Wednesday, October 7, 2026

e.tv Dumps More Content as Isitha: The Enemy is Canned


by Thinus Ferreira

eMedia's e.tv continues dumping content and has now also cancelled Isitha: The Enemy, which will end on 23 April 2027 after executives decided the red-letter channel is done with the Black Brain Pictures-produced show after three years.

The canning of the Roodepoort-filmed series comes after e.tv basically scrapped its entire primetime line-up, leaving the Black Brain Pictures drama as the last piece of its "legacy" programming.

Isitha: The Enemy started as a spin-off out of the experimental and risque adult telenovela The Black Door that only lasted a single season's 260 episodes and was a step too far for e.tv audiences.

Mandla N, Black Brain Pictures co-founder and executive producer, says "As we approach this final chapter, we want to leave viewers with the same spirit that has defined the show from the beginning - bold storytelling, unexpected twists and characters who refuse to be forgotten".

"There are still a lot of stories left to tell before we say goodbye, and audiences can expect the final stretch to be every bit as dramatic, emotional and unpredictable as the journey that brought us here."

Helga Palmer, eMedia's head of content development and strategy, says Isitha: The Enemy was "an important part of e.tv's storytelling journey".

"As a spinoff of The Black Door, to becoming a powerful story in its own right, the series has entertained audiences, introduced memorable characters and demonstrated the strength of South African storytelling," she says.

"As we prepare to close this chapter, we are also looking ahead with excitement. e.tv is entering a new wave of drama, bringing compelling stories, with a healthy mix of accomplished and new talent to our audiences."

kykNET Now Channel with Most Viewers on DStv Premium After MultiChoice Correctly Predicted the SABC Would Drop Afrikaans Output Post-1994


by Thinus Ferreira

The biggest pay-TV channel in terms of viewership on DStv's most expensive premium package - the subscribers most sought-after by Canal+'s MultiChoice - is the Afrikaans kykNET channel, after MultiChoice executives years ago correctly predicted that the South African public broadcaster would dump Afrikaans content after 1994.

MultiChoice and M-Net deliberately started kykNET (DStv 144) from scratch in 1999 and then invested millions of rands into the creation of original Afrikaans content across various genres, predicting that the SABC would marginalise its output of Afrikaans TV content - which is exactly what happened.

The SABC's loss and steady alienation of Afrikaans viewers due to its ongoing erosion and loss of Afrikaans programming, led these viewers to migrate to DStv, where kykNET has since been the biggest single commercial beneficiary of premium subscribers.

kykNET has not only managed to capture a massive Afrikaans audience on pay-TV but also attracts English viewers who seek out local South African drama series and decide to watch kykNET because of the English subtitles.

Waldimar Pelser, M-Net director for premium channels, says "the bulk of kykNET's viewers are in the premium bouquet".

"The opportunity that was identified years ago with the launch of kykNET, 26 years ago, was the anticipation that South Africa's public broadcaster was not going to - and now I have to be very diplomatic - prioritise Afrikaans content in the years after 1994."

"That's exactly what happened. If you now look at what's available on the SABC, there's one soap in Afrikaans on the SABC. That's all there is. And there's the news. It's not a full offering to reflect Afrikaans viewers' world."

"kykNET started with no budget, no programmes. It started very, very small and today kykNET is the biggest channel on Premium. I think it's because it does something for people that's really important to them," he says.

"We can see ourselves on screen. We can see the themes and issues which are important to us, reflected on screen. It ranges from current affairs to documentaries and or course, very important, drama series."

He says "it's very interesting to see how many English viewers come to kykNET because very little English drama is produced in South Africa with the South African English audience in mind".

"If you look at some of the very good drama series that were produced for M-Net over the last couple of years, they were mostly international co-productions with a South African and overseas audience in mind."

"The kykNET content is truly local content, really made for South Africans. So a lot of English viewers, because there are English subtitles, come aboard and say 'Here is where we can find authentic South African stories - on kykNET - and we welcome that."

kykNET Revives Original Kokkedoor Cooking Reality Competition Show with Homebrew Films for November Airing


by Thinus Ferreira

M-Net's Afrikaans pay-TV channel kykNET (DStv 144) is reviving its original Kokkedoor food reality competition show as Kokkedoor: Klassiek, which means a technical 6th season of the Kokkedoor series, or the 11th overall when counting the spinoffs.

Homebrew Films is once again lensing the next instalment, which will be broadcast from Thursday 5 November at 20:00 on kykNET (DStv 144).

