The Chinese pay-TV operator StarTimes has once again scooped up a gaggle of Africa reporters for a propaganda-like trip to China while ignoring South Africa's press.
Meanwhile StarSat, StarTimes' affiliate in South Africa, is marking a whole year of doing literally nothing in terms of any programming publicity that is supposed to be sent to media.
In the past week, StarTimes took 51 Africa journalists from 25 African countries - the bulk of whom will end up doing absolutely nothing and no actual reporting about it - for an "educational" 10-day tour to the People's Republic of China as part of a so-called "enriching relationships" junket.
After several days, there's literally been just one story - probably not the return of investment StarTimes wants. On the other hand, it could also be that getting actual press coverage for this isn't the actual aim.
Interestingly StarTimes couldn't be bothered with South Africa, where StarTimes South Africa and On Digital Media (ODM) run the StarSat satellite pay-TV platform.
StarTimes decided to take the African journalists to Beijing and Guangzhou in China for a media tour to interestingly co-incide with the 19th Congress of the Communist Party of China that started on 19 October and lasts for a week.
The African journalists toured the StarTimes Media headquarters in Beijing on Monday.
Also on the itinerary - besides the 19th Congress of the Communist Party of China taking place in Beijing - are visits to an industrial fair, a technological park, a textile park, port, agricultural park and a agricultural equipment manufacturing plant.
How bad is StarTimes' media liaison? This bad:
Guo Ziqi, StarTimes vice president at the StarTimes Media headquarters spoke about StarTimes' investment in pay-TV in Africa.
TVwithThinus asked Luke Liu, handling StarTimes overseas public relations, for a transcript or statement of what she said, but was told there is none.
Gao Wenzhi, another StarTimes vice president, spoke about StarTimes' research, StarTimes' content security and StarTimes' future development slate.
Again, TVwithThinus that asked Luke Lui for a transcript or statement of what Gao Wenzhi said - was told there is nothing StarTimes can share.
Luke Liu said that Guo Ziqi and Gao Wenzhi answered questions from African media and that "there is no transcript or press release".
How media covering StarTimes is supposed to report on what StarTimes executives are saying and doing when they do so publicly, is anybody's guess.
Luke Lui says "StarTimes is a Chinese company and a leading digital TV operator in Africa at the same time. We are very glad to be a bridge between China and Africa with promoting exchanges of the two sides".
A year of StarSat doing no programming publicity...
... and counting
Meanwhile October marks an infamous first anniversary for StarSat that stopped providing South Africa's media with any programming publicity material, monthly programming and scheduling and channel updates since October 2016.
South African media can't report about StarSat's month-to-month and day-to-day content or specific channel highlights because they literally don't know what it is due to a lack of information.
StarSat doesn't have any publicist or PR people communicating anything regarding any general content on StarSat - either about self-packaged or third-party channels, or specific shows or programming - to the South African press.
StarSat is trying to make inroads in growing its StarSat subscriber base but isn't communicating to the media what the content, channels and shows worth watching are that are available on its pay-TV platform.
Of course ordinary viewers and consumers don't buy decoders - they buy an experience and entertainment.
That's the reason why it's important - in fact crucial - for a pay-TV operator to issue programming publicity material to the press.
Yet, for 12 months now and counting, StarSat has failed to do the most basic communication in terms of programming - information that StarSat gets anyway on a monthly and weekly basis from overseas third-party channel providers, but doesn't bother or care to issue to the local media.
You don't see StarSat programming highlights in the newspaper and magazine that you read if it carries TV listing pages, and that is the reason why.
StarSat - formerly TopTV - used to have both in-house publicists (plural), and also paid external PR companies and PR people that it cycled through, to do this work.
For a year now it's not being done, after all of the TopTV and then StarSat publicists exited until only one was left; and after one PR company's contract was ended and a single external publicist got the task until her contract was also unceremoniously axed.
Without even a goodbye or advisory to media, emails suddenly bounced back this week a year ago in October 2016 with an "unfortunately I am no longer contracted to StarTimes Media SA".
And that was the end.
At this point in time it's anybody's guess what exactly StarTimes Media SA and ODM's media strategy is for StarSat as far as its basic programming communications strategy with journalists and the press covering StarSat and television in South Africa is concerned.
StarSat doesn't care about having, or building and strengthening, media relations with South Africa's press and TV critics or it would have employed a publicist or publicists months ago - or would have made an effort to put a PR company on retainer to communicate its programming on its behalf.
If it were important for StarSat to have the South African TV industry know what it's doing, and its programming, it would have appointed South African publicists months ago.
Instead, nothing.
If it were important for StarSat to educate the South African press about what it is and what it's doing, it would have made an effort to include South African journalists in things like the current StarTimes Media educational to Beijing for African journalists - or at the very least have reams of press releases and information about it on hand and available to send out.
Not communicating properly, not having a point-person or people in the form of publicist, and in effect shunning South Africa's press isn't having no effect - it's having a continued detrimental effect on StarSat.
Beyond being disappointing to the media trying to cover StarSat and its programming, it's practically damaging as well.
StarSat is damaging it brand but the press also isn't able to effectively do their work - telling potential viewers what there is on StarSat's various channels that's worth watching.
The press doesn't think highly of StarSat and that's a PR and perception problem.
In fact journalists - beyond not really knowing what StarSat is and what it's doing and showing - doesn't quite know what to think of StarSat, and that's bad if you're selling a service that even the media covering it, is unsure, skeptical and uninformed about.
