So what's happening is that if you already have your internet service provider or you mobile phone contract, you go 'Okay I don't pay Netflix directly but my monthly bill just adds a line and I pay my local service provider', then it's easier and it removes friction."

"So that's the type of deals and partnerships we're trying to do."

"But pretty soon - perhaps coming in a month or so - we will have a shift to that."


Netflix on piracy and password sharing
Regarding piracy of content Yenia Zaba, the Netflix manager for media relations for Europe and Africa, says "we're not going to physically fight against piracy, we know it's out there, but piracy exists mainly because of two reasons."

"Piracy is there because content isn't accessible in another way, and B, it's not affordable."

"We don't have numbers for South Africa, but in many countries where piracy was really big - the Nordics, Australia - piracy dropped by 30% thanks to Netflix," says Yann Lafargue. "When you make it easy and the quality [of how people can watch it] is better, people move away from piracy."

"And also the frustration when you feel like a second-rung citizen - that was the case in South Africa, that was the case in France, or Germany, where you had to wait 2 years to get a TV show to become available to you, and you really want to watch it because on social media you hear about this great show - you're going to find a way to watch it."

"Netflix gives you a show, it's in South Africa, it's in France, it's in Finland, it's in South Korea, it's in the United States at the same time. So there's no incentive to do it [piracy]. And we also have 30 days for free."

In terms of password sharing between people, Yann Lafargue says "as long as it remains within the family circle I think it's fine. If you have a $7.99 plan, there's only one person who can watch at the same time."

"So if you give it to 10 of your friends, it's good, but if one of them is watching, you will be locked out of your own account. You won't be able to watch for what you're paying, so why would you do that?"

"It's fine if you want to show a piece of content to someone, but at the end of the day it's self-regulating."

"It's good also in new markets, so it's fine I guess in South Africa if you're at a coffee shop and you're telling your friend about these great documentaries that you've seen, or these amazing movies and go 'Oh, it's on Netflix, have a look, watch it'. And maybe they think I should get it as well. So it's kind of good because it's free advertising."

"We don't really have a strong stance against it, it's self-regulating by itself at the same time. And as long as it remains within a family, it's more or less okay."

"Also its more often teenagers. But when they first start working and get their first income, they often go 'I want my own account' and can afford it."

Wednesday, August 16, 2017

Charlize Theron on CNN International about America: 'Racism is alive and well and that scares me'; says some lives are valued more than others.


The South African film star Charlize Theron on Wednesday night in an interview on CNN International (DStv 401) said that in America "I see racism alive and well and that scares me".

The star is currently back in South Africa with Comedy Central's (DStv 122) The Daily Show host Trevor Noah doing charity work in her home country.

Charlize Theron's comments came after American president Donald Trump's chaotic and shocking press conference on Tuesday where he said there was "violence on both sides" after neo-Nazi demonstrators clashed with counter-protesters and that saw a neo-Nazi terrorist ram into people with a car, killing a woman.

Donald Trump failed to properly condemn the white supremacists in Charlottesville, Virginia in the United States and shocked America and the world with his unhinged press conference inside Trump Towers on Tuesday.

Speaking on Wednesday evening from Johannesburg on CNN International's Amanpour, Charlize Theron also spoke about the HIV/Aids epidemic in South Africa, with Donald Trump's administration that also did massive cutbacks to supporting international health programmes financially.

"When you look at the amount of people that are infected and how the Aids epidemic has ravaged sub-Saharan Africa over the last decade versus what's been happening in the Western world, how can you deny" that some lives are being valued more than others said Charlize Theron who is the founder of the Charlize Theron Africa Outreach Project.

"I think that some lives are valued more than others. I think that goes beyond the Aids epidemic. I'm seeing it right now in America."

"I think that we have to look at that as a global front. We have to be brave enough to look at that as part of the problem that's been keeping the Aids epidemic alive for so long."

Asked about the broader context and her view on what's been happening in America in Charlottesville, Charlize Theron said "I see racism alive and well and that scares me. And saddens me."

Tuesday, June 27, 2017

MultiChoice close to touching 12 million African pay-TV subscribers in 2017 as share of top-end DStv Premium subscribers continues to decrease and growth comes from lower-tiered bouquets.


Pay-TV operator MultiChoice is within reach of 12 million pay-TV subscribers across Africa with its subscriber base that added 1.5 million DStv and GOtv subscribers to top 11.9 million although the bulk of the subscriber growth is now coming from lower-tiered, cheaper bouquets.

