Wednesday, May 27, 2026

Pimville Non-Payment Scandal: Crew and Cast Told 'This is Not Netflix. We're Not Shooting Lion King' as Bakwena Productions Claims SABC Cut Budget 38% while SABC CEO Nomsa Chabeli is Set to be Hauled Before Parliament Committee


by Thinus Ferreira

As cast and crew members are evicted over unpaid rent and fume over a lack of toilets and even water on set although an executive producer allegedly brandished his own liquor and bodyguards, the mudslinging between the SABC and Bakwena Productions over the implosion of Pimville continues to escalate and could soon end in court.

As more and more Pimville cast, crew and suppliers who have gone unpaid for months by Bakwena Productions come forward with harrowing stories - one detailing the miscarriage she suffered, while several claim food poisoning - the SABC is facing a staggering and growing TV scandal and a multi-million rand production loss that's been months in the making.

Amidst several suspended content executives at the public broadcaster, SABC CEO Nomsa Chabeli - who was aware of Bakwena Productions' bad production record and previous non-payment problems but allowed the SABC's contract and filming for Pimville to proceed - will soon be hauled before parliament's portfolio committee on communications to account for the growing TV show non-payment scandal. 

Ironically, Pimville - from actor Kagiso Modupe and the married couple Rashaka "Rush" Muofhe and Brenda Muofe's Bakwena Productions - was supposed to, and positioned by the SABC to be the new TV gem in the SABC2 crown to revitalise the moribund channel's ratings.

Nomsa Chabeli proudly told parliament last year that Pimville set to replace the cancelled Muvhango, is destined to turn around the flagging fortunes of the ratings-challenged SABC2. 

Instead, Bakwena Productions, which has failed to pay the show's cast and crew, caused Pimville to implode - damaging the planned revival plan of SABC2 and also once again miring the SABC in a production scandal the broadcaster can ill afford.

The SABC ran out of completed episodes to air on SABC2.

After the telenovela's last available episode - number 75 in a commissioned order of hundreds - was shown this past Friday, it left the SABC to hurriedly slot in repeats of Amalani Awafani on SABC2 in a move that angered advertisers and viewers.

The SABC will now be forced to do so-called "makegoods" to advertisers - ad-buys who booked ad spots weeks and months ago but aren't getting their paid ads flighted during the content, audience and demos that tey were promised, in a timeslot now filled with reruns.

While the SABC, which was warned before cameras started to roll on Pimville to stay away and choose another production house, is now taking legal action against Bakwena Productions months later, the Muofhes are now likewise threatening legal action against the SABC.

Meanwhile, the SABC has suspended SABC head of content Lala Tuku, along with SABC executives like genre manager for drama, Nirvana Singh and commissioning editor Reatlegile "Ree" Mampa.

The SABC admits that certain approved oversight mechanisms were "not implemented consistently and to the required standard".

According to the SABC, "an internal consequence management process has been initiated in accordance with applicable policies, procedures, and labour law requirements".

The SABC notes that "In addition, a legal process is currently underway regarding the production company, including the issuing of a notice of breach in April 2026. Any further action will be guided by ongoing contractual, legal, and governance processes."

Bakwena Productions now claims that the show imploded after the SABC abruptly cut the production budget by 38%.


'Not Netflix'
Roughly 124 people and suppliers are out of work and haven't been paid.

Pimville drivers who were contracted by Bakwena Productions say they had to pay for petrol themselves, and were not paid for their work. Wardrobe and make-up staffers say they were forced to bring their own clothing items from home for the actors.

Some Pimville actors were also forced to bring and wear their own private clothes, from home, to film scenes.

An affected Pimville worker speaking out now, notes that "Over 100 families have been affected by what has happened on this production. People are going to bed anxious, ashamed, overwhelmed and hungry".

"Some are facing eviction. Some can't provide for their children. Some have exhausted every cent trying to remain patient and professional while waiting for dignity to be restored."

Another staffer who used to work on Pimville and has been left unpaid, says "As someone who has worked in different productions, I must say this is the worst I've ever engaged myself in - no toilets, no proper water and sanitation, food poisoning, and salaries always late".

A Pimville staff member adds: "For a long time, many of us remained silent because we truly believed things would get better".