Of course TV critics and journalists would rather write about StarSat's actual programming instead of ruminating about what a satellite pay-TV service is not doing, but in the absence of any actual programming info push, it is what's left.
Last month in parliament one of the then SABC board candidates and now a SABC board member, (still) referred to StarSat as TopTV - 4 years after and since it had changed its name.
It's just one example of how uninformed the general South African public is about StarSat.
That is StarSat's executives fault for not seeing PR and programmatic communication to the media as absolutely crucial to its existence, growth and brand image.
South Africa's consumer market, TV industry, media and trade press are much more evolved that the rest of Africa.
That makes real, effective, relevant and constant communication from a company to the media extremely important.
This past week, Netflix South Africa over 2 days communicated more with South Africa's media covering television than what StarSat had over the past 2 years.
Why should potential and existing StarSat subscribers remain or sign up for the service if they see nothing about StarSat and its programming in the press?
If StarTimes can afford to take over 50 journalists - who are likely not going to report to the public what StarTimes wants to communicate - to Bejing for 10 days, then StarTimes Media and StarSat can afford to pay to have a South African publicist communicating about its programming.
Sadly that realisation seems not have dawned yet on StarSat and its Beijing-based parent StarTimes Media.
Showing posts with label Africa. Show all posts
Showing posts with label Africa. Show all posts
Tuesday, April 16, 2019
Netflix commissions its first-ever African animation series, Mama K's Team 4 from Triggerfish Animation Studios in South Africa and set in a futuristic Zambia; now looking for specifically female writers from across Africa to write the scripts.
Netflix has commissioned its first original African animated series, Mama K’s Team 4., produced by the Triggerfish Animation Studios in Cape Town, South Africa as well as CAKE in London in the United Kingdom, following four diverse black girls in a futuristic version of Lusaka, Zambia, trying to save the world after they're recruited by a retired secret agent.
Mama K’s Team 4 was created by the Zambian writer Malenga Mulendema, one of 8 winners in the Triggerfish Story Lab initiative competition in 2015, and are drawn by the Cameroon artist Malcolm Wope, taking inspiration from retro 1990s R&B and hip-hop girl groups.
Triggerfish Animation Studios and CAKE is now looking for specifically female writers across Africa as part of a pan-African writing talent search to become the writers of Mama K’s Team 4 .
"In creating a superhero show set in Lusaka, I hope to introduce the world to four strong African girls who save the day in their own fun and crazy way. Most importantly, I want to illustrate that anyone from anywhere can be a superhero," says Malenga Mulendema.
Melissa Cobb, vice president of original animation at Netflix, says "In addition to giving African writers a global platform on which to be heard, we are excited to present this powerful and entertaining new animated series that brings Malenga's incredible and unique vision to life on Netflix".
"Mama K's Team 4 has the potential to give a whole new generation of African children the opportunity to see themselves on-screen in the powerful, aspirational characters they look up to."
Monday, April 1, 2019
Netflix hires Kenyan producer, Dorothy Ghettuba, the CEO of Spielworks Media, as manager for international original series for Africa.
Netflix has hired Kenya's Dorothy Ghettuba, the founder and CEO of Spielworks Media, as manager for international original series for Africa.
Dorothy Ghetubba will join the subscription video-on-demand (SVOD) service as Netflix's manager for international originals for the Europe, Middle East and Africa EMEA) region from June, tasked with commissioning more content for and from Africa.
Dorothy Ghetubba will move to Netflix's headquarters in Amsterdam in the Netherlands. Netflix's main competitor in Africa is MultiChoice's Showmax, followed by Amazon Prime Video.
"We are excited to confirm that Dorothy is joining the international originals group, which produces original series across the world, such as Dark, The Protector and Baby," Netflix confirmed to TVwithThinus in a statement.
"She will focus on adding shows across countries in Africa to our strong and growing international originals slate."
At the Nairobi-based Spielworks Media she launched a decade ago in 2009, Dorothy Ghettuba has helped produce several TV series for local Kenyan TV channels ranging from Block D, Higher Learning, Saints, Ladies 1st and the civic education drama series Know Your Constitution, as well as shows like Lies that Bind for pan-African channels like M-Net's Africa Magic available on MultiChoice's DStv satellite pay-TV platform.
She also had a starring role in the Sumu la Penzi TV series.
"Telling our African stories," Dorothy Ghettuba posted on Twitter, showing the Netflix logo, and referring to her appointment, simply said: "Onwards and upwards.
She since deleted the message but after being congratulated by several people and also thanking them.
Tuesday, January 8, 2019
Africa's pay-TV subscribers set for continued growth, will reach 45.63 million in sub-Saharan Africa by 2024.
Africa's pay-TV subscribers in South Africa and the rest of sub-Saharan Africa will continue its strong growth despite the much-hyped threat from global video streaming services, and will reach 45.63 million pay-TV subscribers by 2024.
According to new market research from Digital TV Research, the projection is that sub-Saharan Africa will add more than 16 million additional pay-TV subscribers over the next 5 years between 2019 and 2024, for a total of 45.63 million.
According to Digital TV Research's new Sub-Saharan Africa Pay TV Forecasts 3 pay-TV providers account for 93% sub-Saharan Africa'ss pay-TV subscribers in 2018.
While all three are forecast to increase their pay-TV subscriber base over the next half a decade, their proportion is expected to fall to 89% by 2024.
Naspers' The MultiChoice Group that plans to unbundle and spin-off as its own company in the first half of this year had 14.34 million pay-TV subscribers across satellite pay-TV platform DStv and digital terrestrial television (DTT) platform GOtv at the end of 2018.
