Showing posts with label TAMS. Show all posts
Showing posts with label TAMS. Show all posts

Wednesday, April 23, 2025

Why South Africa's public TV ratings have been ripped away


by Thinus Ferreira

South Africa's official television ratings have been ripped away from public view and scrutiny, with TV viewership figures no longer being published since 2025 - a decision that industry insiders are slamming as a big step backwards.

The Broadcast Research Council of South Africa (BRCSA) industry body with Gary Whitaker as CEO, has decided to stop the publication of its truncated monthly TV ratings tally of the viewership of SABC1, SABC2, SABC3, eMedia's e.tv and MultiChoice's DStv.

South Africa's Television Audience Measurement Survey (TAMS) panel remains - the viewers' panel used to determine the country's overnight ratings - as does TV viewership measurement done by companies like Nielsen in the South African market.

However, none of the TV ratings that used to be posted publicly for over a decade - initially weekly and later only monthly - are posted on the BRCSA's website anymore. 

Over years, the information gave the general public, the media, viewers, advertisers, broadcasters, academics, as well as the broader South African film and TV industry, general insight into South Africa's top performing TV shows, the flow and change in viewership patterns, and well as what people are watching in terms of numbers and audience share.

Only people and companies like ad buyers and broadcasters who subscribe and pay thousands of rand per month now get access to ratings data. 

TV ratings reports and viewership data published between 2015 and late-2024 remain available on the BRCSA website as archived data.

In comparative TV markets to South Africa, the Broadcasters' Audience Research Board (Barb) in the United Kingdom continues to publish TV ratings data weekly without any problem, as does Australia, New Zealand, and the United States where anyone who wants, can instantly see what is being watched and by how many people.

"It is disappointing. I think the media and public should be able to see our TV and broadcasters' ratings and numbers," a veteran ad executive and media buyer told TVwithThinus who accesses South Africa's TV ratings through a subscription service anyway but laments that the BRCSA stopped making the digest monthly ratings publicly available.

Another veteran TV insider said: "Any semblance of transparency is gone and it's impossible for the general public to know what's true when it comes to TV viewership in South Africa".

A veteran academic and university lecturer in TV and film, also slammed the decision, saying the BRCSA's axing of publishing South Africa's TV ratings "is a huge loss to South African scholarship on the local audio-visual industry".

"South African researchers based at public tertiary institutions, and especially postgraduate students, cannot afford to pay the same rates as advertising and marketing companies for the simplified statistics."

"Information about the viewership popularity of a local soap opera, telenovela, or even the evening news broadcast, is extremely important in longitudinal and other qualitative and quantitative research studies, where one can draw conclusions about audience preferences, in terms of storylines, character depictions (e.g stereotypical representations of specific groupings) and other wide-ranging questions."

"This is also a blow to the public broadcaster and the public who has a right to know how the SABC's programmes and content are received and watched and by how many people." 


TV ratings removed
The BRCSA, established a decade ago in 2015 out of the  South African Advertising Research Foundation (SAARF) that until then published ratings, tells TVwithThinus it decided to no longer publish summarised monthly South African ratings information in order to uphold the "credibility" of the audience measurement system.

The BRCSA board is currently comprised of Monde Twala (Paramount Africa), Melissa McNally (Kagiso Media), Antonio Lee (eMedia Holdings), Fahmeeda Cassim-Surtee (DStv Media Sales) and Ursula Shikhati (SABC Sales) from television, as well as Tracy Stafford, Johan van Rooyen and Alfie Jay representing radio.

In response to a media query, Gary Whitaker said the BRCSA made the decision in December 2024 to stop publishing any further South African TV ratings publicly "after identifying concerns regarding the interpretation and legitimacy of top-performing programme figures".

"Some entities were extracting data in a manner that differed from the BRC's methodology, creating inconsistencies and confusion."

"Given that the BRC has no control over how data is pulled from various industry software providers, the organisation conducted a risk assessment on supplying audience data directly to the market free of charge."

He notes that the BRCSA wants to preserve revenue and membership value.

"Making audience data freely available could undermine the value of BRC membership, leading paying stakeholders such as broadcasters, media agencies, and advertisers to question their financial contribution."

According to him, a decline in paying members could weaken the funding structure and thereby "threatening the long-term sustainability of audience measurement in South Africa".

Gary Whitaker claims that "Public users may extract and interpret data incorrectly, leading to inconsistencies and potential misrepresentation of audience figures. If different users pull data using varying methodologies it could create discrepancies that erode trust in the JIC's measurement system".

Whitaker says the BRCSA also considered "preventing competitive misuse".

"Unrestricted access to audience data could allow competitors both local and international to use the insights strategically without contributing to funding. Some entities might selectively use data without proper context, potentially misrepresenting trends and distorting the market view."

"By limiting public access, the BRCSA aims to uphold the integrity, sustainability, and credibility of the official audience measurement system while ensuring that stakeholders who invest in the currency continue to derive value from it."

Gary Whitaker was also asked why Barb in the United Kingdom and other countries have no problem to continue to make their countries' TV ratings data publicly available and that the move seems to set South Africa back compared to the insight into viewership and ratings data that is available publicly in other countries.

He says "The TAMS ratings in South Africa are accessible through various software providers, ensuring that both the public and industry have access to viewership data. The BRC's priority is to safeguard the sustainability of the currency by maintaining a sound funding model while mitigating risks associated with free data availability".