"We believed that if we worked harder, sacrificed more, pushed through the discomfort and remained patient, eventually everything would come together. Instead, many people were left carrying exhaustion, uncertainty, delayed or outstanding payments, and emotional burdens that quietly followed them home every night".

Another worker notes: "We would raise concerns about working conditions, resources, pressure or operational challenges and be met with comments like: This is not Netflix. We are not shooting Lion King".

A young female crew member who started working on the production in October 2025 shares that she suffered a miscarriage while working on Pimville and is now being evicted due to her inability to pay rent. She alleges that she was "threatened physically by a colleague and watched formal complaints disappear into silence."


Bakwena Productions claims the SABC Does owe it money
Bakwena Productions in a new statement, says it notes "with serious concerns the public statement issued by the SABC on 25 May 2026 regarding the production status of Pimville that was airing on SABC2, notably the discontinuation of the series due to an alleged contractual breach".

The Muofhes say the implosion of Pimville isn't their fault or that of Bakwena Productions, nothing that "The documentary evidence submitted to the SABC executive committee, board structures and legal division presents a materially different account of events".

"On 12 May 2026, Bakwena’s legal representatives delivered a comprehensive legal notice to the SABC leadership detailing repeated contractual breaches, delayed approvals, operational challenges, governance inconsistencies, and payment defaults committed by the SABC that significantly impacted the sustainability of the production, resulting in funding shortfalls."

"This correspondence was supported by extensive documentary evidence, including approved budgets, payment schedules, production records, operational reports, financial reconciliations, invoices, correspondence and proof of continued delivery by Bakwena".

The Muofhes say "Substantial outstanding payments remain due to Bakwena, including unpaid milestone obligation, contrary to the SABC’s claims of up-to-date payments."

"These outstanding payments have created operational constraints and a severe strain on the broader production ecosystem, which the SABC statement fails to acknowledge and address."

"Despite these increasingly difficult circumstances, Bakwena diligently delivered episodes."

"A production of this magnitude, with a star-studded cast, becomes unsustainable when the commissioning broadcaster withholds agreed contractual funding necessary to sustain operations - particularly where the approved production budget was materially reduced by approximately 38% without due process, and in circumstances where Bakwena was informed that such reductions were being implemented to support new productions at the SABC."

Bakwena Productions further says it notes "with deep concern the negative impact the discontinuation of Pimville will have on the livelihoods of its cast and crew members who depend on Pimville."

"Equally concerning are threats from the SABC to remove Bakwena and appoint another producer while the existing production agreement remains in place and legal processes are still ongoing. In the interests of continuity and stability, Bakwena urges the SABC to reconsider any decision to remove Bakwena as producers of Pimville, for the sake of the cast, crew and the long-term integrity of the production."

It says Bakwena Productions "will pursue all legal remedies available to protect its contractual rights and the future of the production".


SABC CEO summoned to parliament
Meanwhile, SABC CEO Nomsa Chabeli and other SABC officials and execs will have to appear before parliament's portfolio committee on communications to answer about what happened to Pimville, the show's implosion and the missing millions, before the end of June.

The chairperson of parliament's portfolio committee on communications Khusela Sangoni-Diko wrote to South Africa's minister of communications, Solly Malatse, asking for a comprehensive report from the department on the SABC and the production implosion of Pimville.

"Affected workers report ongoing non-payment and limited recourse, with some indicating that they have been redirected repeatedly without resolution," the letter notes.

"The Committee notes with concern that these allegations are consistent with earlier complaints concerning Bakwena Productions during the production of Pound 4 Pound, where workers were reportedly unpaid for extended periods, resulting in CCMA intervention and outstanding claims that remain unresolved."

The committee further notes that "Despite these concerns, the SABC proceeded with the appointment and, through its CEO Nomsa Chabeli, acknowledged awareness of the risks".

The committee now wants to know if the department of communications is considering "a formal inquiry into the disbursement and management of funds allocated to Pimville".

According to Sangoni-Diko, they want Nomsa Chabeli and SABC executives to appear before the committee in person "rather than send a letter back".