MultiChoice will grow this by 5 million to 19.37 million by 2024.
France's Vivendi had 4.01 million pay-TV subscribers for its Canal Plus satellite pay-TV platform and Easy TV DTT platform by the end of 2018. Vivendi will grow this to 6.21 million by 2024.
Meanwhile China's StarTimes (StarSat in South Africa and Southern Africa) had 7.75 million pay-TV subscribers at the end of 2018 and will grow this to 14.85 million by 2024 - roughly what MultiChoice has currently.
Simon Murray, principal analyst at Digital TV Research, says "Subscriber numbers will climb by 61% over this period, but pay-TV revenues will rise by only 42%, indicating lower average revenue per user (ARPUs)".
"Pay-TV revenues will reach $7.72 billion by 2024, up by $2.3 billion on 2018."
Monday, December 3, 2018
Netflix to finally commission some original series from Africa in 2019.
Netflix says it will finally commission some original series from Africa in 2019, with the global video streaming service confirming that it is looking at opportunities in Africa.
Erik Barmack, Netflix vice-president of international originals, at last week's Content London conference, said Netflix is continuing to expand it original slate of series made across Europe, Asia and Latin America.
Variety reported about Netflix's Africa ambitions on Friday.
"There's going to come a time when half of the top 10 of most-watched shows on Netflix in a given year are going to come from outside of the United States," Erik Barmack said.
Meanwhile South African producers and production companies in Africa's most developed TV market have expressed ongoing frustration about not being able to reach out to Netflix to pitch TV and film projects for possible consideration, saying they don't know who to contact, who to talk to, or how to reach Netflix.
In October 2017 Netflix told TVwithThinus that it has "a pretty strong content team that is travelling to every country to talk to local producers" and is "talking to South African producers".
When Netflix was asked how South African and African producers can get in contact with Netflix, the service said it doesn't give out details and that it makes contact with producers. It's not clear how Netflix will know of producers or reach them that its not aware of.
Meanwhile the MultiChoice Group, planning to list on the JSE during the first half of 2019, continues to ramp up content spend and the production of local originals to buffer the growing so-called "Netflix threat".
It's local streaming service Showmax will invest in more local series like the Girl from St Agnes, while M-Net is pumping money into shows hunting for an African version of Game of Thrones.
M-Net is doing an international co-production, the crime thriller series Reyka with Fremantle distributing internationally, while M-Net commissioned Shaka-Ilembe from Bomb Productions that will explore the precolonial South African kingdoms that influenced and gave rise to Shaka Zulu.
The M-Net (DStv 101) channel's 2019 slate will have a new 7th season of Survivor South Africa: Island of Secrets, a first season of The Bachelor South Africa, and a third season of The Voice SA, while Mzansi Magic (DStv 161) will have a 15th season of Idols.
Tuesday, October 2, 2018
Africa's pay-TV market set for massive growth, pay-TV growth set to outstrip all other international regions until 2022.
While a lot is being said about how video streaming services are destroying traditional pay-TV services, pay-TV growth in Africa is actually set to outstrip all other international regions until 2022, according to the latest research.
Despite breathless reporting about how subscription video-on-demand (SVOD) streaming services are cannibalising and destroying direct-to-home (DTH) satellite pay-TV services in South Africa and Africa, a new report finds that massive growth is still in store for satellite pay-TV companies in Africa and the Middle East (AME) with household penetration that will rapidly increase over the next 5 years from 16% in 2017 to 23.2% in 2022.
While there's ongoing navel-gazing about how video streaming services like Netflix, Amazon Prime Video, Showmax and others are taking over from satellite TV, according to new research from GlobalData, a data and analytics company, Africa and the Middle East's pay-TV market - although still underdeveloped - is growing rapidly.
This growth is set to continue according to GlobalData's latest industry report "Pay-TV market trends and opportunities in Africa & the Middle East".
In fact, according to GlobalData, the pay-TV market in Africa and the Middle East is expected to grow faster than all other regions in the years ahead.
In Africa companies like MultiChoice, China's StarTimes and a few regionaled other ones are in an ongoing race to get into as many homes as possible.
"We are witnessing strong overall growth in the AME due to the expanding content portfolios, tailored to local audiences. An effective blend of exclusive sport broadcasting, regional and international content in various genres with multiple languages such as Arabic, English and French, help pay-TV providers gain subscribers and remain competitive in AME," says Jonathan Bachrach, technology analyst at GlobalData.
According to GlobalData, piracy of TV content remains one of the biggest challenges facing pay-TV operators in AME, as the proliferation of illegal set-top boxes (STBs) and decoders continue to negatively impact pay-TV operators' revenues.
According to GlobalData anti-piracy initiatives are vital to protect operator investments in premium broadcasting content and revenue streams.
According to research firm, Dataxis, MultiChoice that will be spun off by Naspers during the first half of 2019 has been and remains a key player in the English-speaking African pay-TV market.
Wednesday, September 12, 2018
China's StarTimes keeps up its charm charm offensive as 18 African leaders visit StarTimes headquarters in Beijing, meet with company president Pang Xinxing.
China's StarTimes is keeping up its charm offensive and blitz of ingratiating itself with African leaders with the pay-TV operator that met with 18 African leaders at its Beijing headquarters during last week's Forum on China-Africa Cooperation Summit (Focas) held in China.
African presidents and other "distinguished guests" were fawned over as they toured China's StarTimes headquarters in Beijing, where they in turn "expressed their admiration and support" to StarTimes' presence in Africa.