Asked if there is another way that the BRCSA will make TV ratings data available to the industry and public, or if this is the end of accessible TV ratings for South Africa, Gary Whitaker said "The data is accessible but must be paid for and pulled by the end-user".

Barb in the United Kingdom said it generally doesn't comment on the way other measurement bodies chose to operate but referred TVwithThinus to its third core purpose listed on its website which it said is quite relevant.

On its website, Barb notes that the third of three purposes of its publishing of ratings data and insights fulfil the aim "to inform how broadcasters and other media services operate in the public interest".


Wednesday, December 18, 2024

eMedia COO Antonio Lee is new Broadcast Research Council chairperson, Primedia's Jonathan Proctor and Kagiso's Nick Grubb added to board


by Thinus Ferreira

In leadership changes at the Broadcast Research Council of South Africa (BRC),  eMedia COO Antonio Lee is the new chairperson, with Kagiso Media's Nick Grubb and Primedia's Jonathan Procter who have joined the board.

Antonio Lee, eMedia Investments chief operating officer (COO) is now the new BRC chairperson and replaces Monde Twala, senior vice president & co-general manager for Paramount Africa & lead for BET International, who has been BRC chairperson since 2018.

Monde Twala will remain a BRC board member.

Nick Grubb, Kagiso Media chief executive for radio, and Jonathan Procter, Primedia group CEO, have joined the BRC board.

The BRC says that the outgoing board members Melissa McNally and Tracy Stafford will move to focus on technical oversight within the BRC's Radio Research Committee.

In 2025 the BRC plans to undertake "comprehensive research procurement and development processes that will further enhance audience measurement capabilities".

These include Radio Audience Measurement (RAMS) with a new Request for Proposal (RFP) which has been launched in the last quarter of this year and a supplier appointment which is expected by the end of the first quarter of 2025.

In Television Audience Measurement (TAMS) a comprehensive RFP process is scheduled for the first two quarters of 2025 to improve South African television audience research methodologies further.

Ask Afrika has been appointed to conduct a comprehensive Establishment Survey that will provide universe updates for both television and radio sectors in 2025.

"These strategic moves are not just about changes or procuring new research," says Antonio Lee.

"They represent our commitment to delivering nuanced, accurate, and timely audience insights that will drive strategic decision-making across the media, marketing, and advertising landscapes."

Gary Whitaker, BRC CEO, says "Our ongoing mission remains the same which is to provide objective, transparent data that empowers our industry's understanding of audience dynamics."

Monday, April 1, 2024

MultiChoice: GinX gone from DStv with WildEarth set to follow.


by Thinus Ferreira

GinX eSports TV is gone on MultiChoice's DStv as the 9th TV channel that has disappeared from the traditional pay-TV operator's channel line-up since the start of this year, with the struggling WildEarth set to likely shutter at the end of this month as the 10th channel leaving the platform.

Since 1 April with MultiChoice's latest price increase that came into effect from this month, DStv subscribers are paying more than ever for the service as global rivals like streaming services in the form of Netflix, Disney+, Amazon Prime Video proliferate.

GinxX eSports TV which resided on channel 127 is gone from DStv since midnight of 31 March, seven years after it was added in May 2017 as a stand-alone linear TV channel when MultiChoice said that "The deal with GinX is a massive leap forward ".

GinX eSports TV, a channel produced in the United Kingdom, ended as a linear TV channel in July last year and left Sky's traditional pay-TV service to continue as a streaming channel only. 

The move is similar to many overseas studios and channel distributors now no longer investing in their traditional, linear pay-TV channels that are struggling with a lack of new content, as budgets are funnelled towards the production of making content for their streaming services. 

MultiChoice didn't respond to a media query from TVwithThinus about GinX's impending demise made mid-March. 

So far this year DStv subscribers have lost access to Deutsche WelleEmmanuel TVB4U Movies1Free State TVNWTV, People's Weather, as well as the 1Magic and ME channels.

The 1Magic and Me channels will soon be replaced with the 1Max TV channel that will carry and showcase a collection of Showmax content as a linear windowing channel for MultiChoice's relaunched Showmax video streaming service that is now run in partnership with Comcast NBCUniversal's Sky on the Peacock platform.

Next to disappear from DStv will be WildEarth (DStv 183), with the channel's operators that warned MultiChoice it will be pulling WildEarth from DStv at the end of April in a nasty channel carriage fight.

WildEarth was originally added in August 2020 as a temporary pop-up channel but was then kept on DStv over the past three years.

Although WildEarth, that currently employs 72 people to run the channel, originally entered into a contract with MultiChoice whereby WildEarth would not be getting paid by MultiChoice for carriage on the DStv platform, it got the space to raise viewership with DStv subscribers and through that get possible advertising revenue and sponsorships.

WildEarth chairman André Crawford-Brunt, slammed MultiChoice in an interview with BizNews last week, claiming that MultiChoice doesn't support local content financially.

Crawford-Brunt said "I made the call that if they weren't prepared to pay us, we needed to come off DStv. It was just too easy to keep providing something to them for free".

He said WildEarth is getting "binned by a big corporate because someone sitting in an ivory tower or sitting in an office in London can make a decision that this doesn't fit the short-term goals and needs of a big corporate".

MultiChoice's local content decisions and third-party acquisition strategy are made and managed from its MultiChoice City headquarters in Randburg, Johannesburg.

Although slamming MultiChoice and South Africa's TV ratings system TAMS which measures the number of TV viewership watching television, Crawford-Brunt noted that "it would have been our preference to stay on MultiChoice".