Kokkedoor had 5 seasons on kykNET, with the format that spawned several spin-offs like Koekedoor, Kokkedoortjies, Kokkedoor: Vuur & Vlam in 2023, and last year's Kokkedoor: Son & See.

Kokkedoor started on kykNET in 2013.

Kokkedoor: Klassiek returns to the team dynamic of a passionate home cook or "onthoukok", paired with a professional chef or "kinkelkok". 

Together, they must compete to combine treasured family food memories with advanced professional techniques to reinvent South African culinary classics.

The judges are food writer and TV personality Herman Lensing, and chef and restaurateur Jess van Dyk who is the executive chef and owner of Post & Pepper in Stellenbosch.

Waldimar Pelser, M-Net director for premium channels, says "Kokkedoor classic is what it started with more than a decade ago. Filming just wrapped and we can't wait to see it on screen. This is the classic version of Kokkedoor that a lot of viewers will remember."

IN IMAGES. Ster-Kinekor Completes Tyger Valley Refurb with APEX Cinema, Cine Prestige Theatres and SKX-perience Free-Roam VR Arena


by Thinus Ferreira

Ster-Kinekor has completed the refurbishment of the cinema chain's Ster-Kinekor Tyger Valley cinema complex in Cape Town, which will reopen on Friday 9 October with APEX Cinema as well as a SKX-perience Free-Roam Virtual Reality (VR) Arena.

Ster-Kinekor says the redone cinema complex now features four technological and experiential offerings, as well as a Costa Coffee kiosk in the cinema foyer.

Launching its APEX Cinema, Ster-Kinekor is introducing its new premium large-format cinema experience, which is making its debut at the reopened Tyger Valley complex.

The auditorium has a large wraparound screen that extends close to the walls and ceiling.

Two of the cinemas will reopen as Cine Prestige theatres, served by their own lounge. 

A third cinema has been transformed into Ster-Kinekor's colourful Kids' Cinema for younger audiences.

The SKX-perience Free-Roam VR Arena offers escapism for up to six players.

Lynne Wylie, Ster-Kinekor Theatres chief marketing officer, says "This four-part entertainment offering adds to the overall Tyger Valley experience with the APEX cinema, luxurious Cine Prestige theatres, our popular Kids' Cinema format and the new SKX-perience Free-Roam VR Arena, giving audiences even more ways to enjoy one destination".


According to Lynne Wylie, APEX has been designed "for movie lovers looking for more from their cinema experience by combining premium technology, larger-scale presentation and immersive sound to make every movie moment feel bigger, bolder and that much more engaging".

It is powered by 4K laser projection, delivering brighter images, exceptional clarity, and richer detail on the screen. 

"Complementing the visuals is an advanced 16.1-channel sound system, enhanced by multiple subwoofers positioned around the auditorium and behind the screen, resulting in powerful, immersive audio that audiences both hear and feel," according to the cinema chain.


Within the SK-perience Free Roma VR Arena, 6 players enter "hyper-realistic digital worlds".

"Kitted with state-of-the-art headsets, precision haptic controllers and advanced spatial tracking, players can physically walk, dodge and interact in real time across a seamless multi-sensory playground."

This arena, for people 12 and older, has an expansive, curated game library ranging from high-octane tactical shooters such as The Finals and sci-fi combat adventures to underwater expeditions in Ocean Depths and life-size prehistoric explorations in Dinosaur Park.


The Cine Prestige theatres have a combination of single and double red leather recliner chairs. Moviegoers can have snacks and drinks in the adjoining lounge or have it served to them at their seat in the cinema.


Ster-Kinekor is also bringing its Kids' Cinema concept to Tyger Valley.

"This offering gives younger audiences their very own special 'me time' at the movies – not to mention a chance for parents to sit back and relax while their children are being kept busy and entertained," says Lynne Wylie.

"The Kids’ Cinema provides the perfect environment for them to spend a few hours, enjoying the entertainment on the big screen or the fun-filled, playground-like facilities inside the cinema."

"What makes it different is that it's designed specifically to cater to the needs of youngsters – it has its own foyer area with activity tables and a catering counter, and brightly coloured beanbag seats."


After it was added at Ster-Kinekor V&A Waterfront and Blue Route, Costa Coffee is opening another stand-alone coffee kiosk at Tyger Valley.

"Our investment in Tyger Valley is about more than just showing movies; it is about creating tailored, unforgettable spaces for every type of guest," says Lynne Wylie.

"Whether you want an opulent date night, a stress-free family afternoon out, a powerful big-screen blockbuster experience or a free-roam virtual reality adventure, this upgraded complex now delivers it all under one roof."
