Monday, May 25, 2026

Pimville Non-Payment Scandal: TOLDJA! SABC Confirms Pimville Abruptly Going Off Air Tonight After 75 Episodes After Bakwena Productions Runs Out of Episodes and Disrupts SABC2 Schedule



by Thinus Ferreira

The SABC has no choice but to finally end the derailed Pimville, causing massive SABC2 schedule disruption after the implosion of Bakwena Productions and its months-long failure to pay the crew and cast working on the show.

On Monday, the South African public broadcaster said that it "regrets to announce that Pimville will be discontinued from tonight, due to unresolved obligations and breaches identified and communicated formally to Bakwena Productions".

Pimville is abruptly gone from SABC after just 75 episodes that aired by 22 May, with millions sunk into the production by the SABC and with 124 people who worked on it who are out of jobs and waiting to get paid.

Yet again, many people lured to a failed local South African TV production with fake promises have been left unemployed, unpaid, unable to pay for living expenses for months, forced out of rental accommodation and forced to sell belongings to survive.

TVwithThinus can also report that earlier today the Democratic Alliance (DA) political party requested that SABC executives be summoned to appear before parliament's portfolio committee on communications, to explain what is going on with the Pimville scandal. 

The local biz was shocked when TVwithThinus reported earlier this month that Pimville will be going off the air, after insiders said no further episodes are available and have been produced to air.

The SABC says Pimville going off air due to a lack of available episodes "is deeply regrettable, particularly considering the dedication and hard work demonstrated by the cast, crew, as well as the unwavering support received from audiences, partners, and all stakeholders who contributed to the programme's success".

The SABC will now fill the Pimville timeslot at 21:00 with repeats of the telenovela Amalanga Awafani - not the content that advertisers were promised in the timeslot with the broadcaster that will have to do make-goods.

The SABC has no idea when, or if, Pimville might return and be shown again. Since it's an SABC-commissioned show, meaning that it belongs to the SABC, Pimville could possibly be handed to a new production company.

It's a disastrous implosion for a show, from a disreputable production company, that the SABC knew beforehand was a problem, but that SABC CEO Nomsa Chabeli told parliament would bring ratings and viewers back to SABC2 as the Muvhango replacement.

The SABC will now once again be forced to do makegoods to advertisers which is bad for the finances of the broadcaster.

Advertisers book ad slots months and weeks in advance against content deliverables and future ratings promises and audience demo guarantees around that content. 

Advertisers booked and paid for Pimville audiences to see their ads. Now not only is SABC2 not showing Pimville and not luring those viewership demographics, but the timeslot is padded by repeats.

Bakwena Productions is owned by actor Kagiso Modupe and the married couple Rashaka "Rush" Muofhe and Brenda Muofhe - notorious for not paying casts, crew and other service providers.

Bakwena Productions is also embroiled in a nasty legal battle with Black Brain Pictures after its founder Mandla Ngcongwane, known as Mandla N., borrowed Bakwena Productions R4.2 million in order for Bakwena to allegedly pay casts and crews. 

Bakwena has allegedly failed to pay back this loan.

One affected worker on Pimville says "Over 100 families have been affected by what has happened on this production. People are going to bed anxious, ashamed, overwhelmed and hungry".

"Some are facing eviction. Some can't provide for their children. Some have exhausted every cent trying to remain patient and professional while waiting for dignity to be restored."

Another Pimville worker notes "As someone who has worked in different productions, I must say this is the worst I've ever engaged myself in - no toilets, no proper water and sanitation, food poisoning, and salaries always late".

Yet another production crew member said "I'm unable to pay rent, my credit score is affected because debit orders are bouncing. It is shaming and embarrassing."

Another writes to Brenda "once a symbol of possibility", noting "you were one of the few black women in the industry who showed us that dreams could stretch far beyond the camera lens" and asking why she failed to do anything in ensuring "suppliers were paid? To ensure background artists received what they earned? To remember how difficult this industry is for struggling actors trying to survive one call sheet at a time?"

"You of all people should understand the weight of being unseen."

"Not only were people exploited, but their dignity was stripped away in the process. Human beings were expected to pour themselves into a vision while being denied basic necessities - functioning toilets, accessible drinking water, decent meals, timely payments."