He said South Africa's TV ratings system "is as archaic as the dinosaur age where there are a number of set-top boxes that exist in a certain number of homes and obviously being a niche channel they try to extrapolate that data from I think 1 400 homes - they extrapolate what the audience is for advertising purposes".

"This is so backward when you consider that 25% of the day is load-shedding, the sample size is so small for a niche channel and they've never done any granular work around the type of dedicated audience that you get on an outdoor or wildlife channel."

According to Crawford-Brunt, MultiChoice "got away with paying us nothing for three odd years. After applying a huge amount of pressure they then agreed to come through with a notional amount of R6 million a year".

"They hope we're just going to go away. I've told them we're going to take it off DStv because we can't afford to be on DStv and not get rewarded in some way." 

He said DStv subscribers "who are paying subscribers to MultiChoice are feeling particularly aggrieved that there's potential that they lose out and that will obviously lead to attrition of more viewers - whether they care or not. You would hope they would care but they're in the middle of a merger."

MultiChoice hasn't responded to a media query about WildEarth made last week by TVwithThinus.

Thursday, August 4, 2022

The SABC's shocking TV ratings slide in numbers: 'The world of broadcast TV is rapidly changing'.


by Thinus Ferreira

Like a once deep lake slowly getting drained while the entire ecosystem which depended on it becomes unstable, shrinks and disappears, the South African public broadcaster's constantly eroding TV ratings and ongoing audience loss is a massive cause for concern for the entire local television and advertising industry and a growing existential crisis for the troubled SABC which seems unable to stop the viewership bleed.

An analysis of SABC TV ratings over the past year shows how the South African public broadcaster continues to lose millions of viewers, with its SABC1, SABC2 and SABC3 TV channels experiencing ongoing and hugely troubling linear TV ratings losses.

The disappearing SABC TV audiences have a massive negative impact on the broadcaster's income, with the SABC forced to charge less and less in advertising rates for TV commercials when fewer eyeballs are watching.

While the troubled SABC3 has been in a ratings black hole for more than the past decade, the disturbing South African TV ratings picture reveals that even SABC2 now looks like the SABC3 of five years ago. 

Back in September 2017, SABC3 still managed 1.87 million viewers for its most-watched content for the month, and 430 621 viewers for its 20th highest-rated show. 

Cue SABC2's ratings in June 2022 with 1.88 million viewers at most and 399 844 for its 20th highest-rated show and it's evident how SABC2's ratings picture is now like SABC3 when that sister channel was already in big trouble.

Meanwhile, SABC3 itself looks to be virtually on life-support now as a TV channel, with just over 700 000 viewers nationally at most in June.

TVwithThinus looked at the ratings of the past year - from June 2021 to June 2022 - for the SABC's three big terrestrial TV channels. For the exercise, the TV rating of the highest-rated programming on each channel, as well as the 20th highest-rated show on each channel were taken over the past 12 months.

Take a look at the steady and shocking decline of the SABC's TV viewership and ratings over just the past year.

SABC1 top-rated show
June 2021:            8 024 208
July 2021:             7 776 154 
August 2021:        7 648 487
September 2021: 6 879 581
October 2021:      7 099 635
November 2021: 6 990 052
December 2021: 6 855 580
January 2022:    6 995 444 
February 2022:  6 677 494
March 2022:      7 020 908
April 2022:          6 471 686
May 2022:           5 783 736
June 2022:           6 103 846

SABC1 20th rated show:
June 2021:            2 118 704
July 2021:             2 357 043
August 2021:        2 262 219
September 2021:  1 937 322
October 2021:      1 745 856
November 2021:  1 558 864
December 2021:   1 465 153
January 2022:       1 419 480
February 2022:     1 417 425
March 2022:         1 560 967
April 2022:           1 547 113
May 2022:            1 558  562
June 2022:            1 653 227


SABC2 top-rated show:
June 2021:             4 734 276
July 2021:              5 840 203
August 2021:         4 166 031
September 2021:    3 696 060
October 2021:         3 643 585
November 2021:     3 553 242
December 2021:     3 672 139
January 2022:         3 952 923
February 2022:       3 300  031
March 2022:           3 309 806
April 2022:             3 285 619
May 2022:              2 408 898
June 2022:              1 885 401

SABC2 20th rated show:
June 2021:              562 390
July 2021:               716 496
August 2021:          533 571
September 2021:    511 761
October 2021:         437 448
November 2021:     561 974
December 2021:     495 536
January 2022:         491 980
February 2022:       440 633
March 2022:           379 094
April 2022:             456 635
May 2022:              400 620
June 2022:              399 844


SABC3 top-rated show:
June 2021:             731 009
July 2021:              769 858
August 2021:         733 963
September 2021:    1 031 635
October 2021:        968 107
November 2021:    597 534
December 2021:    491 171
January 2022:        652 702
February 2022:      490 709
March 2022:          576 562
April 2022:            793 301
May 2022:             518 197
June 2022:             596 374

SABC3 20th rated show:
June 2021:               277 417
July 2021:                327 316
August 2021:           292 736
September 2021:      291 793
October 2021:          267 159
November 2021:      251 032
December 2021:       245 209
January 2022:          312 382
February 2022:        229 714
March 2022:            317 634
April 2022:              314 518  
May 2022:               249 813
June 2022:               229 175

About the slide in the SABC ratings, Chris Botha, Park Advertising group managing director, tells TVwithThinus that falling linear TV ratings is not unique to the South African public broadcaster, but that what's happening with TV audiences is worse in South Africa.