Hisense SA Marks 30 Years in South Africa with Atlantis Factory Tour


by Thinus Ferreira

Hisense SA, which started its local operations in the country in 1996 as Hisense's first overseas operation, marks its 30-year anniversary this month, and recently did a tour of its Atlantis manufacturing plant in Cape Town.

Unfortunately, the exclusive factory tour was only for Cape Town-based media, so the rest of the press lucked out on the milestone and seeing the factory for themselves in the behind-the-scenes look.

Hisense calls its South African factory in Atlantis in the Western Cape province "one of its most significant global manufacturing operations" where the company produces televisions and refrigerators.

Established in October 1996, Hisense started this factory at a cost of R350 million together with the China-Africa Development Fund.

According to Hisense SA, the Atlantis factory can produce up to a million TV sets and 500 000 refrigerators a year.

By mid-2024 it had produced approximately 4.5 million televisions and 2.9 million refrigerators in total.

Refrigerators were exported to Europe for the first time in 2022.


"Quality assurance is built into the plant's daily rhythm rather than treated as a periodic audit," says Luna Nortje, Hisense SA deputy general manager, in a supplied quote.

Hisense SA's factory employs more than 1 000 South Africans, most of them from Atlantis and surrounding communities such as Melkbosstrand and Mamre.

"A formal skills-transfer programme pairs Chinese engineers and technicians with local staff, with the aim of enabling South African employees to run departments independently. Many have grown with the plant," says Luna Nortje.

"South Africa was Hisense's first overseas operation, and 30 years later it remains central to our global story. This anniversary isn't only a chance to look back - it's a chance to ask what we build next, for our customers, our employees, our communities and South Africa."

To strengthen pathways into employment, Hisense launched its Hisense-Northlink Technical Academy in Cape Town that supports appliance-repair training and workplace experience. 

Brand New Southern African Box Office Record as Spider-Man: Brand New Day Overtakes The Lion King to Become Highest-grossing Film Ever in SA with R125 Million Haul


by Thinus Ferreira

It's a brand-new record for the South African and Southern African box office, with the phenomenal Spider-Man: Brand New Day that has now become the new all-time highest-grossing film in the territory with a cumulative ticket sales haul of over R125 million.

Sony Pictures and Disney's Spider-Man: Brand New Day has broken major records and currently ranks as the third highest-grossing film of all time, worldwide.

While the Tom Holland arachnid-man movie now holds the record as the film that has made the most money in South Africa, ever, in August the webslinger also shot to a new opening weekend record in South Africa and Southern Africa when it made R44 million in ticket sales.

The film has shown incredible legs to turn the R44 opening weekend record into a R125 million bonanza record for the studios and distributor, Filmfinity.

The previous Southern Africa record was held by the live-action remake of The Lion King, which was released in July 2019.

Spider-Man: Brand New Day has currently achieved a gross box office (GBO) of over R125 million, surpassing The Lion King live-action film by approximately R4.5 million. 

With the film still in theatres, expect this record's final GBO to grow even further over the coming weeks.

Sony tells me "This marks a significant box office milestone for the film and makes it the biggest-grossing film ever in the Southern African market".

"Filmfinity and Sony Pictures extend their sincere gratitude to South African audiences whose incredible support made this historic achievement possible".

"The company also thanks its valued exhibition partners and stakeholders across the country for their collaboration and commitment in delivering an exceptional theatrical experience for moviegoers nationwide."


Tuesday, October 6, 2026

13th Simon Mabhunu Sabela KZN Film & Television Awards Postponed to 21 November as Awards Show Needs More Time to Judge 420 Entries


by Thinus Ferreira

No longer taking place on 10 October, 2026's 13th Simon Mabhunu Sabela KZN Film & Television Awards (SSA26) has been postponed and moved to a new date of 21 November at The Playhouse in Durban.

The KwaZulu-Natal Tourism and Film organisation responsible for organising the Simon Mabhunu Sabela KZN Film & Television Awards says the awards show is being pushed back since more time is needed to judge entries.

The 13th edition will now take place a month later to give more time "for the adjudication process to be concluded with the necessary rigour, following the strong response of more than 420 entries, while providing sufficient time for the final preparations required to deliver an awards ceremony that appropriately celebrates the depth and calibre of South Africa's film and television industry.

The 13th Simon Mabhunu Sabela KZN Film and Television Awards will announce nominees during an online announcement set for 16 October.

At November's awards show two special honours  - a Lifetime Achievement Award and an In Memoriam tribute - will be bestowed.

Sibusiso Gumbi, KwaZulu-Natal Tourism and Film acting CEO, says "The Simon Mabhunu Sabela Awards are not only about recognising the work that is commanding attention today".

