Monday, November 2, 2026

South African Film Biz Slams Incompetent Government as Talks to Fix Broken Rebate System Collapse for Third Time, Demands Removal of Nelly Molokoane and Calls on President Cyril Ramaphosa to Urgently Intervene


by Thinus Ferreira

South Africa's film and TV industry is furious with the government and its trade, industry and competition minister Parks Tau, with talks to try and fix the country's broken film rebate system that has collapsed for a third time and the biz coalition now demanding that film incentive programme boss Nelly Molokoane is fired.

The country's film industry is now also calling on South African president Cyril Ramaphosa to urgently intervene, saying the entire situation is an untenable crisis.

Because of its shockingly poor leadership, the department of trade, industry and competition (DTIC) is once again on track to vastly underspend its allocated film support allocation of this financial year.

The local film industry is vowing a new month-long round of public protest set to start across South Africa from 28 January 2027, as the incompetent, aggressive and recalcitrant Nelly Molokoane remains in place as the head of the government department's imploded and wayward film and television incentive unit.

South Africa's entire film industry wants Nelly Molokoane fired but Parks Tau has so far refused to remove her, despite apparently not doing her job.

With a massive backlog in payouts totalling hundreds of millions of rand, as well as a backlog in working and approving applications for the South African government's film incentive programme, Parks Tau, Nelly Molokoane and others in the government department have inflicted massive damage on South Africa as an option as an international filming destination, as well as on local production companies.

South Africa introduced the film and television incentive in 2004. The last adjudication committee to approve new applications before 1 October 2026 sat in March 2024 - almost three years ago.

The Save SA Film and TV Jobs Coalition confirms that talks have yet again broken down with the DTIC - for the third time - with the government simply not responding on any of the promises the department andNelly Molokoane have made.

The Save SA Film and TV Jobs Coalition was founded and is led by the Independent Producers Organisation (IPO) and brings together 18 industry bodies in South Africa, including and representing producers, writers, performers, crew, editors, cinematographers, stunt performers, animation, documentary, post-production and finishing, talent management, festivals and markets.

The coalition;s members are Animation SA (ASA), Cinegear, Creative 20, the Documentary Filmmakers Association (DFA), Independent Directors Association Africa (IDAA), Independent Producers Organisation (IPO), Personal Managers Association (PMA), South African Background Actors Guild (SABAG), South African Finishing Artists and Imaging Technicians (SAFAITS), South African Guild of Actors (SAGA), South African Guild of Editors (SAGE), South African Performing Artists Managers Association (SAPAMA), South African Screen Federation (SASFED), South African Society of Cinematographers (SASC), the South African Stunts Association (SASA), the Soweto Film Festival, the Soweto Film Market, as well as the Writers Guild of South Africa (WGSA).

This coalition wrote to Parks Tau on 22 October to place it on record that talks have broken down again, and gave the DTIC 7 days to fix the problem.

"That period has now expired without a response from Parks Tau," the coalition reveals that will now report the issue directly to the portfolio committee on trade, industry and competition in South Africa's parliament.

The coalition is also calling on South Africa's president Cyril Ramaphosa directly, to invene in this massive crisis.

On 10 August, days before the industry's second appearance before the parliamentary committee, the DTIC and the coalition signed the DTIC's new Film and Television Incentive Negotiation Framework and Heads of Agreement.

This new agreement was supposed to be the start of a new chapter of the DTIC and South Africa's film biz working together to sort out the massive backlog and to get the millions paid that is owed to producers, as well as to restart the incentive programme and to approve new applications.

So bad has the DTIC been that it blatantly flouted what it promised to do with the new agreement. The administration protocols for the current guidelines have not been agreed jointly, the working groups to develop the new guidelines have no started and the deadline of 30 October 2026 to complete the new set of guidelines came and went.

"Multiple letters from the coalition to Parks Tau have gone unanswered this year," the coalition says.

"Earlier last month, on 7 October 2026, the coalition wrote, warning that the engagement was at credible risk of breaking down, and offered Parks Tau the opportunity to intervene before it did."

"That letter went unanswered, as did the follow-ups to it."

The coalition explains that on 22 October 2026, it notified Parks Tau "that the engagement had broken down and afforded the DTIC 7 days in which to remedy the position. That letter has also gone unanswered."

"The industry is left to ask how a working relationship with the DTIC is to be maintained when its correspondence is not responded to."