"Firstly, let's be clear: Linear television ratings across the world are dropping. So it's not an 'SABC thing' or even a 'South African thing' – it is a problem the world over. Now in South Africa, the picture is worse than the rest of the world for a number of reasons."

"It's not just one thing – it is actually a confluence of circumstances. Firstly, this is South Africa's worst ever year for Eskom load shedding. The numbers clearly show that load shedding has an enormous impact on TV viewership."

"Secondly, there is the government rollout of the DTT project. As transmitters are being switched off in certain provinces we have noted that this has resulted in drops in audience."

"Thirdly, the competition is only increasing. The amount of streaming providers popping up is scary. Netflix, Disney+, TelkomOne, BritBox, Amazon Prime Video, Apple TV+, Google Play and VIU, just to name a few, are all eating away at what used to be a strong and healthy audience," Chris Botha says.

"Then there are also issues with the TAMS (Television Audience Measurement Survey) panel balance that is being addressed at the moment."


Competition will only increase
Chris Botha says South Africa's linear TV audience erosion is a big concern for the entire industry.

"The Advertising Media Forum (AMF) has engaged with the BRCSA (Broadcast Research Council of South Africa) to address the drop in TV ratings - not only for the SABC but for TV broadcasts as a whole," he says.

"Our clients are investing millions of rands to reach consumers, and when the investment delivers a subpar return, everyone gets twitchy."

"As an industry we do well when the SABC does well. They remain South Africa's biggest media owner, so we are actively working with them as best we can to try and mitigate the circumstances."

"However, things like load shedding is completely and entirely out of our control, so we have to make due with what we have."

Chris Botha says "the world of broadcast television is rapidly changing".

"The consumer will never have fewer choices than what they have right now. The competition is only increasing. Loadshedding might go away. DTT will eventually settle audiences down. The TAMS panel will be balanced. But competition is here to stay."

"The SABC and other terrestrial broadcasters need to make a plan to compete with the OTT suppliers like Netflix, MultiChoice's Showmax and Amazon Prime Video - otherwise the slide in audience and revenue will only continue." 

Trying to stem losses
Since early July, TVwithThinus asked the SABC repeatedly for comment on various questions pertaining to the SABC's falling TV ratings for SABC1, SABC2 and SABC3.

The SABC was asked whether its audience erosion is a concern, what the broadcaster is making about Eskom's electricity blackouts, e.tv's ratings rise since viewers without analogue access are sitting over e.tv which hasn't switched off its analogue signals, what the SABC's plan and strategy is for ratings stabilisation and what the impact of payback and make-good ads are when the SABC is unable to deliver promised ratings during which ad spots were sold. 

Ndindi Cola, SABC spokesperson, declined to answer any of the specific questions and told TVwithThinus in a general statement that "The SABC has a mitigation plan in place to improve its audience and market share, however the internal strategies cannot be shared in the public domain, but the public will see the results in the future industry ratings".

Thursday, October 7, 2021

South Africa's TV ratings set to tank in suddenly rushed digital migration plan: TAMS and e.tv warn millions of TV households will be wiped away and lose access, severely damaging TV biz and advertisers.


by Thinus Ferreira

South Africa's TV ratings are set to tank. 

That's the stark warning from the custodian body of South Africa's TAMS TV ratings system, as well as e.tv, raising red flags over the government's suddenly rushed plan to complete its long-delayed digital TV migration plan to switch off all analogue signal transmitters by February 2022.

This suddenly rushed plan will leave millions of TV households without any television access, will severely damage the entire South African TV ecosystem, advertisers, cause TV ratings to crater while it leaves millions of viewers without access to television news content.

On Tuesday, Khumbudzo Ntshavheni, South Africa's latest minister of communications and digital technologies, announced the latest amended rushed plan to flip the kill switch on all remaining analogue signal transmitters in the country's 9 provinces within the next 3 months.

eMedia Holdings that says the plan is not practical and extremely damaging, has now filed papers in the High Court to attempt to stop Khumbudzo Ntshavheni's latest digital terrestrial television (DTT) plan for a 31 January 2022 hard switch-off of analogue signals.

Although the South African government more than a decade ago promised that analogue TV signals in South Africa won't be switched off before all TV households haven't been switched over to digital terrestrial television (DTT), the government will now take television reception away from millions of TV households in South Africa.

These viewers will no longer be able to watch or listen to any content on any SABC TV channels or radio stations, e.tv, or community TV stations in the country as they lose analogue TV signals but don't yet have the means of receiving digital TV signals.

These millions of TV households are part of South Africa's TV ratings system that TV channels use to set advertising rates according to TAMS viewership figures. The result is that these TV households will disappear in large swathes when analogue signals are turned off.

Millions of South African TV households still watch television using analogue TV signals and haven't bought digitally-capable TV sets, or are poor households that haven't received the free government-subsidised set-top box (STV) for DTT because of corruption and incompetence, industry-in-fighting and ongoing delays in the country's digital migration process that had severely hampered and delayed the process for a decade and a half.

Over the past decade, TVwithThinus had reported numerous times - as lately as March this year - about the looming danger that analogue transmitters in South Africa will be switched off before all TV households have been migrated that will inflict massive damage on free-to-air broadcasters who depend on ratings and advertising revenue, advertisers, as well as the TV ratings system.