StarTimes president Pang Xinxing personally met 4 African presidents - Malawian president Peter Mutharika, Ghanaian president Nana Akufo-Addo, Ugandan president Yoweri Museveni and Mozambican president Filipe Nyusi.
StarTimes, running its StarTimes branded service across Africa and StarSat in South Africa, is in competition with rivals like MultiChoice's DStv and GOtv for pay-TV subscribers across the African continent.
StarTimes has been aggressively going after government contracts and joint ventures to roll out digital terrestrial television (DTT) and infrastructure in several African nations, ranging from Uganda, Kenya, Tanzania, Rwanda and Burundi to Zambia.
During the Focas summit, StarTimes helped Mozambique’s national TV station in broadcasting the China-Mozambique Investment Promotion Conference and the presidential press conference in Beijing in Mozambique.
StarTimes also provided signal transmission channels for the Republic of the Congo, Zambia, Uganda, Cameroon and several other countries for saturated Focas coverage from Beijing.
The first visitor to StarTimes' Beijing headquarters during the Focas summit was Ghana's first lady Rebecca Akufo-Addo on 2 September when StarTimes gave 24 football kits to the Rebecca Foundation to pursue their football dreams.
Later the same day, Lesotho’s prime minister Thomas Thabane and the Chinese ambassador to Lesotho Sun Xianghua went to StarTimes. StarTimes gave Lesotho projector TV sets and solar power generation systems for 10 villages "so that more local villagers can watch television and thus know more about the outside world".
Sierra Leone's president Julius Maada Bio along with his wife, Fatima Maada Bio, and the Chinese ambassador to Sierra Leone, Wu Peng, went to StarTimes on 3 September.
Sierra Leone’s minister of information and communications, Mohamed Rahman Swaray and Gu Xun, managing director of StarTimes Group, signed a memorandum of understanding on cooperation. Pang Xinxing gave Sierra Leon 50 projector TV sets and solar power generation systems for 50 villages.
Julius Maada Bio said it presents a great potential for Sierra Leonean people to view programs around the world and the government would give StarTimes necessary support to be able to start and to broadcast and that "I look forward to having StarTimes in Sierra Leone".
On 3 September the wife of Malawi's president, Gertrude Mutharika, UNAIDS executive director Michel Sidibé and StarTimes group vice president Guo Ziqi held a meeting in Beijing, to look at working together to increase HIV/Aids awareness.
On 4 September, Zambia's minister of transport and communications, Brian Mushimba, went to StarTimes, and on 5 September it was the Democratic Republic of the Congo’s minister of communications and media Lambert Mende Omalanga, and minister of economic affairs Joseph Kapika Dikancu who attended the signing ceremony of establishment of joint venture between StarTimes and the DRC.
On 6 September president of the Central African Republic (CAR), Faustin-Archange Touadera visited StarTimes with his wife and an entourage and toured StarTimes' translation and dubbing center, multi-functional studio, and the research institute.
Wednesday, September 5, 2018
Why the gay-focused channel OUTtv on DStv will only be made available in South Africa and not the rest of Africa; while MultiChoice says age restrictions will be show specific.
MultiChoice told TVwithThinus in response to a media enquiry asking why OUTtv will only be available to DStv Premium and DStv Compact Plus in South Africa specifically, that MultiChoice only cleared the content rights of the gay programming for this specific market.
OUTtv will run from 4 October to 4 November in South Africa as a month-long pop-up channel on channel 198 on DStv with content deemed too risque for the rest of Africa's conservative audiences, especially Nigeria and Kenya as the continent's second and third largest pay-TV markets after South Africa.
OUTtv will broadcast programming ranging from movies, drama, lifestyle, comedy, reality, music and travel shows that appeal to the LGBTQI+ community.
Titles on OUTtv will range from RuPaul’s Drag Race All Stars, Big Freedia Queen of Bounce, Australian series like Deep Water and Wentworth, Degrassi: Next Generation and Hey Qween!, as well as OUTtv original series Knock Knock Ghost, Sex & Violence, Shadowlands, The Boulet Brothers’ Dragula and Don’t Quit Your Gay Job.
MultiChoice was asked whether OUTtv will come with a general age restriction, like for instance 13PG, but the pay-TV operator says OUTtv is structured and programmed as a lifestyle channel and that the channel's gay content won't carry any overall age blocking in South Africa.
"There will be no channel age restriction. Any age restrictions will be programme specific," on OUTtv says MultiChoice.
In June 2017 Kenya's Film Classification Board (KFCB) banned 7 kids cartoon for bogus reasons like saying one character "has a dick for a head", and that two characters who went on an (unseen) "implied romantic vacation", ordering MultiChoice Africa to remove Loud House, The Legend of Korra, Hey Arnold, Clarence, Steven Universe, Adventure Time and Star vs the Forces of Evil from DStv because of "homosexual themes".
Since the channels - Viacom Africa's Nickelodeon, Disney's Disney XD and Turner Broadcasting's Cartoon Network - have only one channel feed into the continent, it meant that the removal of the shows for the Kenyan market meant its removal for all of Africa.
OUTtv will broadcast programming ranging from movies, drama, lifestyle, comedy, reality, music and travel shows that appeal to the LGBTQI+ community.
Titles on OUTtv will range from RuPaul’s Drag Race All Stars, Big Freedia Queen of Bounce, Australian series like Deep Water and Wentworth, Degrassi: Next Generation and Hey Qween!, as well as OUTtv original series Knock Knock Ghost, Sex & Violence, Shadowlands, The Boulet Brothers’ Dragula and Don’t Quit Your Gay Job.