On Friday afternoon Naspers released its annual financial results for the year until 31 March 2017 that revealed that its pay-TV business MultiChoice added another 625 000 DStv subscribers in South Africa in the past year (11% growth) to reach 6.36 million households.

In addition, MultiChoice experienced its highest net DStv subscribers growth ever over a 6-month period, and increased its spending 13% on TV programming and production costs that's paid in dollar.

It means that South Africa with over half of all MultiChoice's pay-TV subscribers in one country, remains MultiChoice's biggest pay-TV and DStv market in Africa by far, despite ongoing erroneous articles mistakenly citing countries like Nigeria as being the largest.

Naspers says its South African direct-to-home (DTH) pay-TV business delivered a "solid all round performance".

Sadly the plunge in Nigeria's currency has been debilitating on the entire MultiChoice Africa operations - a gaping black hole that led to a whopping $358 million trading loss and that wiped out MultiChoice's operational progress in lowering costs and streamlining operations.

It will likely take a couple of years for MultiChoice in Africa to return to profitability.


While the number of DStv subscribers are growing, the share of DStv Premium subscribers - the top-tier of users subscribing to the most expensive bouquet - is once again shrinking and continuing to contract, now down to 16%.

While mid-tier DStv Compact subscribers are remaining stable at 27%, the share of subscribers paying for lower-tiered bouquets is now the fastest growing, increasing its share from 53% to 57%.


PVR users in South Africa and across Africa growing fast
MultiChoice's streaming and catch-up service, DStv Now, is "gaining excellent traction" as available TV channels added to this service, and users grow, Naspers said.

Elsewhere in Africa, MultiChoice's digital terrestrial television (DTT) service, GOtv, is already profitable in four African countries. Overall GOtv is inching towards profitability, with MultiChoice that now has 3.001 million DTT subscribers in Africa.

In South Africa MultiChoice saw a 10% growth in the number of DStv subscribers, compared to 2016, who have and use its personal video recorder (PVR) decoders. With this bigger PVR use, the average revenue per user (ARPU) for PVR decoders in South Africa increased by 2% in 2017.

In the rest of Africa the growth of PVR decoders by DStv subscribers have been even more phenomenal - a whopping 26% jump, although the ARPU in the rest of Africa declined by 23% in the financial year.

MultiChoice is responding to increased content costs by removing and renegotiating non-essential TV content.

MultiChoice focused on "bouquet restructuring and reduction of non-performing content, holding subscription prices steady in key markets, better customer focus and retention, reducing set-top box prices and rightsizing operations".

Naspers' subscription video-on-demand (SVOD) service, ShowMax, completed its first full year of operations and is now fully localised in South Africa, Kenya and Poland.

Consolidated development spend for Naspers' video entertainment segment was $102 million compared to 2016's $85 million - up 20% year-on-year (YoY).

Naspers says increased investment in ShowMax was offset by scaling of the GOtv DTT platform.

Thursday, February 2, 2017

OPINION. Is the little publicity love for BBC Worldwide's Planet Earth II on BBC Earth because it's a natural history programme on a niche DStv channel?



Correction: This article originally mentioned Sir Richard Attenborough as the narrator of the series; it's Sir David Attenborough and has been updated as such.
Update: The BBC says several South African radio interviews were done about Planet Earth II and there's been several print articles published about it, and that there's been screenings of the show to press.


The BBC's apparent lackluster publicity effort in South Africa (and in the rest of African countries where viewers will have the chance to see it) behind the upcoming Planet Earth II ...

... is it because it's a factual entertainment and natural history programme shown on a niche documentary channel like BBC Earth (DStv 184)?

Traditionally shows and natural history programming like Planet Earth II on channels like National Geographic, BBC Knowledge (now BBC Earth) and others on MultiChoice's DStv platform in South Africa, didn't and don't get the same publicity and marketing effort, energy and PR push as big local and international entertainment shows.

The big reason of course, is the perceived limited or lack of an adequate return on investment - meaning eyeballs.

To make viewers aware through the PR machine about a new documentary series about hammerhead sharks on Animal Planet for instance ends up yielding far fewer viewers - due to the mere nature (no pun intended) of the content, than trying to build buzz about the new season of Cookie and Empire.