Analogue signal hard kill: Millions of viewers left in the dark
Khalik Sherrif, Media Holdings CEO, in an interview on eNCA (DStv 403), said Media and e.tv don't agree with the suddenly changed and rushed plan to switch off all analogue TV signals by the end of March 2022 "because we don't believe it's achievable at all".

"Analogue switch-off must happen," he said, "but in the way it's being rushed now, it is absolutely unachievable to do this by January 2022." 

He said there's an STB shortage with decoders that are not available, there's a microchip shortage around the world in all industries depending on chipsets, and that there are big questions around the logistics on installations.

"How is it going to be done? 5.6 million TV households in this country rely on analogue transmission," Khalik Sherrif said. "You need to do 500 000 boxes a month to meet the January deadline. It's not going to happen. Absolutely not." He said that eMedia's plan and suggested for the government's amended DTT plan has not been heard.

"This is an absolute problem for the country. There are people who are going to be left in the dark. There's going to be no television available to many millions of households and that's the problem."

He said that "more than 50% of people in this country watching television are watching it through analogue. 


SA's TV ratings: Warning of severe impact
Gary Whitaker, Broadcast Research Council of South Africa (BRCSA) CEO, warned that South Africa's TV population will decline and that the country's TV ratings will tank if analogue signals are switched off before all viewers have migrated, with massive implications for the TV industry and advertisers. 

South Africa's TV universe is roughly 15.9 million TV households.

The passive TV households forming part of the TAMS panel are just over 3000 TV households that represent the almost 16 million TV households in the country. 

TAMS also measures analogue TV viewing, with 28% of the households in the TAMS panel who are analogue viewers and who represent 5.6 million TV households.

"TAMS reflects what is actually happening in the market. If analogue signals go off, anyone in our panel that loses their signal, we don't throw them out of our panel - they stay on - and they get measured as nil viewing. Zero viewing. Their viewership cannot be traded as a currency. The broadcasters cannot make money."

Gary Whitaker said that "the deadline as it stands now - we know that's there's going to be a severe impact on free-to-air channels".

He said that if there is a hard switch-off of analogue transmitters in South Africa wiping away millions of viewers "we have to abide by what's happening in the market and we will be agile as far as we can. If there is a switch-off by March 2022 that's when we will enact our plan to establish a new TV universe that will take into consideration fewer TV viewers. The TV population will decline." 


DTT: Free-to-air broadcasting in jeopardy
Khalik Sherrif said that the government's plan for a sudden hard switch-off of analogue signals within months will have a massive negative impact on free-to-air broadcasters like community TV stations, the SABC, e.tv and others.

"Free-to-air broadcasters make their money from advertising. Now you switch off everybody on a date. Hard switch-off. Viewers won't be measured. Advertisers will be disappointed. Marketers will pull away. Free-to-air broadcasting in the country stands in jeopardy because we lose our businesses," Khalik Sherrif said.

He said there must be a planned approach with Media suggesting a timeframe of 15 to 18 months - not 5 months.

Khalik Sheriff said that it's not just eMedia that will be impacted but all of free-to-air broadcasting in South Africa. "What is the recourse? We have to go to the court. There's no other way. We're definitely not partnering with the department of communications on this matter".

In the court affidavit eMedia filed in court, Antonio Lee, eMedia COO, states that "very recent events have raised alarm bells regarding the process that the minister and Icasa intend to follow to achieve analogue switch-off".

"The so-called 'fast-tracking of digital migration at a 'rapid speed' - without the preconditions for a lawful digital migration process having been achieved - fundamentally threatens e.tv's ability to continue to reach the majority of its audience".

"It also threatens the rights of the public to have access to free-to-air television from either the SABC or e.tv - both of which use analogue spectrum for the purposes of broadcasting their programmes."

"Around 23.5 million viewers in South Africa watch e.tv on average each month. This equates to approximately 6.7 million households in which e.tv is viewed."

"Given than 58% of these households are dependent on the analogue broadcasting of e.tv's news and programming, an analogue switch-off would deny some 13.6 million viewers in South Africa the opportunity to view the broadcasting of the only source of free-to-air independent television news and information programming."

"Many of these viewers are among those who do not have sufficient economic resources to afford digital subscription platforms such as DStv, and who cannot afford to purchase sufficient data to stream news and programming via mobile networks."

"To comply with constitutional obligations and public promises, before digital migration can be completed, the government must ensure that these 13.6 million viewers are provided with the necessary equipment, be it set-top boxes and/or reception devices, to continue to receive these broadcasts."

"e.tv has calculated that an additional 3.9 million set-top boxes are still to be provided to its viewers to achieve this purpose."


Friday, April 9, 2021

Broadcast Research Council (BRC) to do a more thorough 2-month audit of South Africa's TV audience measurement panel after shrinkage and decay due to Covid-19 pandemic.


by Thinus Ferreira

South Africa's Broadcast Research Council (BRC) is going to do a more thorough audit of the TV Audience Measurement Survey (TAMS) panel than in previous years after technicians were unable to do their proper panel maintenance in 2020 because of the Covid-19 pandemic.

South Africa's panel of TV households used to measure TV ratings has shrunk by 8%, together with decay happening to all parts of the panel, with a new audit that will be commissioned this month and that will last 2 months.

The same happened in America where a big controversy is currently raging between broadcasters who are very upset, and Nielsen.

In the United States, since the Covid-19 pandemic began in March 2020, the size of Nielsen’s national panel has shrunk 20% from 36 975 homes to 29 456. Nielsen largely stopped visiting its panellists homes to make sure they were still properly participating because of the pandemic.