MultiChoice was asked whether OUTtv will come with a general age restriction, like for instance 13PG, but the pay-TV operator says OUTtv is structured and programmed as a lifestyle channel and that the channel's gay content won't carry any overall age blocking in South Africa.
"There will be no channel age restriction. Any age restrictions will be programme specific," on OUTtv says MultiChoice.
In June 2017 Kenya's Film Classification Board (KFCB) banned 7 kids cartoon for bogus reasons like saying one character "has a dick for a head", and that two characters who went on an (unseen) "implied romantic vacation", ordering MultiChoice Africa to remove Loud House, The Legend of Korra, Hey Arnold, Clarence, Steven Universe, Adventure Time and Star vs the Forces of Evil from DStv because of "homosexual themes".
Since the channels - Viacom Africa's Nickelodeon, Disney's Disney XD and Turner Broadcasting's Cartoon Network - have only one channel feed into the continent, it meant that the removal of the shows for the Kenyan market meant its removal for all of Africa.
In November 2017 Kenya banned the Disney Channel show Andi Mack because it featured a gay teenager, keeping it off television for the entire Africa, including South Africa.
In July 2016 Viacom International Media Networks Africa said it is censoring an episode of The Loud House on Nickelodeon and won't be broadcasting it on its channel on DStv in Africa since it featured animated gay dads.
In May 2016 NBCUniversal International Networks was forced to pull the second season of I Am Cait, a reality show about the transgender Caitlyn Jenner – formerly known as Bruce Jenner - from E! Entertainment making it unavailable for the entire Africa and South Africa, after complaints and a DStv TV-ban in Nigeria.
In October 2015 Discovery Networks International was forced to censor and remove the transgendered teen docu-series I Am Jazz from TLC Entertainment from the channel carried on DStv across the entire Africa just before it was to begin broadcast, following censorship in Nigeria.
In May 2016 NBCUniversal International Networks was forced to pull the second season of I Am Cait, a reality show about the transgender Caitlyn Jenner – formerly known as Bruce Jenner - from E! Entertainment making it unavailable for the entire Africa and South Africa, after complaints and a DStv TV-ban in Nigeria.
In October 2015 Discovery Networks International was forced to censor and remove the transgendered teen docu-series I Am Jazz from TLC Entertainment from the channel carried on DStv across the entire Africa just before it was to begin broadcast, following censorship in Nigeria.
M-Net (DStv 101) that does have different regionalised channel feeds for South, East and West Africa has been self-censoring its East and West channel feeds for M-Net's more conservative audiences where shows like American Gods has been substituted and not been shown, and with something like the the transsexual model agency reality show, Strut on its version of the VUZU AMP channel outside of South Africa that got replaced with other programming.
Wednesday, July 18, 2018
The rebranded eNCA dumps Africa from the TV news channel's new look without any explanation as to why - and a lot of unanswered questions.
The rebranding of eNCA (DStv 403) introduced this week Monday on eMedia Investments' TV news channel has seen eNCA dump Africa - literally - as in doing away with the 11-point hendecagon symbol representing the African continent.
In May longtime eNCA insiders told TVwithThinus that the outline of the African continent done in blue from the second rebrand - and that was formed out of the tiles of the first eNCA rebrand when the logo changed from the eNews Channel look - will be a gonner when eNCA rebrands in July.
This has now been confirmed with viewers that can see that Africa as far as eNCA's new on-air look is concerned, is indeed gone.
eNCA hasn't explained the news channel's new logo and hasn't explained why the Africa silhouette has been deleted.
eNCA and e.tv didn't respond to any media enquiries made last week about eNCA's on-air rebranding.
According to eNCA insiders who spoke out in May, a top-level eMedia Holdings executive allegedly said in a meeting that he wants the Africa logo removed from the eNCA logo since Africa is synonymous with famine and corruption.
TVwithThinus asked Vasili Vass, eMedia Investments group head of corporate affairs, as well as Michael Pocock, e.tv publicist about this in a written media enquiry and what the company's comment is about this but neither responded.
According to an insider eNCA - formerly an abbreviation of "eNews Channel Africa" - allegedly also "no longer stands for anything. It's now just letters". eNCA and e.tv were asked about this, what eNCA stands for now - or maybe still - but chose to also not to comment and respond.
eMedia Investment's removal of Africa from the eNCA logo fits in with eNCA's dramatic downsizing of first-hand Africa news coverage over the past 3 years, including the shuttering of its Africa bureaux, firing of correspondents, cancelling its news and current affairs shows specifically covering Africa, and largely making use of international wire news service content when there's news in Africa further removed from its Hyde Park, Johannesburg studios in South Africa.
A lot of unanswered questions
A lot of questions about eNCA's latest rebrand - the news channel's third in its 10 year history - remain unanswered.
eNCA didn't explain why the afternoon strand News Day was canned, or why News Night was moved an hour earlier to now start at 17:00, or why Moneyline was dumped.
The eNCA on-air rebrand comes amidst a wave of defections from eNCA the last few months with staffers who said that "morale is at an all time low". No word on what eNCA makes of that.
What exactly is eNCA's view and relationship towards Africa regarding news and covering it with breaking news stories when it happens as well as investigative first-person, on-the-ground stories in the way CNN International (DStv 401) and Sky News (DStv 402) do? Why the lack of investment in this area? Because eNCA doesn't want to, or can't afford it?