Still, in my opinion, it's disappointing that BBC Worldwide hasn't done more to actually publicise, promote and to bring the upcoming Planet Earth II, narrated by Sir David Attenborough, and a new extension of the Planet Earth series from a decade ago, to the South African press.

Yes, BBC Earth on DStv is a small channel. Yes, BBC Earth has a limited number of viewers.

And yes, BBC Earth as a BBC Worldwide channel isn't that widely available throughout Africa beyond South Africa as some other BBC or rival DStv channels.

Yet, Planet Earth II is a natural history show that really could and should have been used to help build awareness about BBC Earth as a channel and a brand.

More actual publicity around Planet Earth II would have helped not just the show but the channel BBC Earth to solidify its channel proposition, content offering, and its image in the minds of not just TV critics but also viewers.

There's also potential DStv subscribers who might opt to get DStv and desire to get access to BBC Earth because they become aware of this channel that's only for DStv Premium subscribers.

Sadly BBC Worldwide South Africa's perceived tepid publicity effort, compared to what other TV channels do for shows they deem worthy to make viewers aware about, isn't doing Planet Earth II or the BBC Earth channel any favours.

When viewers and TV critics are overwhelmed by a barrage of must-watch, must-follow Sunday programming like Wingin' It and The Voice South Africa II on M-Net, Date My Family and Our Perfect Wedding on Mzansi Magic (DStv 161), and The Ultimate Braai Master on e.tv, how do you break through this clutter effectively to stake a claim and to make your show stand out and feel compelling to viewers?

While Planet Earth II is a lot like the first Planet Earth series, it does go further in some aspects - something that makes this natural history programme television that should be seen - for instance the last episode in the 6-part series entitled "Cities".

This episode looks at how animals live in and have adapted to mankind's urban environment - something that wasn't in the first series and moves this follow-up further than Planet Earth.

With BBC Earth now being a high definition (HD) channel on MultiChoice - that BBC Knowledge and BBC Entertainment were not when Planet Earth and Life were originally shown - DStv subscribers can now also see Planet Earth II in HD.

I bought Planet Earth as Bluray box sets for myself and as gifts for three friends when it came out years ago because I didn't want to watch a natural history show like this in standard definition. Now at least the follow-up - filmed in 4K resolution - will be screened closer how it's meant to be seen. This is another reason why viewers should tune in.

While the British and American press covered Planet Earth II extensively, the effort by South Africa's media, sad to say, fell short. (Google "Planet Earth II" and "South Africa" under news to see how few stories there's been about it.)

Perhaps basic things things like a media preview, or a screener disk or online screener, or even a fact sheet for Planet Earth II from BBC Worldwide to the people covering TV would have helped with more awareness around the show.

It would have gotten the word out there that BBC Earth as a channel has its first tent pole programming series since the channel launched on DStv in September 2015, and that viewers should tune in.

Nobody expects Sir Richard Attenborough to visit South Africa like he did places overseas for Planet Earth II, but some more publicity razzle-dazzle from BBC Worldwide in South Africa and MultiChoice for this natural history show - even though it's on a natural history and documentary channel - would surely have garnered a higher level of media exposure in the form of reviews, interviews and attention by and in the press.

Now, like in nature where it's survival of the fittest, Planet Earth II, got pushed out of the nest having to fend for itself in a cut throat TV habitat filled with a lot of shows having bigger buzz and all competing for the only limited food that matters: viewers.

Natural history TV channels in general - like BBC Earth - and shows like Planet Earth II - deserve more love and to be shown more love.

Not only will some bigger actual effort to promote their shows go a long way to put these types of channels more front and centre in the minds of TV critics, but it will also help to grow reach, awareness and eventually lift these channels' ratings.

Tuesday, July 12, 2016

South Africa and the United Kingdom signs a television co-production agreement to strengthen ties between the two broadcast industries.

South Africa and the United Kingdom have signed a television co-production agreement to strengthen ties between the two broadcast industries, saying in a statement the treaty will aim to "encourage the sharing of knowledge and ideas and drive economic growth through television co-production".

The new agreement was negotiated between Britain's department for culture,media and sport, the British Film Institute and South Africa's department for arts and culture.

As part of the agreement, SA-UK TV co-productions that qualify will get a higher-rate production rebate in South Africa, and television tax relief in Britain, as well as animation TV tax relief and children's TV tax relief in the United Kingdom.