"There have been rapid changes in the recent video viewing landscape exacerbated by the Covid-19 outbreak and the resultant accelerated changes in access to alternate video services and data," says the BRC that tabulates South Africa's TV ratings and viewership data into television viewership figures.

"In this context, it is more important than ever that the industry remains confident in the TAMS panel, the core of South African TV measurement."

"The TAMS panel will continue to form the cornerstone of video audience measurement in South Africa as the industry moves forward on the path of including additional screens, platforms and services into Total Video (TV)," says the BRC.

"To this end, the 2021 TAMS audit will be a more comprehensive and expansive audit than in previous years."

“In 2020 we planned an audit encompassing 50 household visits. Unfortunately, the audit was not conducted due to the Covid lockdown," says Gary Whitaker, BRC CEO.

"This year, the BRC will be validating the panel and implementing 200 coincidental household checks using a remote Covid-safe methodology."

During 2020, TAMS technicians were unable to carry out their normal maintenance activities resulting in the BRC commissioning auditors 3M3A, analysing the possible effect this would have on the panel and the data. 

This check was completed in July 2020, by comparing the panel data for two weeks in 2020, from 13 to 19 January and 6 to 12 July.

This audit found that South Africa's TAMS panel had decreased in size from January to July by 8% from 10 727 to 9 907 with decay happening to all parts of the panel.

The panel also saw the mean weight increasing slightly since there are fewer panel members to carry the TV universe weight. The BRC says that there was no significant increase in the standard deviation and that the panel efficiency also remained the same.

"At that point, the panel was still deemed to be a good currency overall for TV advertising in South Africa, however a more in-depth analysis will take place by means of the upcoming audit."

"The broad scope of this year's audit will include amongst others, a technical check - viewing recording and reporting correctly as per the previous audit and ascertaining the general health of the panel," says the BRC.

The organisation's new audit will also include an environmental review; a qualitative review of factors including power supply and information on viewing on other platforms and devices.

"The audit report will have significant input on informing our scope for future measurement including over-the-top (OTT) streaming, leading into an RFP after the audit," says Gary Whitaker.

"Zero Ratings, which is a global phenomenon brought on by increased fragmentation, continues to challenge all industry players but measurement of OTT/streaming, amongst other planned interventions, will offer some relief."

The audit will also include heavy analysis of the changes in the market landscape over recent years, changes to the data output as a result of adjustments to RIMS (Random Iterative Method Weighting) and the universe update to the PAMS universe estimates from the ES (Establishment Survey), more specifically Household and SEM universe estimates.

"The BRC is planning to commission the 2021 TAMS audit by the beginning of April and will run for a period of two months due to the intensive and expansive nature thereof," says Gary Whitaker. "Results of the audit will be publicised shortly thereafter."

"We have been extremely aware of the impact the pandemic has had on all research, not only here in South Africa, but globally, and by commissioning extra surveys and checks, we will ensure that all of our data is correct, in good health, reflective of the situation and representative of the universe."


Tuesday, March 3, 2015

South Africa's new Broadcasting Research Council of South Africa (BRC) holding educational sessions to give updates on TAMS and introduce the BRC.

The Broadcast Research Council of South Africa (BRC) is a new South African industry body which will be looking after the audience research needs and things like issues pertaining to South Africa's TV ratings, and is now holding educational sessions in Johannesburg and Cape Town.

The Broadcast Research Council of South Africa (BRC) will talk to industry executives about the BRC and to introduce the new industry body, as well as give an update on The Television Audience Measurement Survey or TAMS - South Africa's TV ratings measurement system.

The BRC educational sessions will take place in Johannesburg on 4 March 09:00 to 11:00 at the Wanderers Club; and in Cape Town on 11 March 09:00 to 11:00 at The Baltic Venue at The Pavilion Conference Centre at the V&A Waterfront.

People can RSVP to tholakele.mdluli@dstvmedia.com

The Broadcast Research Council of South Africa (the BRC) will perform as an independent entity to create broadcast industry research for the benefit of the members, including any required industry audience currency research.

The BRC will try to improve the TAMS rating system which became flawed, to bring new stability and credibility to the viewership figures, measurement methodology and TV measurement currency to determine who exactly in South Africa is watching what.

Wednesday, June 26, 2013

MAJOR SHOCKER! South African TV ratings war explodes as SABC and e.tv jointly jettison Saarf amidst viewership measurement fiasco.


There's major drama within South Africa's TV industry following a South African TV ratings war which has exploded: both the SABC and e.tv are ready to jettison the organisation responsible for compiling South Africa's television viewership after a damning audit highlighting major viewer panel problems.

The SABC and e.tv - in total representing basically almost 100% of South African freely accessible and public television broadcasters since community television viewership is still largely negligible although growing - have both decided to withdraw from the South African Audience Research Foundation (Saarf). The National Association of Broadcasters (NAB) the body representing broadcast media in South Africa, has similar plans.

Saarf compiles South Africa's TV viewership figures and South African broadcasters and the country's TV industry is in turmoil following a shocking audit highlighting problems and serious shortcomings with the panel measurement which has been used, the ratings of which broadcasters and advertisers use as currency to determine ad spend and to what TV channels those ad rands go.

The SABC and e.tv say they are still calculating the losses due to potential advertising income the broadcasters might have lost out on, but says it "is estimated to run at hundreds of millions of rands".