"It is a continued pattern of industry input going unanswered, and it demonstrates clearly that there remains a problem within the DTIC that the industry has repeatedly raised."

The coalition says it is not just concerned about the DTIC's lack of keeping its side of the agreement.

"A government department that puts its signature to an agreement must be expected to stand by it. Where it does not, nothing agreed can be relied upon."

"This is not the first time an undertaking given by the DTIC to the industry has not been adhered to."

The coalition also notes that "At the first working group after the parliamentary engagement, on 21 August 2026, the DTIC's deputy director-general told the meeting that the department wanted progress, that it would not allow any organisation to delay or derail the discussions, and that the objective was a single joint report to parliament".

"He pledged honesty and frankness, and said there would be no circumstances where things are hidden."

The coalition says it will now "report to parliament separately and how the DTIC is handling the current administrative backlog remains largely unknown. This is another clear example where the DTIC does not stand by what it says".

"The Coalition will not accept anything less than a strong, reliable incentive system that the industry and the department have agreed on together."

According to the research from the Save SA Film and TV Jobs Coalition, the DTIC will once again underspend its allocation for the film and TV incentive this financial year.

"That is the consequence of poor leadership of the incentive programme and of a poor understanding, within the DTIC of what the incentive programme is and how it should work, taking into account the realities of production. The Coalition will demand accountability for this," it notes.

The coalition now calls on South African president Cyril Ramaphosa to "intervene directly, and does so only because the position has become untenable".

"We are asking the presidency to step in because it is no longer tenable that a department lacks both the capability and, more importantly, the willingness to resolve what is, in most respects, a normal administrative matter."

The coalition is fed up with Nelly Molokoane.

"Nelly Molokoane remains the head of the film and television incentive unit, and hence the unilateral and obstructive approach the DTIC has taken in dealing with the crisis continues," the coalition says.

"The Coalition has made clear to the DTIC that Nelly Molokoane will not be accepted by the industry as leading this incentive any further. This is a red line for the industry."

"The Coalition has, again, called for her removal from the Film Unit, and from any further decision-making on the incentive, a position adopted by resolution of its members."

"Yet the DTIC has failed to hold her accountable for the past and continuing failures in the management of the incentive programme."

The coalition will now again do public protests on 28 January to 27 February 2027, similar to earlier this year because the coalition says the DTIC "has done very little to resolve this crisis".

"The Coalition is calling for accountability, and for action to be taken swiftly. The action will not end until the DTIC resolves this matter on a basis that works for the industry, for the DTIC and for the country."

"Without urgent and decisive intervention, the damage already caused by the ineffective administration of the Film and Television Production Incentive will only deepen, placing at risk an industry that contributes significantly to South Africa's economy and the livelihoods of the thousands who depend on it," the coalition says.

"The problem has never been the incentive itself - it is what has been done to the running of it. Without corrective action now, the consequences may prove irreversible, leaving an entire sector, its workforce and its considerable economic potential out in the cold."

Viewers Tired of 'Endless Scheduling Uncertainty' Slam Unstable e.tv Over Latest Primetime Schedule Rejig, Start Petition to 'Stop Constant Reshuffling of Our Shows'

by Thinus Ferreira

Tired viewers, angry at being shunted all over the time schedule of e.tv are slamming the eMedia-run free-to-air broadcaster in South Africa for yet again changing its primetime line-up and have now started an online petition to rebuke e.tv for its consistently tumultuous and erratic schedule changes.

Viewers say e.tv is chasing them away with the constant line-up changes and disrupting their viewing habits - something that e.tv executives seemingly don't understand.

Viewers are telling e.tv what the broadcaster should know and what is industry knowledge: That e.tv's unending changes, because its schedule and shows are apparently not working, and are risking alienating its viewers with the constant changes.

According to viewers, e.tv is "disrupting loyal audiences, and making it difficult for people to follow the shows they love".

They say a TV channel like e.tv should stop "continually forcing viewers to adjust to new schedules".

From Monday 2 November, e.tv is yet again altering its primetime line-up - moving shows around yet again, and yet again without any explanation to viewers or the media.

Tshegofatso Kolotse, e.tv publicist, gave no explanation as to why e.tv is once again altering its primetime schedule when the channel announced that eGagasini: Waves of Change will now move to 19:00, followed by Land of Mills & Honey that now gets the 19:30 timeslot.