"British television production is a tremendous success story, but we need to make sure the UK remains well placed to take advantage of the opportunities that come through international collaboration," says the UK culture minister Ed Vaizey.

"This new agreement enhances our already strong relationship with South Africa and will help television production companies in both countries realize the benefits that come with co-production".

Friday, March 18, 2016

South Africa the latest African country to battle the arrival of 'unregulated' Netflix; Film and Publication Board orders Netflix South Africa to comply with local classification.


South Africa has become the latest African country to battle the arrival of the "unregulated" Netflix on the continent since it arrived at the beginning with the year, with the Film and Publication Board (FPB) that has given Netflix two weeks to comply with local regulations or face sanctions.

The Film and Publication Board has also slapped Netflix South Africa with licensing fees that has not yet been paid.

South Africa is the latest African country now battling Netflix since the arrival of the global video streaming service at the beginning of January.

The Kenya Film Classification Board (KFCB) in January already threatened to block Netflix in Kenya, saying its "a threat to our moral values and national security" because Netflix fails to conform to Kenya's ratings and classification regulations as provided in law.

Netflix content in South Africa is not classified by the Film and Publication Board (FPB) although the Naspers rival ShowMax does contain, show and adhere to the FPB classification system for South Africa which is different from the broader and general classification system Netflix uses globally.

According to Kenya's Standard, South Africa's FPB also offered Netflix the opportunity to have Netflix staff trained in South Africa's classification standards.

"Our values are different from the American values and their 16-year-old is not necessarily our 16-year-old and that's why they must re-rate the films in conformity with our standards," said Sipho Risibia, FPB chief operating officer (COO), according to the Standard.

Friday, March 4, 2016

Netflix responsible for half of lost TV ratings in 2015 in America according to a new report.


New research in America reveals that Netflix has been responsible for half of the lost ratings and vanished viewers who completely disappeared in 2015.

America’s TV industry is in crisis, with plunging viewership that is more a case of ratings measurement agencies like Nielsen that’s unable and failing to adequately measure online and streaming services like Netflix.

Although more people in the United States and globally are watching television, Nielsen and others report steadily dropping ratings for linear TV channels. Netflix, that is now also available in South Africa since the beginning of this year, notoriously doesn’t release ratings.

That creates the effect where existing TV viewers and viewership seems to “disappear”, since they’re not effectively being measured when they watch on other devices and other services.

While not yet an issue for South Africa, the slowly growing penetration of local video-on-demand (VOD) services like Naspers’ ShowMax, China’s PCCW Global’s ONTAPtv.com, MTN’s VU and Netflix South Africa are going to have the same impact on the locally reported linear television ratings of traditional broadcasters and operators like the SABC, MultiChoice’s DStv, e.tv and StarTimes Media SA’s StarSat.

Just like Netflix in America, in South Africa none of the existing subscription video-on-demand (SVOD) operators release ratings or viewership information either, although when people are watching these services, they are watching television and spending time consuming media that’s not effectively being measured.

According to a new study by Michael Nathanson of the research firm MoffettNathanson, Netflix accounted for a whopping 50% of the decline in traditional TV time in America in 2015.

That means that Netflix has become the same as a small to medium-size TV group. Netflix’s total viewing hours – 29.1 billion – is now greater than pay-TV groups like A+E Networks, Scripps Networks Interactive, AMC Networks and Univision.

“We calculate that, in an imperfect analog, Netflix sourced [caused] 50% of the decline in measured linear viewing,” in 2015 says Nathanson.

“Currently Netflix is a source of industry pain, but not necessarily a cause of industry death,” writes Nathanson.

According to other research, FBR Capital Markets predict that Netflix is on its way to attract a larger 24-hour TV audience later this year than the traditional American broadcasters, NBC, ABC, CBS and Fox.

Friday, September 4, 2015

MultiChoice can't rule out a 2nd price hike in 2015 for DStv subscribers in South Africa due to weak rand; 'hope environment stabilise'.


MultiChoice can't rule out a second price hike for DStv subscribers in South Africa in 2015 due to the weakening rand while MultiChoice just announced that it is increasing prices by another 25% in Uganda and 15% in Kenya due to weakening currencies.

DStv subscribers in Uganda and Kenya are fuming since MultiChoice announced another dramatic price increase for the satellite pay-TV operator's customers in these African countries.