How will eNCA on MultiChoice's DStv be different than eMedia Investment's new sister TV news channel, OpenNews, that it will be launching on Openview within months and what are the differentials between the two (since eNCA rebrand now presumably took in account that it can't "rebrand" yet again in a few months come November)?
How does eNCA and eMedia Investment execs feel about its ongoing business relationship with MultiChoice that carries eNCA on DStv and what is the future, and long-term future outlook of the channel and this relationship? There are some very clear signs of relationship strain bordering on dislike between the two.
Will eNCA's dalliance with political parties and the way eNCA is courting politicians continue into 2019 - a general election year? How will eNCA try to maintain a semblance of impartiality and objectivity when political leaders are put in eNCA's anchor chair to apparently create social media viral moments instead of bringing the audience news - and will there be more similar "must-see TV" stunts during South Africa's election year?
Finally there's the litany of complaints regarding the new on-air look that eNCA seems to ignore. Was this tested beforehand? Did someone sit down and look how everything would look on camera beforehand? It feels as if eNCA decided to roll it out to viewers as a live on-air test without actually sorting the myriad of issues viewers are complaining about, first.
In May longtime eNCA insiders told TVwithThinus that the outline of the African continent done in blue from the second rebrand - and that was formed out of the tiles of the first eNCA rebrand when the logo changed from the eNews Channel look - will be a gonner when eNCA rebrands in July.
This has now been confirmed with viewers that can see that Africa as far as eNCA's new on-air look is concerned, is indeed gone.
eNCA hasn't explained the news channel's new logo and hasn't explained why the Africa silhouette has been deleted.
eNCA and e.tv didn't respond to any media enquiries made last week about eNCA's on-air rebranding.
According to eNCA insiders who spoke out in May, a top-level eMedia Holdings executive allegedly said in a meeting that he wants the Africa logo removed from the eNCA logo since Africa is synonymous with famine and corruption.
TVwithThinus asked Vasili Vass, eMedia Investments group head of corporate affairs, as well as Michael Pocock, e.tv publicist about this in a written media enquiry and what the company's comment is about this but neither responded.
According to an insider eNCA - formerly an abbreviation of "eNews Channel Africa" - allegedly also "no longer stands for anything. It's now just letters". eNCA and e.tv were asked about this, what eNCA stands for now - or maybe still - but chose to also not to comment and respond.
eMedia Investment's removal of Africa from the eNCA logo fits in with eNCA's dramatic downsizing of first-hand Africa news coverage over the past 3 years, including the shuttering of its Africa bureaux, firing of correspondents, cancelling its news and current affairs shows specifically covering Africa, and largely making use of international wire news service content when there's news in Africa further removed from its Hyde Park, Johannesburg studios in South Africa.
A lot of unanswered questions
A lot of questions about eNCA's latest rebrand - the news channel's third in its 10 year history - remain unanswered.
eNCA didn't explain why the afternoon strand News Day was canned, or why News Night was moved an hour earlier to now start at 17:00, or why Moneyline was dumped.
The eNCA on-air rebrand comes amidst a wave of defections from eNCA the last few months with staffers who said that "morale is at an all time low". No word on what eNCA makes of that.
What exactly is eNCA's view and relationship towards Africa regarding news and covering it with breaking news stories when it happens as well as investigative first-person, on-the-ground stories in the way CNN International (DStv 401) and Sky News (DStv 402) do? Why the lack of investment in this area? Because eNCA doesn't want to, or can't afford it?
How will eNCA on MultiChoice's DStv be different than eMedia Investment's new sister TV news channel, OpenNews, that it will be launching on Openview within months and what are the differentials between the two (since eNCA rebrand now presumably took in account that it can't "rebrand" yet again in a few months come November)?
How does eNCA and eMedia Investment execs feel about its ongoing business relationship with MultiChoice that carries eNCA on DStv and what is the future, and long-term future outlook of the channel and this relationship? There are some very clear signs of relationship strain bordering on dislike between the two.
Will eNCA's dalliance with political parties and the way eNCA is courting politicians continue into 2019 - a general election year? How will eNCA try to maintain a semblance of impartiality and objectivity when political leaders are put in eNCA's anchor chair to apparently create social media viral moments instead of bringing the audience news - and will there be more similar "must-see TV" stunts during South Africa's election year?
Finally there's the litany of complaints regarding the new on-air look that eNCA seems to ignore. Was this tested beforehand? Did someone sit down and look how everything would look on camera beforehand? It feels as if eNCA decided to roll it out to viewers as a live on-air test without actually sorting the myriad of issues viewers are complaining about, first.
Saturday, October 21, 2017
Tuesday, June 27, 2017
MultiChoice close to touching 12 million African pay-TV subscribers in 2017 as share of top-end DStv Premium subscribers continues to decrease and growth comes from lower-tiered bouquets.
Pay-TV operator MultiChoice is within reach of 12 million pay-TV subscribers across Africa with its subscriber base that added 1.5 million DStv and GOtv subscribers to top 11.9 million although the bulk of the subscriber growth is now coming from lower-tiered, cheaper bouquets.
On Friday afternoon Naspers released its annual financial results for the year until 31 March 2017 that revealed that its pay-TV business MultiChoice added another 625 000 DStv subscribers in South Africa in the past year (11% growth) to reach 6.36 million households.
In addition, MultiChoice experienced its highest net DStv subscribers growth ever over a 6-month period, and increased its spending 13% on TV programming and production costs that's paid in dollar.