From 20:00, e.tv will show The Four of Us, followed by Isitha: The Enemy at 20:30 and Emzini: A Family Legacy at 21:00.

The channel changed its schedule in January this year and then again in April. In June e.tv changed its schedule again with eGagasini that started in the cancelled House of Zwide timeslot of 19:30 and The Four of Us at 20:00.

The e.tv viewer Ntando Bangani is fed up with the multiple e.tv line-up changes and has started a petition to get e.tv to stop the "constant reshuffling of our favourite shows".

"We, the viewers, are tired of e.tv constantly reshuffling its programming schedule. It feels like every time we adjust to a new schedule and get comfortable with the changes, another reshuffle is announced," Ntando Bangani explains.

"These continuous changes are frustrating, and it has not even been a year of this seemingly endless scheduling uncertainty."

"Our main demand is simple: Keep eGagasini at 19:30! Viewers have routines. Some of us arrive home from work, prepare supper, and settle down to watch our favourite shows around this time."

"The 19:30 slot works for many of us, and moving the show disrupts the viewing habits that audiences have built."

"We understand that television schedules sometimes need adjustments, but constant changes risk confusing viewers, disrupting loyal audiences, and making it difficult for people to follow the shows they love."

"We respectfully call on e.tv's programming executives to reconsider these frequent reshuffles and provide viewers with a more stable, predictable schedule. We also ask management to listen to audience feedback before making decisions that affect loyal viewers."

"Our demand are to keep eGagasini in its 19:30 slot, to stop the endless reshuffling of television programmes, to give viewers a consistent and reliable viewing schedule, and to listen to the audience before making major programming changes."

The petition notes that "A television station should build loyalty with its audience, not continually force viewers to adjust to new schedules".

Saturday, October 31, 2026

2026 MIP Africa: Cape Town Film Support Fund to Open 4th Round in Early-2027 as France Says Support of African Creativity Lies in Colabs to Ensure Stories are Made With International Reach


by Thinus Ferreira

Cape Town is currently reviewing the 2026 submissions for funding in round three of its Cape Town Film Support Fund and will open the call for applications for its fourth funding tranche early in 2027 for filmmakers who need financial help with their Cape Town set projects.

Alderman JP Smith, Cape Town's mayoral committee member for safety and security and with oversight of Film Cape Town, spoke at the opening of the 2026 MIP Africa and Fame Week trade fair in the city, and said the city's film fund supports short films, feature films, TV series, animation, gaming and even reality shows. 

"We anticipate opening the next call early in 2027 and we encourage anyone who needs support from the city, to apply with your projects," he said.

Alderman JP Smith said Cape Town is "thrilled that events like MIP Africa and Fame Week allow us to showcase our world-class locations and our talented filmmakers and producers".

"Fame Week continues to provide a platform where our local, continental and international creatives can present their work, exchange ideas, and build future collaborations. That's what's exciting: Not just how far Fame Week has come, but how much potential lies ahead."

"Each year it continues to build momentum, strengthen our industry connections and create new opportunities for the creative community to grow. As the city of Cape Town, we're very proud to be a partner and a supporter of this festival."

"Our backing of Fame Week forms part of our broader strategy to grow the creative industries and stimulate the economy."

Sophie Bel, the consul-general of the French consulate in Cape Town, said "I am particularly proud that France has been chosen as this year's destination of honour".

She said the French delegation, consisting of various creatives and executives, looks forward to meet their African counterparts and "to start new conversations".

"Culture can create economic value, employment and open up opportunities for young people. This is particularly relevant here in Africa. This continent has an extraordinary wealth of talents, languages, stories and a young population."

"The new generation of creatives and entrepreneurs are emerging, reaching increasingly connected audiences who want to relate to their own stories and identities."

"For France, supporting African creativity means recognising this talent, this expertise - not simply as sources of inspiration but as partners in their own right. It means ensuring that African voices and stories are told in their own ways."

"The challenge is ensuring that this creativity translates into sustainable businesses and this is where partnerships matter. We believe that the future of creative industries lies in collaboration between creatives, entrepreneurs and investors."

Sophie Bel noted that South Africa and France's cinematography and audiovisual co-production agreement that was renewed in 2023.

"It provides the framework for producers from both countries to develop projects together. MultiChoice's Spinners is an example of what co-operation can achieve, bringing contributions from two countries to produce a story with international reach." 