The decision by the SABC and e.tv to leave Saarf, follows the indication of the National Association of Broadcasters (NAB) - of which the SABC and e.tv are members - to resign from Saarf. Saarf is responsible for compiling South Africa's television viewership metric known as Television Audience Measurement Survey (TAMS) which is done by the Nielsen Media Research research company.

There's major upheaval behind the scenes within South Africa's TV and broadcasting biz - the drama began when an audit conducted by the French media research audit firm CESP - and asked for by South African broadcasters - brought to light serious shortcomings in the conduct of the TAMS panel.

TAMS ratings are critical because that determines broadcasters' ad rates. Problems with the TAMS panel means inaccurate ratings and viewership measurement, which has a massive impact on the potential ad income for broadcasters such as the SABC and e.tv.

The SABC and e.tv experienced falling ratings in certain viewership groups - especially in the lower viewership brackets of middle income South Africans who are actually the largest consumers of free-to-air television such as the SABC's three TV channels and e.tv.

The audit showed that the TAMS panel failed to keep up with the evolving South African demographic profile, only partiallymeasured certain homes, failed to balance the panel by individual living standards measurement, failed to properly maintain the household meters which measure TAMS households' viewership, and failed to manage the declining efficiency of the panel.

The effect was that upper income television households - such as those watching DStv - became over-represented on the TAMS panel as compared to middle and lower income households who are underrepresented.

"In the South African context, this effectively translates into an over-representation of white television viewership and a serious under-representation of black television viewership," says the SABC and e.tv in a joint statement as to why they're abandoning Saarf.

"Not only is this morally unacceptable in South Africa in 2013, it has a direct financial impact on the free-to-air broadcasters who broadcast programming to the majority of South Africans. Of even more concern to the SABC and e.tv is that this state of affairs had been ongoing for many years without any intervention from Saarf executive management," says the broadcasters.

"It has become apparent to the SABC and e.tv that the concerns of free-to-air television broadcasters are not being taken seriously and have not received the urgent attention from Saarf which they demanded," says the broadcasters. "The SABC and e.tv therefore fully support the NAB intention to resign from Saarf."

The SABC and e.tv now wants a new industry research body "which is sensitive to the fast-changing demographics of South Africa and which treats all South African audiences with equal importance" the broadcasters say in the strongly-worded statement released late today.

"The SABC and e.tv firmly believe that this will be to the benefit of all stakeholders in the broadcasting industry as South Africa moves to a digital free-to-air market."

Paul Haupt, the CEO of Saarf says the organisation is "extremely disappointed at the proposed resignation of the National Association of Broadcasters".

"Saarf has been the custodian of all industry audience measurement for 39 years and the measurement of television and radio has been an important part of its activities".

He says the statement made by the SABC and e.tv contains "serious inaccuracies and Saarf will respond in full to the allegations and inaccurate interpretation of the audit findings".

Paul Haupt says "Saarf wants to state unequivocally that it was not the Saarf board that refused the NAB proposal for greater representation of broadcast media on the Saarf board. Saarf members asked the NAB for two weeks extra time before meeting again with the NAB to try and resolve the issue amicably and to get a consensus decision from all Saarf stakeholders."

"The NAB refused and insisted that the matter be put to a vote knowing well that they could not get the 75% majority required for the approval of a special resolution."

Tuesday, September 18, 2012

BREAKING. Daily soaps are still the most-watched TV genre on South African television; sport only 5th most popular.


Soaps remain the most watched genre on television in South Africa while sport comes in only in the 9th place.

Television viewership numbers and research released by the South African Audience Research Foundation (Saarf) which issues South Africa's TAMS data (Television Audience Measurement Survey), finds that with an average daily reach of almost 2 million South African viewers, soaps remain the most watched genre on TV in the country.

Just over 1,862 million free-to-air and pay-TV viewers tune in for daily soap operas on South African television running the gamut from a mining community, ad agency and fictional commercial street throughfare to a tabloid newspaper work environment, hospital, guest house, family fashion empire and American smalltown life.

Generations on SABC1 remains in the perennial first place as South Africa's most watched soap and overall most watched TV programme.

According to TAMS, soap operas pull in just under 1,4 million more viewers on average each day in South Africa that the next ranked genre: educational programmes.

Drama holds the third spot (358 237 viewers daily), followed by movies in 4th place, then actuality programmes and news programming ranked as the 6th most watched genre in South Africa on television daily. Advertising is 7th, reality programming holds the 8th position (186 274 viewers daily) and then sport in 9th place (169 649 viewers daily). The last genre is magazine programmes, ranked in 10th place.

On pay-TV, sport is ranked marginally higher in 5th place (89 087 viewers daily).

On pay-TV soaps still come in first with 357 521 viewers on an average day, followed by movies (175 271) attracting half the audience that the soaps do. Reality television pulls the third biggest audience on pay-TV (113 350 viewers) with drama fourth. A number of dedicated music channels makes music the 6th most watched genre for the pay-TV viewing audience in South Africa.

News on pay-TV fills the 7th position with 75 123 viewers daily; with actuality, educational and variety shows ranked 8th, 9th and 10th in South Africa.

Thursday, July 28, 2011

BREAKING. DStv ratings to go down 9% on average from August as PVR viewership that has become 'significant' gets removed temporarily.

The viewership ratings of MultiChoice's DStv will decrease on average by 9% on TAMS from August - not really because of less people watching DStv or television in South Africa, but actually due to a technical, temporary, adjustment that will see TV households in South Africa with personal video recorders (PVRs) no longer being counted or their viewership taken into effect.