Another notes: "The food provided has caused widespread, violent illness. To expect a crew to show up, give their best performance and maintain safety standards while battling severe physical sickness from the meals provided on-site is both unsustainable and unsafe."

Yet another crew member explains that "For a long time, many of us remained silent because we truly believed things would get better".

"We believed that if we worked harder, sacrificed more, pushed through the discomfort and remained patient, eventually everything would come together. Instead, many people were left carrying exhaustion, uncertainty, delayed or outstanding payments, and emotional burdens that quietly followed them home every night".

Another Pimville worker wants to know from Rashaka "Rush" Muofhe that "while crew members could not access basic necessities like proper water and sanitation, yet alcohol could somehow stil appear. Do you understand how painful and degrading that felt to witness?"

When you step into your flashy car surrounded by bodyguards, do you ever think about the crew member wondering how they will get home? The parent staring at an empty fridge? The small business owner drowning in debt because they trusted your production? The supplier now unable to pay their own employees because Bakwena Productions never honoured its commitments?"

Another says "We would raise concerns about working conditions, resources, pressure or operational challenges and be met with comments like: This is not Netflix. We are not shooting Lion King".

A young female crew member who started working on the production in October 2025 suffered a miscarriage while working on Pimville and is now being evicted due to her inability to pay rent, says she was "threatened physically by a colleague and watched formal complaints disappear into silence."

The SABC meanwhile, notes that the "acquisition and commissioning of Pimville followed the broadcaster's standard approval and commissioning processes applicable to SABC productions. These processes included the necessary editorial, operational, commercial, and governance approval mechanisms".

Unfortunately, what the SABC did obviously didn't work and neither did the promises that Nomsa Chabeli and SABC head of content Lala Tuku made beforehand that a supervising producer would be appointed to make sure that the Pimville cast and crew get paid.

The SABC has suspended Lala Tuku, along with SABC executives like genre manager for drama, Nirvana Singh and commissioning editor Reatlegile "Ree" Mampa.

The SABC admits that certain approved oversight mechanisms were not implemented consistently and to the required standard".

"Consequently, an internal consequence management process has been initiated in accordance with applicable policies, procedures, and labour law requirements."

"In addition, a legal process is currently underway regarding the production company, including the issuing of a notice of breach in April 2026. Any further action will be guided by ongoing contractual, legal, and governance processes."

"The SABC has also engaged with cast and crew representatives regarding concerns raised. The SABC remains committed to stabilising the production environment, ensuring continuity of content, protecting the interests of affected stakeholders, and exploring all appropriate operational options relating to the future of the production."

The SABC says it "extends an apology for the inconvenience caused by the disruption in the schedule".

While the SABC has paid and is up to date with payments to Bakwena Productions, Rashaka Muofhe as late as last week claimed to the cast and crew in messages that the reason they haven't yet been paid is because the SABC allegedly isn't paying.

"Please note, SABC hasn't paid and hasn't communicated a way forward, with nobody answering calls," he told cast and crew in messages.

"We only have one option and that is for the SABC to pay so we can pay cast and crew. Unfortunately it is not in our hands ... If SABC doesn't pay, we unfortunately have to fold the show."

Neither Rashaka Muofe nor Kagiso Modupe has yet commented on Pimville's disappearance from SABC2.

Tsholofelo Katlego Bodlani, the DA member who is part of the portfolio committee on communications and who raised the concerns around Bakwena Productions last year, on Monday wrote to the chairperson of the committee, requesting that SABC executives be summoned to account for the shocking Pimville production implosion and to explain what is going on.

"The Democratic Alliance has noted the public concern around the dispute between the SABC and Bakwena Productions over the non-payment for the production of the television series Pimville."

"Various reports indicate that actors and crew have not been paid, while the SABC has allegedly paid over R19 million to Bakwena Productions. This has left artists with unpaid bills and no clarity on the future of this production."

"We also note reports that senior executives at the SABC have been suspended on matters relating to this production."

"We write to request that the SABC appear before the committee before the end of this term (29 June 2026), to provide clarity on this matter and avoid further reputational damage to the SABC," Tsholofelo Bodlani, writes.

"The DA has important questions for the SABC, including: The status of the relationship between the SABC and Bakwena; the facts and details about payments made to date; an update by the SABC on the suspended officials, allegedly linked to this matter."