"Through our flagship programme, Création Africa, 15 laureates were selected this year from 240 applications across South Africa, Lesotho and Malawi," she said.

"I hope that the French delegation will leave Cape Town with new connections, new ideas and above all new projects."


Nomsa Philiso, executive vice president of content at Canal+ Africa, said "Investing in African storytelling means investing in the people who create it".

"It's not enough to just commission great stories; we also need to invest in the people who are going to tell those stories for years. That's why we are at Fame Week. Over the years, this market has helped bring producers and broadcasters together and you see the results firsthand."

"We had a dedicated call to pitch, and of the 1 400 submissions we have received, we will be talking to those shortlisted."


2026 MIP Africa: After Canal+'s MultiChoice Buy, French Flair and Execs Invade TV and Film Fair from Le Fantôme Opening to Panels and Networking


by Thinus Ferreira

MultiChoice's sudden addition of international short films from the Clermont-Ferrand International Short Film Festival to the line-up in August at 2026's 14th kykNET Silwerskermfees film festival in Cape Town was just the harbinger of a major French influx of influence and integration this year at the 2026 MIP Africa and Fame Week.

The massive French presence is unmistakable and unsubtle - the corporate outflow of France's Canal+ that has taken full ownership of Africa's MultiChoice.

With MultiChoice as MIP Africa's highest-tier sponsor - Super Sponsor - and its pavilion taking up the largest physical footprint this year inside the Cape Town Convention Centre (CTICC) 2, a dramatic French presence looms over this year's annual TV and film trade market.

With France taking the spotlight as the official "Destination Focus" for MIP Africa and Fame Week, a massive French delegation of over 25 audiovisual professionals, buyers and distributors are making their impact felt throughout the week.

Led by diplomatic and cultural heads, the French presence focused heavily on trying to establish co-production deals and relationships, content distribution and creative partnerships with African storytellers.

Since MultiChoice is now a Canal+ company - and the biggest sponsor of MIP Africa and Fame Week - the momentum of this new French corporate ownership is also the force behind the trade fair's strategic partnership with the French embassy in South Africa and the French Institute of South Africa (IFAS), culminating in a massive, highly visible French presence.

The French influence at the 2026 MIP Africa and Fame Week literally took centre stage.

Sophie Bel, the consul-general of the French consulate in Cape Town, officially cut the ribbon to launch the massive French pavilion while Jean Spiri, IFAS director, was heavily involved in orchestrating the Création Africa programme.

For Création Africa, the French network brought 15 curated "Création Africa" cultural businesses to fast-track their growth and connect with regional partners.

The TV5Monde executive team, including senior executives from the global French network, served as a prominent bronze sponsor, further pushing major investments into connecting French-speaking communities with Africa.

Jacques Barreau, vice president of TransPerfect Media, was a featured panellist on global storytelling, while several other Canal+ and French execs were included across panel sessions to share their insights.

Besides its expansive and dedicated French pavilion on the trade show floor, France flew in its massive delegation not just from mainland France, but also from regional territories like Réunion Island and Mayotte.

Meanwhile, IFAS organised dedicated speed-networking sessions specifically to pair African filmmakers with French financiers and producers.

This year's 2026 MIP Africa and Fame Week kicked off with a major cultural splash at Cape Town's historic Labia Theatre.

"French night" featured the African premiere of the French cinematic adaptation Le Fantôme de l'Opéra (The Phantom of the Opera), paired with a live musical performance by MAFAT808 from Réunion Island.

The opening night of the Fame Shorts Film Festival was also handed over to highlight work and storytelling from Réunion and Mayotte.

While the "Destination focus" partnership was officially brokered at a diplomatic level through the French Embassy and IFAS, it is no coincidence that it aligns with Canal+ completing its multi-billion-dollar acquisition of MultiChoice.

The corporate synergy was on full display, with MultiChoice serving as the official "Super Sponsor", while Canal+, MultiChoice and its French distribution powerhouse StudioCanal held various panel sessions throughout the week to outline and explain their newly forged, unified Pan-African commissioning ecosystem.

The official diplomatic focus gave France the stage at 2026 MIP Africa, but the Canal+ takeover of MultiChoice provided the financial and structural motivation for French buyers, creators, and distributors to arrive in Cape Town in record numbers this year.