It means that South Africa with over half of all MultiChoice's pay-TV subscribers in one country, remains MultiChoice's biggest pay-TV and DStv market in Africa by far, despite ongoing erroneous articles mistakenly citing countries like Nigeria as being the largest.
Naspers says its South African direct-to-home (DTH) pay-TV business delivered a "solid all round performance".
Sadly the plunge in Nigeria's currency has been debilitating on the entire MultiChoice Africa operations - a gaping black hole that led to a whopping $358 million trading loss and that wiped out MultiChoice's operational progress in lowering costs and streamlining operations.
It will likely take a couple of years for MultiChoice in Africa to return to profitability.
While the number of DStv subscribers are growing, the share of DStv Premium subscribers - the top-tier of users subscribing to the most expensive bouquet - is once again shrinking and continuing to contract, now down to 16%.
While mid-tier DStv Compact subscribers are remaining stable at 27%, the share of subscribers paying for lower-tiered bouquets is now the fastest growing, increasing its share from 53% to 57%.
PVR users in South Africa and across Africa growing fast
MultiChoice's streaming and catch-up service, DStv Now, is "gaining excellent traction" as available TV channels added to this service, and users grow, Naspers said.
Elsewhere in Africa, MultiChoice's digital terrestrial television (DTT) service, GOtv, is already profitable in four African countries. Overall GOtv is inching towards profitability, with MultiChoice that now has 3.001 million DTT subscribers in Africa.
In South Africa MultiChoice saw a 10% growth in the number of DStv subscribers, compared to 2016, who have and use its personal video recorder (PVR) decoders. With this bigger PVR use, the average revenue per user (ARPU) for PVR decoders in South Africa increased by 2% in 2017.
In the rest of Africa the growth of PVR decoders by DStv subscribers have been even more phenomenal - a whopping 26% jump, although the ARPU in the rest of Africa declined by 23% in the financial year.
MultiChoice is responding to increased content costs by removing and renegotiating non-essential TV content.
MultiChoice focused on "bouquet restructuring and reduction of non-performing content, holding subscription prices steady in key markets, better customer focus and retention, reducing set-top box prices and rightsizing operations".
Naspers' subscription video-on-demand (SVOD) service, ShowMax, completed its first full year of operations and is now fully localised in South Africa, Kenya and Poland.
Consolidated development spend for Naspers' video entertainment segment was $102 million compared to 2016's $85 million - up 20% year-on-year (YoY).
Naspers says increased investment in ShowMax was offset by scaling of the GOtv DTT platform.
Thursday, May 12, 2016
Yusuf Nabee appointed as A+E Networks UK's new general manager for Africa, based in Johannesburg to look after the History, Lifetime and C+I channels.
Yusuf Nabee is taking over responsibility for A+E Networks UK's TV channels in Africa as general manager.
A+E Networks UK says Anthea Petersen who was appointed as A+E Networks UK's regional director for Africa in February 2015 continues her relationship with A+E Networks UK as regional director, in a consultancy role.
Yusuf Nabee will now be A+E Networks UK's general manager for Africa based in Johannesburg, reporting directly to Nicolas Eglau as A+E Networks UK chief operating officer.
Yusuf Nabee, a former channel head of the the failed Glow TV channel that is now shutting down, also worked at the SABC as project manager on digital terrestrial television (DTT) and has now left Kagiso Media where he headed up special projects.
Yusuf Nabee will start as general manager for Africa for A+E Networks UK on 1 June where he will be responsible for building a full local team to drive the performance of A+E Networks' channels in Africa and to secure new distribution for channels.
A+E Networks UK currently supplies channels like History, Lifetime and Crime+Investigation to MultiChoice's DStv satellite pay-TV platform, and has commissioned local format shows like Pawn Stars South Africa and Four Weddings SA.
"I'm very pleased to be joining the A+E Networks' family," says Yusuf Nabee in a statement. "I'm particularly excited at the opportunity to build on the base that A+E Networks has already established in Africa by expanding the company's presence across the continent and bringing more local flavour to its existing brands and content."
Nicolas Eglau says "Yusuf Nabee is [a] great addition to A+E Networks' senior team. We are confident that his proven track-record of launching new channels, commissioning content and increasing audience share in the competitive African TV landscape will enable A_E Networks to gain further scale in this exciting and important market."
Thursday, January 21, 2016
MultiChoice in Africa struggling to grow DStv subscribers due to weakening currencies as pay-TV households move to cheaper digital terrestrial television (DTT).
MultiChoice in Africa is struggling with the perception that the DStv satellite pay-TV service is too expensive with DStv subscribers in Africa, outside of South Africa, down as pay-TV households switch to cheaper digital terrestrial television (DTT) offerings due to big local currency devaluations, according to a new report.
According to the 5th edition of the Digital TV Sub-Saharan Africa Forecasts 2016 will be a tough year for pay-TV operators like MultiChoice in Africa.
According to Simon Murray, author of the report for Digital TV Research, DStv appears too expensive given the weakening of Africa's currencies, with pay-TV households switching to cheaper DTT offerings.
MultiChoice in Africa had 2.24 million DStv subscribers outside of South Africa by September 2015 - down from 2.56 million six months earlier and down from 2.36 million a year earlier.
According to Digital TV Research estimates, this 2.24 million DStv subscribers fell to 2.16 million DStv subscribers by the end of 2015 and will fall further in 2016.
"DStv appears more expensive to locals. To try and attract new subscribers, DStv has substantially reduced its decoder prices."