Friday, May 22, 2026

Pimville Non-Payment Scandal: Producer Rashaka Muofe Keeps Telling Crew and Cast the SABC Didn't Pay and Isn't Communicating as He Threatens 'to Fold the Show', as SABC Says Payments Are Fully Up to Date and it is Trying to 'Stabilise the Situation'


by Thinus Ferreira

Somebody is lying: Either Pimville producer Rashaka Muofe of Bakwena Productions who remains in failure to pay the cast and crew of the disastrously derailed show and who keeps telling cast and crew that he can't pay and claims the SABC hasn't paid or communicated while he threatens to "fold the show" - or the South African public broadcaster who says it's payments to Bakwena is fully up to date and that it is busy with crisis management to try and "stabilise the situation".

The SABC is dealing with an unmitigated local production disaster, totalling millions of rands, after it decided to commission Bakwena Productions to produce Pimville for the SABC.

Pimville on SABC2 was supposed to replace Muvhango as part of a plan to turn around SABC2's flailing ratings, but filming then flamed out as the show crashed and burned just a few months later, after Bakwena Productions, since February, failed to pay the show's crew and cast.

Bakwena Productions is owned by actor Kagiso Modupe and the married couple Rashaka "Rush" Muofhe and Brenda Muofe.

Bakwena Productions is also embroiled in a nasty legal battle with Black Brain Pictures after its founder Mandla Ngcongwane, known as Mandla N., borrowed Bakwena Productions R4.2 million in order for Bakwena to allegedly pay casts and crews. 

Bakwena has allegedly failed to pay back this loan.

After Bakwena Productions' non-payment erupted, the SABC has suspended SABC head of content Lala Tuku, along with SABC executives Nirvana Singh and Reatlegile "Ree" Mampa.

SABC CEO Nomsa Chabeli, Lala Tuku and the other SABC executives were all aware of Bakwena Productions deplorable production record before filming of Pimville started, but Nomsa Chabeli told South Africa's parliament that the SABC would manage it.

Lala Tuku in interviews said the SABC will ensure that Bakwena Productions pay the cast and crew working on the show and that the SABC will appoint a supervising producer to check payments.

South Africa's film industry bodies warned the SABC beforehand not to go ahead with using Bakwena Productions, and slammed the SABC's decision to make use of the production company.

Rashaka Muofe told the Pimville cast and crew in a latest string of messages that he is blaming the SABC for not being able to pay them, claimed that the SABC has not communicated with Bakwena Productions, and threatened that he would "fold the show".

The SABC disputes the claims in Rashaka Muofe's latest messages to the cast and crew, says it is aware of these messages he sent, categorically states that the SABC has paid Bakwena Productions and is up to date with payments, and that the broadcaster is busy with "legal processes" against Bakwena Productions.

Rashaka Muofe told the Pimville crew and cast "Please note, SABC hasn't paid and hasn't communicated a way forward, with nobody answering calls."

"We have three crew members who have become reliable sources to the media, and this has led to the SABC further distancing themselves from us. We urge those individuals to stop so we can reach an amicable solution with the SABC soon."

Rashaka Muofe further messaged that "We only have one option and that is for the SABC to pay so we can pay cast and crew. Unfortunately it is not in our hands ... If SABC doesn't pay, we unfortunately have to fold the show."

Mmoni Ngubane, SABC spokesperson, told TVwithThinus in response to a media query, "the SABC would like to reiterate that the broadcaster has duly fulfilled its contractual obligations to Bakwena Productions and remains up to date with contractual payments relating to the production".

The SABC says Bakwena Productions is in breach of its contract with the broadcaster.

"Apreviously communicated, the production company is currently in breach of its contractual obligations with the SABC, and formal contractual processes, including a notice of breach, have already been instituted."

About Rashaka Muofe's constinuing claims to the Pimville cast and crew that it is the SABC's fault that they're not getting paid, Mmoni Ngubane says the SABC "is aware of various claims and communications currently circulating regarding the matter".

"However, given the active contractual, governance, operational, and legal processes currently underway, the SABC is unfortunately not in a position to engage publicly on further detail at this stage."