After attending and having their own pavilions in previous years, interestingly, Primedia Broadcasting and its Primedia Studios, as well as eMedia's e.tv broadcaster were completely absent on the trade floor this year at 2026 MIP Africa.

At 2026 MIP Africa and Fame Week, 47 countries were represented - a 28% increase on 2025, with 80 buyers from 18 countries, including 7 new countries: Belgium, Finland, France, Madagascar, Réunion, Senegal, Uganda and the Chinese pavilion that had a heavily expanded presence.


Biokineticist Homba Mazaleni Joins as SABC3 Top Billing Presenter


by Thinus Ferreira

The sport scientist, biokineticist, digital content creator and sports broadcaster Homba Mazaleni is joining the SABC3 lifestyle magazine show Top Billing after she won the show's latest Top Billing presenter search, which this year took place as an online social media competition.

Homba Mazaleni is from Gonubie, East London in South Africa's Eastern Cape province and rural Dutywa.

Homba Mazaleni has a human movement science degree from the Nelson Mandela University and pursued postgraduate studies in sport science and biokinetics.

Homba Mazaleni was a top five finalist in Miss South Africa 2023.

"Top Billing is such an iconic part of South African television. It was one of those shows that made you feel like you could experience the world through your screen," Homba Mazaleni says in a statement.

"I didn't take the traditional route into presenting, so to be given the opportunity to step onto a platform that I grew up watching is an incredible full-circle moment."

Cardova Productions that produces Top Billing, says Homba Mazaleni's background in sport science, wellness and broadcasting, coupled with her interest in travel, adventure, fashion, cars and lifestyle, "makes her a natural fit for the show's celebration of extraordinary people, places and experiences".

"Equally important is her ability to make complex subjects accessible, connect with people from different walks of life and bring authenticity to the screen."

"Her appointment represents an exciting new chapter for Top Billing as the show continues to celebrate the very best of South African lifestyle, creativity, achievement and aspiration."

Patience Stevens, Cardova Productions managing director, says "Out of more than 3 000 auditions, Homba stood out for her warmth, her curiosity and her natural ability to connect with people on screen".

"Her journey reflects exactly what Top Billing is about: real South African stories and the people behind them. We can't wait for viewers to see her bring her energy and personality to the show."

The final five contestants included Homba Mazaleni, Talitha Bothma, Karen Mthethwa, Nehemiah Tjatji and Ross Marshall.

Sane Zondi, SABC channel head, says "Homba's distinct blend of biokinetics, sports expertise and passion for storytelling makes her a valuable addition to the Top Billing presenter ensemble".

"Leveraging her voice and talents we look forward to bringing Top Billing fans bespoke features and exclusive stories over the coming months. We are committed to nurturing her talent across the wider SABC network and ecosystem. We wish her an extraordinary and memorable journey ahead."

Thursday, October 29, 2026

Patrick Stewart, Known for Star Trek The Next Generation's Captain Jean-Luc Picard, Dead at 86 After Alzheimer's Disease


by Thinus Ferreira

Sir Patrick Stewart, the British actor most well-known and beloved for his decades-long role as Captain Jean-Luc Picard of Star Trek: The Next Generation, as well as Prof Charles Xavier in X-Men, has died. He was 86.

Patrick Stewart died on Wednesday at his home in Los Angeles "following a brief and poignant journey with Alzheimer's disease and Lewy body dementia," his spokesperson Kelly Bush Novak said in a press statement announcing his death.

"He has been held in the warm embrace of family and friends, surrounded by live music, prayer, tears, laughter and the kind of profound emotion that only he could inspire after a lifetime of devotion to us all."

"We will forever cherish the peaceful ease and reflection on his face, an enduring reminder of his invincible grace."

"A son of Mirfield in the West Riding of Yorkshire, he travelled from the Royal Shakespeare Company to an equally acclaimed career spanning six decades on Broadway, the silver screen and television."

"His sonorous voice and singular talent will forever be synonymous with indelible performances in every genre."

"He explored the human condition in all its poetic complexity and brought hope not only to the far reaches of the Marvel Cinematic Universe, but into science fiction's most iconic final frontier aboard the Starship Enterprise."

"His professional accomplishments were humbly matched by his philanthropy and activism on behalf of human rights, survivors of domestic violence, global refugees, veterans' mental health services, and animal welfare, particularly his cherished foster pitties."