When news leaked in mid-August that MultiChoice in Uganda will increase prices again this year, the pay-TV operator denied it and said its only a "discussion document" - only to announce on Wednesday a dramatic increase of 25%. Since the beginning of the year Uganda's currency has already fell by 32% against the dollar.

MultiChoice Uganda's general manager Charles Hamya says the country's weak economy, especially the falling Uganda shilling is to blame for the DStv price increase and that MultiChoice absorbed losses for several months but can't anymore.

"The revisions are necessary in order to cater for the continuous depreciation of the Shilling against the dollar which has negatively impacted our business - whose input costs such as programming, infrastructure and satellite fees are mainly dollar-based," said Charles Hamya.

"We held off passing on the cost of the depreciation by absorbing the losses for several months, however, this is not a sustainable business strategy; we find ourselves with no alternative but to revise our price rates upwards," said Charles Hamya.

In Kenya news of yet another price hike since the one that happened on 1 April, swiftly led to uproar under DStv subscribers, where the depreciation of the Kenyan shilling against the American dollar is also blamed for the new increase of around 15% from October.

Subscribers across Africa are also fuming after MultiChoice moved the English Premier League (EPL) from a lower SuperSport channel two months ago to a more expensive DStv package.

MultiChoice in Kenya told DStv subscribers that "for months MultiChoice has held off passing through this price increase to DStv subscribers and has absorbed the foreign exchange losses."

"However, it is no longer possible to avoid a price adjustment on DStv subscriptions. The increase is necessitated by foreign exchange rate changes  - similar to other imported services where costs are originated in US dollars."

The increase in Uganda and Kenya - and the reason - is a big warning sign for South Africa.

In response to a media enquiry and asking if DStv subscriptions will increase again in 2015 or whether MultiChoice can rule out more than one price hike per year, MultiChoice in South Africa tells TV with Thinus that it can't rule out a second price increase this year and is hoping that the environment regarding the rand's depreciation against the dollar "will stabilise".

At the end of August the South African rand hit an all-time low against the dollar - mostly over growing concern of the world's number two economy: China.

"We review our prices based on a variety of factors including currency movements and constantly monitor the situation," says MultiChoice. "We hope the environment will stabilise and there will be no need to review the subscription prices".

Thursday, August 6, 2015

CNN International correspondent David McKenzie back in South Africa to cover Africa: 'I'm really excited to be covering the continent again'.


Even on a TV news channel that's in the business of news and truth-telling like CNN International (DStv 401), there's one thing that the camera and your TV screen don't fully reveal about the international correspondent David McKenzie: just how tall he really is.

The award-winning correspondent for CNN International who've criss-crossed the globe, just returned to South Africa from Asia to take over from Diana Magnay (who took over from South Africa's Robyn Curnow when she became a CNN anchor in Atlanta late last year).

He is now the new international correspondent for Africa for the news channel.

Formerly CNN International's Nairobi based international correspondent in Kenya for half a decade and then moving to Beijing, China, returning to South Africa is almost a "homecoming" of sorts for David McKenzie.

He's already reported from more than 30 African countries for CNN International - doing stories and venturing to places where most won't dare go, from the Ebola ravaged Sierra Leone and the violence prone oil fields of Sudan to the piracy-plagued coast of Somalia.

"CNN approached me to be based in Johannesburg and I'm really excited to be covering the continent being based out of Africa again," David McKenzie tells TV with Thinus.

"China was an incredible experience, but in a sense this is a homecoming both personally and professionally since I have long experienced covering all parts of Africa during my career. I will be an international correspondent for CNN focusing on South Africa, Africa and wherever else the story takes us," he says.

"Africa is an important story for CNN and we want to make sure it gets the diverse and robust coverage on all our platforms that it deserves."

David McKenzie left South Africa right after high school "and have been pretty much on the road since then," says the intrepid reporter who doesn't mention it but actually graduated from Duke University in the United States and got a Masters in Journalism from New York University.

"I have come back frequently to visit family and for work but this is the first time I have been based in Johannesburg for a long time. It's exciting to be back for sure."

"I missed a lot about South Africa - the people foremost," says David McKenzie. "This is such a diverse country with so many different cultures and backgrounds but most South Africans I meet share a common warmth and cheeky sense of humour that makes this country special," he says.