"What we can confirm is that the SABC continues to engage directly with the production company, as well as with affected cast, crew and writers representatives, as part of ongoing efforts to stabilise the situation and determine the most responsible way forward."

The SABC says it is "focused on protecting the interests of affected stakeholders, ensuring continuity considerations are responsibly managed, enforcing contractual accountability, and assessing appropriate operational options relating to the future of the production."

Mmoni Ngubane says "At this stage, it would be premature for the SABC to speculate publicly on final production outcomes or timelines while these processes remain underway."


Thursday, May 21, 2026

Top Billing Lures 133 320 Viewers in First TV Return, Revives SABC3 Primetime Ratings as Cardova's Glam Lifestyle Magazine Show Viewership Holds Steady and Builds


by Thinus Ferreira

"Good night and God bless" indeed: The revived Top Billing, back on SABC3 after an absence of six and a half years, is pulling boffo ratings with 133 320 viewers who tuned in to watch the first brand-new episode on 30 April on SABC3, and with Top Billing's weekly viewership remaining steady and rising since.

As the SABC's most struggling TV channel, Top Billing's addition is single-handedly reviving SABC3's moribund and sliding linear TV ratings, proving that original and high-quality production content will scoop up viewers for advertisers and bring them to the channel for appointment viewing.

Besides a SABC3 repeat, Top Billing episodes also get a weekly repeat slot on SABC1.

Stripping out the SABC3 repeat, and besides the SABC1 episode replay, Top Billing lured 133 320 linear viewers on Thursday 30 April to the 19:00 timeslot on SABC3 in the All Adults 15+ demo - the one that advertisers focus on.

The next week, Top Billing held steady, luring 133 326 viewers in the demo on 7 May 2026 to SABC3 at 19:00, which increased for the third episode on 14 May on SABC3 to 177 008 viewers. 

Total Top Billing viewers would be even higher if the SABC3 and SABC1 repeats, and SABC+ were added.

The ratings for the first three Top Billing episodes are far from bad - especially considering its debut on a neglected TV channel that hasn't had any real, original local content or anything high-quality or substantive for years as an audience draw.

Cardova Productions, the SABC, SABC3, as well as show sponsors and advertisers, are surely happy with the positive Top Billing reception from viewers and the SABC3 ratings bounce. 

'Ooh, so much reverence, ooh so much respect': Canal+ and PSL's Irvin Khoza glaze each other after a meeting on how important South African football remains for DStv


by Thinus Ferreira

Although Canal+ Africa is busy with aggressive cost-cutting that also affects content it will continue to pay a lot of money to secure sports content and specifically football from South Africa's Premier Soccer League (PSL).

Canal+ says Canal+ executives have met with the PSL "for talks". Dr Irvin Khoza, PSL chairman is also commenting about the "productive talks".

MultiChoice's involvement with the PSL stretches back to 2007, when SuperSport took over the contract from the SABC, which could no longer afford it.

In a new supplied statement, Dr Irvin Khoza spouts nothing but prepared corporate-speak jibberish - the type of banal statements that make workers fall asleep in powerpoint presentations.

"This cascading effect sustains an ongoing national conversation that reaches across communities and generations, permeating age, gender, affiliations and geography. Over time, the PSL has evolved beyond a schedule of fixtures into a cultural infrastructure — a shared national platform through which stories are told, identities are expressed and moments are collectively experienced. Our responsibility is to curate and present this platform with consistency, credibility and care,” Dr Irvin Khoza says.

Who talks like this and why do Canal+ and SuperSport and the PSL think this "says-nothing" is something?

It continues.

Dr Irvin Khoza says "Canal+ holds a premiership in the delivery of content, and it is through this capability that the PSL is able to reach the nation at scale. Together, the PSL as curator and Canal+ as the premier delivery platform, enable a national cultural infrastructure that is both widely accessible and deeply engaging".

"The supporters are very knowledgeable about the game and the league. They follow its every move. It is their reading of form, consequence and inter-dependence between matches that creates the cascading effect across the league, as each result is interpreted in relation to the next."

This is the type of stuff you get when you're either beyond full of yourself and is surrounded by yes-people who don't tell you to life in the real world, or asked ChatGPT to string some type of presumptuous sentences together that in reality, is laughable.