"DStv's problems stem mostly from its rights to exclusive premium content, especially sports. Currency devaluation in most sub-Saharan countries hit DStv hard. Exclusive content rights for premium content such as English Premier League (EPL) soccer are usually paid for in US dollars."
"MultiChoice has been compelled to increase its local currency DStv subscription fees to cover the shortfall due to devaluation."
As a result, DStv appears more expensive to locals. To try and attract new subs, DStv has substantially reduced its decoder prices.”
More African pay-TV households are switching to DTT - up from 18.7% (7.9 million) in 2010 with digital television penetration that is estimated to reach 99.9% in 35 African countries by 2021 and 74.7 million homes.
By the end of 2015 complete digital terrestrial television migration was achieved in Gabon, Kenya, Malawi, Rwanda, Tanzania and Uganda.
By the end of 2016 another 6 African countries are expected to complete its switch from analogue to digital terrestrial television - but not South Africa which is lagging far behind the rest of the African continent with its commercial DTT switch-over process.
According to the research, of the 16.91 million pay-TV subscribers at the end of 2015, 10.66 million were satellite pay-TV subscribers and 5.64 million were pay DTT.
Africa's pay-TV subscriber total will more than double to 33.23 million by 2021, with satellite pay-TV subscribers contributing 15.88 million and pay DTT another 14.85 million.
Tuesday, September 8, 2015
Cord-cutting? Said who? Global pay-TV gain 4 million subscribers in second quarter of 2015 with Europe and Africa reporting the greatest growth.
The top 100 pay-TV operators in the world according to a new index has added nearly 4 million pay-TV subscribers in the second quarter of this year - and pay-TV services in the Europe, Middle East and Africa region known as EMEA added the most of those.
According to informitv's Multiscreen Index, pay-TV operators in the EMEA region added 2.35 million subscribers.
Despite the acceleration of so-called "cord-cutting" in North America - pay-TV subscribers cancelling their subscriptions or replacing traditional pay-TV services with other over-the-top (OTT) services like Netflix - there was an overall gain of 230 pay-TV subscribers across the North America, Central America and South America region.
In addition 75 of the 100 top pay-TV operators now offer some form of multiscreen access on screens in addition to the traditional TV set - like a a phone or tablet, computer or other network-connected device.
"While many services in the United States lost television customers, the worldwide trend shown by our regular report is of organic subscriber growth of around 1 percent a quarter," says Dr. William Cooper, the editor of the informitv Multiscreen Index. "We also expect consolidation to continue as service providers achieve growth through economies of scale".
According to informitv's Multiscreen Index, pay-TV operators in the EMEA region added 2.35 million subscribers.
Despite the acceleration of so-called "cord-cutting" in North America - pay-TV subscribers cancelling their subscriptions or replacing traditional pay-TV services with other over-the-top (OTT) services like Netflix - there was an overall gain of 230 pay-TV subscribers across the North America, Central America and South America region.
In addition 75 of the 100 top pay-TV operators now offer some form of multiscreen access on screens in addition to the traditional TV set - like a a phone or tablet, computer or other network-connected device.
"While many services in the United States lost television customers, the worldwide trend shown by our regular report is of organic subscriber growth of around 1 percent a quarter," says Dr. William Cooper, the editor of the informitv Multiscreen Index. "We also expect consolidation to continue as service providers achieve growth through economies of scale".
Tuesday, April 21, 2015
BREAKING. eNCA shuts down its Africa news division; cancels Africa360; says it will 'continue to report on Africa' as staff retrenchment looms.
eNCA says the Sabido-owned 24-hour TV news
channel which has been struggling to keeps its African business financially
afloat, will continue to report on Africa despite the dramatic downsizing.
Last month Sabido warned that the pan-African
TV news division of eNCA could be shutting down the loss-making division, as
well as shuttering its Natural History Unit and factual division and that staff
losses will be the result.
Africa360 is now officially cancelled as TV with Thinus reported earlier this month is happening.
"After consulting with staff, eNCA has made
the difficult decision to close its Africa division,” the company tells TV with Thinus in response to a media enquiry made Tuesday.
“This impacts the television operations of
eNews Africa and regrettably Africa360
will be discontinued. Given its reliance on the bureaus and ability to travel
throughout Africa, it was not logistically possible to continue with the show".
eNCA says the downsizing and firing of staff
looming "does not affect eNCA, news on e.tv (Zulu news and Prime Time), eNuus
on kykNET, nor does it affect our online team at eNCA.com."
eNCA says the news channel – which competes
with the SABC's SABC News (DStv 404) and Infinity Media's ANN7 (DStv 405) as
24-hour TV news channels on MultiChoice's DStv satellite pay-TV platform "will continue
to report on Africa issues using a strong network of stringers and deploy teams
out of South Africa if necessary".
Thursday, December 6, 2012
BBC and Discovery Channel's new natural history series, Africa, with David Attenborough coming to BBC Knowledge in 2013.
BBC Knowledge (DStv 184) will bring South African viewers Africa in 2013, the 7 episode natural history series which has been a co-production between Discovery Channel and the BBC, narrated by David Attenborough.
The new natural history series will bring viewers images of new species, animal behaviours and secret natural wonders on the continent.
For Africa which has been 4 years in the making, the production team spent more than 1 500 days on location across 79 separate expeditions in 27 African countries. More than 21 different types of cameras were used, filming more than 2 000 hours of footage for the breathtaking new documentary series.
The episode "Making of Africa in the series has David Attenborough narrating how the series was filmed and the final episode will look at the rapid change Africa as a continent and its people are experiencing.
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