ALSO READ: PVR viewership removed from TAMS from August; viewership of M-Net, kykNET, SuperSport will appear lower.

The South African Advertising Research Foundation (Saarf) that measures television viewership in South Africa with the TAMS system wanted to include - for the first time from August - so-called ''time-shifted viewing'' or viewing happening, or influenced by PVR usage. The organisation that manages the TAMS TV currency and which is used widely by media planners, ad buyers and marketing strategists decided to not only delay time shifted viewing, it decided to remove PVR households from the viewership.

Saarf says it first wants to properly adjust, align and understand PVR viewing, and that PVR viewership will then be added back. PVR viewing information will also be available as a separate set of viewership data to give a very clear picture of what is being watched on PVRs and how that affect overall viewing and audience figures. Saarf says PVR usage and PVR viewing in South Africa has become ''significant'' and has crossed the viewership threshold where this kind of significant time-delayed viewing can be accurately measured and has an impact on overall viewership figures.

''PVR households are now separated out,'' says Saarf. ''In the next South African TV universe update we should be in a better position to get a clearer view of PVR viewing. Time-shifted viewing in South Africa is going to change the industry and change television,'' says Saarf. Saarf actually wants to double the current TAMS sample size and the number of households whose TV viewing is monitored with electronic meters so that South African TV ratings can be ''more robust and so that we're more prepared for the viewership fragmentation coming with digital terrestrial television (DTT) in the country.''

From August with PVR households that's gone - actually still there but just ''invisible'' for the moment since their viewing isn't factored in - the biggest change will be a drop of 9% in DStv ratings. The biggest TV universe reduction comes DStv Premium subscribers, says Saarf. Channels that will suffer a marked decrease in viewers (although they're actually still there) will be kykNET, M-Net, Discovery, the M-Net movie channels, M-Net Series, Disney and BBC Lifestyle. Channels that will be showing a marked increase due to growth in DStv Compact subscribers will be KidsCo, ONE Gospel and SowetoTV.

''Not all channels are adversely affected,'' says Saarf. ''DStv Compact channels are actually growing. Some DStv Premium channels will be going through separation anxiety. But that viewership will come back.''

ALSO READ: VOSDAL is finally coming to the South African television industry. Say what? get ready for same-day-as-live ratings.
ALSO READ: TopTV viewership numbers for the pay TV service is coming, but audience ratings won't be available for individual channels.
ALSO READ: South African television viewership could actually be higher .. if the content broadcasters are showing weren't so crap - industry expert.
ALSO READ: PVR viewership removed from TAMS from August; viewership of M-Net, kykNET and SuperSport to decline.

Thursday, July 7, 2011

Saarf holding TAMS information days in July to explain the latest TV universe updates and look at the coming impact of Time Shifted Viewing.

The South African Advertising Research Foundation (Saarf) that tracks South African television viewing and television audiences through TAMS is holding information days for the industry again 26, 27 and 28 July in Johannesburg, Durban and Cape Town respectively.

With the fast-changing South African television landscape Saarf now updates the TAMS universe every 6 months. In the July TAMS information update Saarf will look at the latest South African television universe changes as well as what has happened to the panel during the last year as Time Shifted Viewing will imminently be added to the television ratings information. Time Shifted Viewing will also be discussed and how that will impact on the industry and South African ad buyers involved with the medium.

Speakers this time will be Chris Eyre, the managing director of AGB Nielsen Media Research and Cobie van Jaarsveld of McCann South Africa who will be doing a presentation to assist planners to understand the impact this change will have on their plans and how to interpret these changes for clients.

The Saarf information days will run from 09:30 to 11:00. People who want to attend (attendance is free but registration is necessary) can email saarf@saarf.co.za or call Jeanette at Saarf on 011 463 5340.

Wednesday, May 5, 2010

AGB Nielsen Media Research clinches new contract to measure South African TV viewership.

AGB Nielsen Media Research (AGB NMR) got the new contract to measure TV viewership in South Africa. It will run until April 2018.

AGB Nielsen Media Research will extend the scope of measuring what South African TV viewers are watching by soon including time-shifted viewing (recorded TV programming) as well as digital terrestrial television (DTT) when that starts to come into effect as South Africa migrates to a digital TV broadcasting environment.

AGB Nielsen Media Research will continue to use the current TAMS meter which is used to monitor the TV viewing patterns of households in the TAMS panel, with a few households that will be equipped with the new Unitam meter which can measure PVR viewing.

Tuesday, January 5, 2010

Pay TV in South Africa grows, luring free to air TV viewers away.


The number of TV viewers in South Africa are growing – but they're not watching free television. They're moving to pay TV.

The Television Audience Measurement Survey (TAMS) who measure TV viewing in South Africa has adjusted the TV universe (meaning the complete number of TV households in South Africa who could potentially be watching television on a given day) for January 2010 by 4%. That means an additional 837 833 viewers joined the existing number of TV viewers in the country.

DStv, the only pay TV option currently in South Africa, actually grew by 33% (1,129 million viewers), while the share of free television declined by 1% (291 000 viewers).

I just spent some time working through all of the numbers in the various updated sheets.

What is all basically means is that although the number of TV viewers in South Africa are growing, pay TV viewers are starting to comprise a bigger and bigger share of this total number. More and more TV viewers are becoming pay TV subscribers.

Click on READ MORE for more interesting analysis on the changing face of the South African TV viewing public.