Rendani Ramovha, Canal+ director for sports content in English and Portuguese-speaking Africa, also gets a quotable - which is less pretentious than Irvin Khoza but grovelling in its glazing and pandering.

"The PSL is a key partner to the group, and it is important to ensure that we maintain a good relationship with our key stakeholders. This meeting was a major step in solidifying our relationship with the PSL for the long term,” Ramovha is quoted as.

"We have been clear since the onset of the coming together of the Canal+ group and the MultiChoice group that our investment in local content is a top priority. And local football is right at the top of our most sought-after content from a customer and viewer perspective on DStv and SuperSport."

"We hold the PSL in high regard, as it is more than just a football league – it means so much to millions of people across the continent, who invest their time, money and emotions into what happens on and off the pitch."

"The meeting was to demonstrate the respect and reverence that is held towards one of the biggest leagues, not just in Africa, but in the world. We also look at the PSL as the perfect platform to innovate our broadcast offering, ever looking to improve our product and to give viewers and customers more value.”

 

Dr Irvin Khoza "concluded" that apparently "some smaller crowd sizes did not truly reflect the topical nature of PSL football in everyday conversation among millions of football followers in South Africa".


"Every PSL match carries value, irrespective of the number of spectators in the stadium. Each match's true significance lies in its consequence within the league. Every supporter in attendance is matched by millions engaging from homes, workplaces, transit and social spaces across the country."


To quote Miranda Priestly: "Groundbreaking."

Disney+ Hikes South African Prices by 12.5% to R179 Per Month


by Thinus Ferreira

Disney+ is increasing prices in South Africa by 12.5% per month to R179 for the video streaming service's monthly premium plan, while the Disney+ annual plan will remain R1 590, and a Disney+ mobile subscription will remain R49 per month.

Disney+ subscribers pay R179 per month from 30 April 2026 as the new price. The annual plan and mobile subscription prices remain unchanged.

Disney+ last increased prices in September 2024 with 14.39% to R159 per month.

According to Disney, all new Disney+ monthly premium plan users on or after 30 April 2026 will be charged the revised subscription price.

Disney notes that all the existing direct-billed monthly premium users who signed up before 30 April 2026 will be charged at the renewed subscription price on the date of renewal, on and after 4 June 2026. 


"If the payment fails for these users, retries that happen on or after 4 June 2026 will also happen at the new price," says Disney.


According to Disney, existing users who subscribed to Disney+ through a third party like Apple in-app purchase, Google in-app purchase, or a local partner like MultiChoice "should refer to their third-party provider for more information".

Tuesday, May 19, 2026

New 10-episode Adventure Time: Side Quests set for October release on Cartoon Network in Africa


by Thinus Ferreira

The new animated series, Adventure Time: Side Quests, will make its debut on 5 June on Hulu and Disney+ in the United States, and months later in South Africa on the Cartoon Network (DStv 301) on 5 October.

Produced by Cartoon Network Studios, South African viewers will get to see the new spin-off series four months after America, with Finn and his dog Jake reuniting for new adventures, or so-called "side quests" in the fantastical land of Ooo.

Taking place before the events of the original Adventure Time, the series moves away from the heavy serialised storytelling of its later years, to return to the lighter, standalone, episodic format of the original show's early seasons.

John DiMaggio is back to voice Jake the Dog, alongside other returning favourites like Tom Kenny as Ice King, Hynden Walch as Princess Bubblegum, and Olivia Olson as Marceline. Young Finn will be voiced by Sasha Knight.

The series is leaving the Warner Bros. Discovery (WBD) platform ecosystem in the United States and will stream exclusively on Disney+ and Hulu. 

It's licensed for profit and to make the project financially viable, WBD chose to license the American streaming rights to the highest external bidder, which was Disney.

The longtime series showrunner Adam Muto is not attached to this series. Instead, it is being helmed and executive produced by Nate Cash, the former Adventure Time supervising director and storyboard artist.

In order to match the creative spirit of the original show's early seasons, the crew is not using traditional scripts. Instead, a team of franchise veterans and guest artists are acting as storyboarders to organically craft the dialogue, pacing, and visual gags from basic outlines.