"He was a Knight, Chancellor, motor sport enthusiast, and lifelong Huddersfield Football fan. He will be remembered for the dignity, compassion and humanity he brought to every role - in his art and life."

The statement ends with a quote from Patrick Stewart's autobiography, Making It So: A Memoir:

"Like me, Jean-Luc has lived an unusual life that has taken him far beyond the bounds of normal human experience. But he is also someone who has remained true to his earthbound roots, for they are what gave him his identity. In the end, he feels the call of home, as do I."

Marvel Studios in a statement, says All of us at Marvel Studios are deeply saddened by the passing of Sir Patrick Stewart".

"Sir Patrick brought Professor Charles Xavier to life with extraordinary grace, intelligence, and humanity, defining the character for generations of fans, from X-Men to Logan to Avengers: Doomsday. He was a singular talent, a generous collaborator, and a true gentleman."

"Our hearts go out to his wife Sunny, his children, his friends, and the countless fans around the world whose lives he touched with his art."

Jonathan Frakes, who portrayed Commander William Riker in Star Trek: The Next Generation, posted on his Instagram, "Rest in peace, my friend. And, in my book, a tremendous friend and man. I learned so much from him. I will miss you, Patrick Stewart, all of my days."

LeVar Burton, who played Geordi LaForge, in a statement, said: "He was family. There is no other context in which to hold him that makes sense. I am lucky to have known and loved so many of the facets of a soul so rich in talent and generous of heart. Of all the Dames and Knights I've known he was deep down—the silliest."

Marina Sirtis who was Deanna Troi, said: "He's gone. My friend. My Captain. My fellow football fan."

Akiva Goldsman, co-showrunner and co-creator on Star Trek: Picard, in a statement says "Patrick was not only a true lion of the profession, he was the rarest of alchemists, one who could literally turn the written word into flesh and blood".

"Patrick was kind, strong, fiercely intelligent, collaborative, vulnerable and wise. His Captain Jean-Luc Picard permanently expanded the universe of Star Trek without measure. He will be deeply missed by this one fan and by so many more."

Soap Producer Pumla Hopa dead at 59


by Thinus Ferreira

The South African TV soap producer, responsible for series like Isidingo on SABC3 and Mzansi Magic's Stokvel has died. She was 59.

Pumla Hopa's cause of death is not yet known. She died on 28 October 2026.

"It is with heavy hearts that we share the news of the passing of our dear mother, grandmother, aunt, sister, creative force, mentor and friend," Pumla Hopa's family said in a statement announcing her death.

"Her kindness, warmth and love touched the lives of many."

Pumla Hopa was an executive producer in the later years of SABC3's Isidingo, and also worked as a producer on series ranging from My Brother's Keeper to Bogaditsong: Sisters Wives.

On Facebook, Helga Palmer, eMedia Holdings' group boss for content development and strategy, said "This hurts. I am overcome with great sadness with the loss of the great Pumla Hopa".

"My heartfelt condolences to her boys and the family, friends and industry colleagues. Our TV industry has lost a formidable talent."

Pumla Hopa was respected for her expertise as a multicam and single-cam director and executive producer and spent three decades shaping South Africa's landscape of local television storytelling.

Pumla Hopa joined Isidingo in 1998 from its start when the SABC commissioned the weekday soap for SABC and by 2008 had climbed the ranks to executive producer, steering the soap through a troubled production era that included major visual and narrative revamps. 

She spent nearly three decades affiliated with Endemol South Africa, serving as a core executive producer for their scripted and unscripted slates.

At the start of 2021, Pumla Hopa stepped into the role of CEO and executive producer at her own company, Hopa Saunders Media where she continued to develop local content until her death.

Tuesday, October 27, 2026

Producers Allege Corrupt and 'Hostile' Pay-to-Play Demands for SABC1 Content Commissioning as Broadcaster Asks Wrongdoing to be Reported to Independent Hotline


by Thinus Ferreira

South African producers have made extremely serious allegations of purported maladministration, mismanagement, intimidation and "increasingly hostile" extortion at SABC1, claiming that certain executives who are commissioning content for the TV channel, are allegedly demanding bribes in the form of money to place their content on the schedule.

The SABC told TVwithThinus in response to a media query that the public broadcaster has been aware of these allegations that it received through an anonymous email, but lacks sufficient information and therefore couldn't start an investigation.