"They are also about understanding that our industry has been built over generations, by people whose talent, commitment and courage opened doors and created opportunities for those who followed. The Lifetime Achievement Award allows us to honour that contribution while the In Memoriam tribute ensures that those we have lost remain part of the story of South African film and television."

The judging group of the 13th Simon Mabhunu Sabela KZN Film & Television Awards this year include members of the South African Screen Federation (SASFED), Black Filmmakers Collective (IBFC), eThekwini Filmmakers Association (EFA), Independent Producers Organisation (IPO), Writers Guild South Africa (WGSA), Directors Guild South Africa (DGSA)/Independent Directors Association (IDA), South African Guild of Actors (SAGA) and the Documentary Filmmakers Association (DFA).

"The credibility of any awards programme rests on the integrity of the process behind it," says Sibusiso Gumbi, with editor Jack Esterhuizen, heading up the judging process.

"We have therefore placed considerable emphasis on ensuring that the 13th Simon Mabhunu Sabela KZN Film & Television Awards has a rigorous, transparent and industry-informed adjudication process."

"From the involvement of industry bodies to independent judging, oversight and auditing, there are important checks and balances in place to ensure that every entry is given fair consideration."

Entries are assessed by independent industry judges, says the organisation, while an independent auditing company presides over the adjudication process.

The 13th Simon Mabhunu Sabela KZN Film & Television Awards received over 420 entries this year across the various awards categories.

Jack Esterhuizen says "Receiving more than 420 entries speaks to the level of interest in the awards and also places an important responsibility on the judging panels".

"Every entry deserves to be considered on its merit. Our responsibility as judges is to apply the criteria consistently and independently and to ensure that the quality of the work remains at the centre of the adjudication process."

Kelvin Storie and Mzo Jojwana Appointed Primedia Broadcasting's Co-CEOs


by Thinus Ferreira

Kelvin Storie and Mzo Jojwana have been appointed as Primedia Broadcasting co-CEOs.

The two of them replace Lindile Xoko who left Primedia as CEO at the end of June 2024 to go and study in Harvard in the United States.

In a prepared statement sent to some media outlets, Jonathan Procter, Primedia group CEO, says "Primedia Broadcasting is evolving its leadership model to position the business decisively for the future".

"The combination of Kelvin's commercial acumen and Mzo's content expertise formalises our complementary focus on preserving our core broadcast dominance and accelerating innovation in digital."

"Their combined strengths embody the skills necessary to lead our industry confidently through a fast-growing market."

Mzo Jojwana will manage Primedia's radio brands like 702, 947, CapeTalk, Kfm 94.5 and Eyewitness News, with responsibility for content strategy, audience growth, and operations.

Kelvin Storie will be responsible for Primedia Broadcasting's "expanding integrated offering across audio, video, digital, and experiential platforms".

M-Net and Canal+'s DStv Lose More Content as America's Annual Emmy Awards Shifts to Amazon Prime Video


by Thinus Ferreira

South Africa's M-Net (DStv 101) pay-TV channel and Canal+'s MultiChoice continue to lose content it in an ongoing erosion it has no control over with the United States' annual Emmy Awards which is switching to Amazon Prime Video.

With the Emmy Awards moving away from American broadcasters who made turns to air it, M-Net in Randburg has absolutely no control over the latest piece of content loss.

M-Net has perennially been the South African TV channel showing America's Academy Awards and the Emmy Awards. 

DStv already lost access to the Oscars' red carpet coverage when NBCUniversal and MultiChoice dumped the E! channel in favour of the lower-tiered reality channel Bravo.

M-Net has also stayed quiet, although it has also lost the Academy Awards already, which announced in December that it is moving to YouTube worldwide from 2029.

Now the Emmy Awards is moving to Amazon Prime Video, with Amazon having bought the global rights to show it for the 6 years on its video streaming service.

Notably, the Emmy Awards will stream for free on Amazon Prime Video and not require a subscription.

"We timed it perfectly so that all our deals came up collectively and it would be free and clear," says Cris Abrego, TV academy chairman.

"The broadcasters' wheel deal and the international deals - all that has ended, and we put it all into one bundle, and it sits now within this deal at Amazon Prime Video."

Mike Hopkins, head of Amazon Prime Video and Amazon MGM Studios, says the Emmy Awards are about global stars, not just United States stars "and we think we can have a great impact on celebrating this medium and these storytellers globally around the world through the Emmys, in ways that it might be harder to do when you're on a US broadcaster".

"We'll make the Primetime Emmys available, front and centre on Amazon Prime Video."