Adventure Time: Side Quests is structured as 10-episode companion show consisting of self-contained, light-hearted, standalone adventures.

Vanessa Brookman, Warner Bros. Discovery general manager, international kids, animation and franchise, says "With its wit, originality and unpredictability, Adventure Time has always been quintessential Cartoon Network".

"In Side Quests, Nate and the team have crafted the perfect entry point for new audiences discovering the Land of Ooo for the first time, while offering a heartfelt love letter to fans who have been on the extraordinary journey from the very beginning."

Nate Cash says "Making Side Quests felt like making the original Adventure Time, which felt like hanging out with art school buddies making professional cartoons. That sounds like a big sandwich of feelings, and it was! You're going to love these new adventures with Finn and Jake!"

Canal+'s StudioCanal and Sun Africa Sign 3-year Theatrical Distribution Deal for StudioCanal's English Films in South Africa


by Thinus Ferreira

Canal+'s StudioCanal and Sun Africa Group (SAG) have signed a 3-year deal to do theatrical distribution for StudioCanal's English-language films in South Africa.

Under the long-term deal Sun Africa will distribute StudioCanal's slate of English-language feature films in South Africa.

This will include animation titles, films from StudioCanal's genre label 6th Dimension, as well as certain selected South African productions developed by StudioCanal and M-Net.

StudioCanal will for instance soon start principal photography at the end of June on the new English-language historical feature film, The Road Home in South Africa's Cape Town, telling the story of Paul Simon, Hugh Masekela and Miriam Makeba's formation of the Graceland band.

The first title to be released under the partnership will be the thriller Pressure, directed by Anthony Maras and starring Andrew Scott, Brendan Fraser and Kerry Condon. 

Upcoming releases under the deal will include Danny Boyle’s Ink, Elsinore, Full Phil, The Custom of the Country and Sean Byrne’s The Mannequin.

Anna Marsh, CEO of StudioCanal and chief content officer at Canal+, in a prepared quote, says "South Africa is one of the world's most vibrant and influential creative markets, and our partnership with Sun Africa Group marks an exciting new chapter for StudioCanal's global distribution".

"We are proud to bring a bold upcoming slate to South African audiences while continuing to champion local storytelling and the theatrical experience."

"We also believe this collaboration with Sun Africa Group will create new opportunities for South African stories and creative talent to reach audiences around the world in the years ahead."

Debbie McCrum, Sun Africa Group CEO, in the supplied statement, says "Our partnership with StudioCanal represents a significant and exciting milestone for Sun Africa Group".

"By bringing their exceptional slate of high-quality films to cinema audiences across South Africa, we are strengthening our commitment to delivering world-class entertainment experiences."

"Leveraging our distribution expertise, together with our strong relationships and extensive reach within the exhibition landscape, we will ensure that StudioCanal's films are enjoyed as they were meant to be — on the big screen."

"This collaboration not only creates lasting value for both companies but also promises to deliver memorable and magical cinematic experiences to audiences throughout the territory." 

e.tv Again Looking for South African Regional Documentaries 'with Thought-provoking and Entertaining Characters'


by Thinus Ferreira

e.tv is again commissioning a few regional half-hour documentaries, preferably from first-time producers, who will get R265 000 per documentary project to film stories from South Africa's Eastern Cape, Free State, Limpopo, Mpumalanga, Northern Cape and North-West provinces.

The closing date is 5 June and the 23-minute documentaries should be in vernacular languages, with English subtitles.

The documentaries are part of eMedia's budget for content made outside of Gauteng, the Western Cape and KwaZulu-Natal, and according to e.tv should "concentrate on strongly-researched information, while providing entertainment value through relatable characters that drive the narrative messaging of the selected subject matter".

Production companies must be registered in these provinces outside KZN, the Western Cape and Gauteng.

Documentaries should have a "unique and compelling story about a township/dorpie/village told through the eyes of the people who live there" and "showcase the beauty and uniqueness of the hometown and its people".

e.tv says proposals must deal with subject matter that is thought-provoking and entertaining, featuring characters that are layered and engaging and "hold appeal for a national audience".

Submissions must be sent to documentaries@etv.co.za