Producers making these pay-for-play content commissioning allegations, say "This has been happening since 2022 and has been increasing and getting more hostile".

Producers allege that they sent information regarding the alleged extortion to SABC CEO Nomsa Chabeli, as well as the broadcaster's group executive of video entertainment, Maijang Mpherwane.

"We have been met with no acknowledgement and lack of action".

According to whistleblowers, certain individuals in executive roles inside the SABC have allegedly "been running a rogue business operation for self-beneficiation, over-applying and inflating their powers to drive select content acquisitions and hold independent producers to ransom - wanting money in return for acquiring and placing their content on the channel's schedule".

"In our various experiences as independent producers, they have asked for 10% of the contract value, claiming they have prioritised your concept/show; fast-tracked the contract and cleared the schedule of other commitments to accommodate you."

Some have allegedly also approached the SABC1 channel head, Ofentse Thinane, to tell her what has secretly been happening without her awareness. Ofentse Thinane allegedly then reported the allegations to higher-ups and that there might be a serious issue.

Ofentse Thinane was appointed as SABC channel head in mid-2023 but recently left this management position of South Africa's biggest TV channel. 

The SABC recently revealed in a press release for a new show that, for whatever reason, Ofentse Thinane has recently been replaced by Thuli Nhlapo as acting SABC1 channel head.

Producers who complain say they are "worried that the demands and extortion are only going to get worse".

"Some of us have already lost profits and personal goods and our businesses are declining as the SABC fails to honour payments timeously, while we are still being called by individuals to deliver to their demands."

"Why do the SABC CEO and group executive of video entertainment not attend to this matter?"

The SABC says the broadcaster is "aware of some allegations received via an anonymous email. The email contained very limited information, and there was no opportunity to engage the sender to get the further detail needed to take the matter forward at the time".

Mmoni Ngubane, SABC spokesperson, says "The SABC takes allegations of misconduct very seriously, including any suggestion that staff are seeking payment in return for commissioning or scheduling content. Conduct of this nature would be a clear breach of the SABC's policies and values".

"Allegations like these are dealt with through the SABC's established internal governance processes, as with any other allegation the organisation receives."

"As a matter of standing practice, the SABC does not discuss internal employee or HR matters, including whether any matter was raised with specific individuals, in the public domain, so we are unable to discuss individuals mentioned in your enquiry."

"We encourage any producer or member of the public with information about wrongdoing to report it through the SABC's independent Vuvuzela hotline on 0800 372 831 or sabc@hotline.co.za. Reports can be made confidentially and anonymously, and the hotline allows the organisation to follow up on the detail needed to act on a matter."

Monday, October 26, 2026

Botswana Labour Minister Chases MultiChoice Botswana CEO Stephanie Pillay Out of the Country with Non-Renewal of Work Permit and 2-Month Ultimatum to Leave After Alleged Axing of Local Workers


by Thinus Ferreira

Botswana's minister of labour and home affairs, Major General Pius Mokgware, has chased MultiChoice Botswana CEO Stephanie Pillay out of the country with a 2-month ultimatum to leave, in retaliation for Pillay who allegedly fired Botswana staffers.

Stephanie Pillay who was MultiChoice Botswana managing director was upped to CEO earlier this year.

The Botswana government's shocking rebuke of Stephanie Pillay comes after the country's government alleges that she fired more than 10 Botswana staffers over the past four years and allegedly replaced them with "foreign nationals", meaning non-Botswana workers.

The Botswana government decided not to renew Stephanie Pillay's work permit to be in and work in Botswana, which is a massive corporate problem for Canal+'s MultiChoice Botswana.

Stephanie Pillay has allegedly been given a 2-month ultimatum to be out of Botswana by mid-December.

Two weeks ago, MultiChoice execs apparently flew to Botswana to try and reason with the government and to try and implore Pius Mokgware not to force Stephanie Pillay out of the country, but to no avail.

MultiChoice Botswana and Stephanie Pillay raised the ire of the government and Mokgware after fired and angry existing staffers at the pay-TV operator approached him and the government department about the retrenchments and other complaints.

Last week TVwithThinus asked Canal+ and MultiChoice for comment about the issue and Stephanie Pillay, the 2-month ultimatum, the MultiChoice directors who flew to Botswana to speak to the minister and allegations around the dismissal of Botswana workers.

Comment from Canal+ and MultiChoice will be added here when received.