"I missed the glorious weather of Johannesburg and some of the touches of the familiar like the local newspapers, beers, braais and sports that are just part of the fabric of Johannesburg and South Africa."

Perhaps you've seen the tall David McKenzie on CNN International being manhandled and forcefully removed by much shorter, yet heavy-handed Chinese officials who don't care much for press freedom and who will pull reporters from the streets even if they stand in public spaces but dare to cover "sensitive" stories.

It would be almost comical watching Chinese officials removing someone much taller than them like David McKenzie from Beijing pavements if it didn't involve serious issues like press freedom and harassment of the media.

I ask him what he's learnt from his time based in China and he uses the word "challenging".

"China was an incredible experience and I grew a great deal professionally there. Operating as a journalist in China is challenging and we had to have long-term views on many stories since it took a great deal of effort to put them together."

"For example, our exclusive inside China's Space programme took more than a year to organise."

"Chinese are often warm and generous people and traveling through much of the country, you realise just how diverse the culture, food and language is," he says.


His parents are glad he's back. "My parents are thrilled that I am going to be based in South Africa as they also spent many years overseas but have retired to South Africa and love living here. My mom is constantly giving me story tips."

Of Robyn Curnow, whose excellent coverage of South Africa and especially her authoritative and comprehensive reporting during, and after, the death of former president Nelson Mandela propelled her to an anchor position behind the desk at CNN's headquarters in Atlanta, David McKenzie says she's fantastic.

"Robyn has done amazingly and deservedly well and she is a good friend. I think her show [International Desk with Robyn Curnow] is fantastic and it is great to get her perspective and reporting skills that level of exposure."

Asked if he has similar aspirations perhaps to become a CNN anchor, he's more guarded. "As to my ambitions ... watch this space! I want to conquer this next challenge first," he says.

Having literally traveled thousands of miles, seeing the best and worst of the planet and in people, David McKenzie, like all international correspondents who've done it for a while, becomes part of a different group of people: reporters who relay the news of the world but somehow, luckily, don't lose their sense of wonder about it or their hope for humanity.

I ask him how he feels about Africa and sees the continent, interested to hear what he will say people don't realise and should be more aware of regarding the large continent.

"I think many people don't realise how diverse the continent is and how much each of its 50 plus countries and territories have to offer," says David McKenzie.

"I see the continent as having huge potential and I look forward to covering the breadth of amazing stories in Africa for our global audience. Our African audience is also very engaged, and I look forward to restarting the conversation."

Friday, January 23, 2015

Netflix plans to be global by 2016, including South Africa, says the growing video internet streaming service.


Netflix, the growing video internet streaming service which is accelerating its worldwide accessibility, will definitely be available in South Africa before the end of 2016 a Netflix spokesperson told TV with Thinus on Thursday night.

It follows the aggressive roll-out of Netflix - currently accessible in about 50 countries - to more countries across Europe at the end of 2014. Netflix will roll out from March in Australia and New Zealand - places with highly comparable TV markets to South Africa.

"We intend to make Netflix globally available by the end of 2016 including South Africa," a Netflix spokesperson told me last night.

Netflix wants to aggressively expand its on demand streaming service to an additional 150 countries within the next two years, to 200 countries and territories, in order to create "material global profits" from the beginning of 2017.

Netflix's arrival in South Africa - a TV and video market still hampered by slow and expensive internet and broadband costs - will mean an avalanche of new content as the company has started to ramp up production of original new series, and plans to roll out about 20 new TV shows per year besides its library series and movie catalogue.


Will end "geoblocking"
Netflix also plans to end "geoblocking"as soon as possible, giving people worldwide the same access, as far as possible, to the same content at the same time.

At the moment Netflix is blocked in South Africa and in several other countries outside of the United States where Netflix doesn't yet run a regionalised service, with users who have to make use of a "VPN" to circumvent the regional restrictions at an additional monthly cost.

Netflix' arrival in South Africa within a year or two carries implications most notably for MultiChoice's DStv satellite pay-TV service and the pay-TV broadcaster M-Net who for the past two decades worked hard to secure exclusive broadcasting rights to top American TV shows in elaborate and multi-year deals with Hollywood studios and international distributors.

Although Netflix doesn't have sport, it did already sign rights for hugely popular and buzz-worthy Netflix produced shows like House of Cards and Orange is the New Black which are currently being shown on M-Net.

With critically acclaimed shows like these which will run several more seasons - definitely longer than the next two years and will thus overlap with Netflix's South African launch - these Netflix shows will either start to disappear from M-Net and DStv prior to Netflix's launch as it prepares to enter the market within the next two years to make it available on its own service, or Netflix will "take it back" whenever it can after its launch.

Already with Netflix's launch in Australia, neither House of Cards nor Orange is the New Black will be available on Netflix there - the dramas are shown on Foxtel due to similar pre-existing broadcast licensing deals signed with Foxtel prior to Netflix's entry into those countries next month.

Besides DStv and M-Net, the arrival of Netflix will also mean direct competition for new South African video-on-demand (VOD) players like VIDI, Altech's Node and MTN's FrontRow which all launched services in the latter part of last year.  


Global roll-out, global content
Netflix surprised this week with the announcement of its aggressive worldwide strategy during the announcement of its latest quarterly results, and says that its plan is to sign content deals on a global basis.

What is means is that Netflix wants to release and show the same show, like Orange is the New Black or Marco Polo at the same time in all the countries it can, for viewers to binge-watch at their own time, releasing a brand-new TV series every three weeks.

"We had the vision to start to figure out how to get global rights for some of the content by moving up the food chain," Reed Hastings, Netflix CEO, said this week on the company's conference call.

"We have been pushing on that dimension, where we can get the global rights and we don't have to go country by country across 200 countries, but can instead provide the producer upfront money, guaranteed money and get great access".

Netflix chief content officer, Ted Sarandos, said that "instead of having to go country by country to pile up those deals, and line up those windows, this enables us to make the service, the selection, far more global for viewers around the world who increasingly know exactly when these shows began, and are hungry to see them as soon as they can".

Wednesday, November 19, 2014

BREAKING. Netflix expanding to New Zealand and Australia in March 2015, is South Africa next?


The global video streaming service Netflix is expanding to New Zealand and Australia and has announced that it will become available in those southern hemisphere countries from March 2015. Is South Africa next?

Netflix started an aggressive roll-out across Europe in September, including countries like Germany and France and its major expansion to now include New Zealand and Australia from early in 2015 signals a strong likelihood that its international growth plans will eventually include South Africa as well where the launch of video-on-demand (VOD) services suddenly exploded the past two months.

Nothing is preventing Netflix from entering South Africa, except for the painstaking and often cumbersome process of acquiring broadcasting rights for individual programming; Netflix is currently licensing some of its high-buzz shows like House of Cards and Orange is the New Black to M-Net which is showing it on its TV channels on MultiChoice's DStv.

If Netflix eventually launches in South Africa, those titles will for instance not be on Netflix until such time as such a licensing agreement ends.

A Netflix South Africa offering, should it eventually launch, will start small just like a newly launched TV channel, mostly with library titles, and then grow and expand in volume over time as it adds more original and exclusive series and content.

Netflix first expanded into Canada in 2010, Latin America in 2011 and then the United Kingdom, Ireland and Scandinavia in 2012.

The video-streaming giant, like all VOD services, is however conscious of the end-user experience and South Africa still has a way to go in terms of not just broadband penetration and availability, but also streaming and download speeds while the cost of internet and broadband to consumers remain prohibitively high.

Players like Times Media's VIDI, Altech's Node, MobileTV which plans to launch its full service in February 2015, along with the French telecom operator Orange which wants to expand its new Dailymotion VOD offering, are suddenly all vying for a slice of the new VOD pie.

VIDI and Node offer mostly library content of old series and movies. Then there's Telkom which has plans to launch a VOD service and MultiChoice which is growing and enhancing its existing DStv BoxOffice and DStv Catch Up services and just launched its DStv internet connected services for its premium DStv Explora decoder.

Sadly, the bulk of South African consumers can't really sign up for and utilise these services which quickly gobble up gigas of data, and are handicapped as users of VOD services by slow speeds, high prices and words like "shaped" and "capped" from internet service providers.

In South Africa's favour however for a Netflix launch counts a large English-speaking consumer market, the most sophisticated digital content management rights environment on the African continent, a strong and fast-growing smartphone and WiFi market, a fast growing satellite TV market and a large and growing black middle class consumer market willing to pay for better TV and video content and who are disillusioned with the tepid TV offering of the beleaguered SABC.

The addition of New Zealand and Australia would bring the number of countries and territories enjoying Netflix to more than 50.