Showing posts with label BRCSA. Show all posts
Showing posts with label BRCSA. Show all posts

Friday, September 12, 2025

GfK to take over as South African TV ratings tabulator at Broadcast Research Council in wake of Nielsen's shock exit


Thinus Ferreira

The Broadcast Research Council of South Africa (BRCSA) has appointed GfK, an NIQ company, to take over as South African TV ratings tabulator.

GfK's appointment announcement comes a week after Nielsen's shock announcement that it's quitting the country.

According to the BRCSA, GfK will "design and deploy the country's new Total Video Measurement service".

It comes after South Africa's broadcasters asked for an overhaul of the existing TAMS service and identified gaps in measuring the total video audience which continues to fragment and splinter across linear, recorded and catch-up, streaming, and other platforms and means.

The BRCSA in a press release, notes that "Broadcasters have been acutely aware of shifts in viewing that have built up over time and asked the BRC to ensure the service evolves accordingly".

After a procurement process was run, the BRC approached GfK with the finalisation of the contract that is underway.

The first phase of the switch-over will be a new TV currency service "feeding into daily TV trading", according to the BRCSA.

The BRCSA promises that the market "will have a clear, shared, and trusted daily TV currency that reflects today’s viewing reality for broadcast, and connected-TV usage, for broadcasters, agencies, and advertisers".

This first phase data will start to stream 1 January 2027.

The second phase will bring broadcaster on-demand and streaming for everyday planning, according to the BRCSA, so that broadcaster video-on-demand and streaming are incorporated, enabling planners to manage the combined impact of live and online viewing. 

This phase should be done by the end of 2027.

The so-called "total video picture" phase should be completed by the end of 2027 when the BRCSA plans to deliver a "unified, all-screens service" that will provide "one view of audiences across traditional television and digital video. This will be implemented during 2028.

The BRCSA says it is working with Nielsen "to coordinate an orderly transition".

"Nielsen will continue to deliver data until Phase 1 launches on 1 January 2027".

"By that avoiding any television data blackout prior to and during the handover, ensuring continuity for the industry throughout."

Gary Whitaker, BRCSA CEO, in the statement says "Today's announcement is about business confidence. We listened to the market, reviewed the status quo, commissioned a new Establishment Survey, and ran a rigorous, business-led process".

"With GfK’s appointment we now have a clear roadmap: first a new daily TV currency, then the inclusion of broadcaster on-demand, and by year-end 2027 a true Total Video service that mirrors how South Africans really watch. Broadcasters can prove their reach, agencies can plan with clarity, and advertisers can be sure every rand is working."

Lee Risk, Vice President, Media Measurement at GfK-NIQ, in the prepared statement, says "GfK-NIQ is proud to partner with the BRC and the South African TV industry to deliver a comprehensive, future-ready media measurement solution tailored to the unique dynamics of South Africa".

"This collaboration reflects a shared vision for innovation in media insights, and we’re confident in the strength of this partnership to elevate the industry."

Wednesday, April 23, 2025

Why South Africa's public TV ratings have been ripped away


by Thinus Ferreira

South Africa's official television ratings have been ripped away from public view and scrutiny, with TV viewership figures no longer being published since 2025 - a decision that industry insiders are slamming as a big step backwards.

The Broadcast Research Council of South Africa (BRCSA) industry body with Gary Whitaker as CEO, has decided to stop the publication of its truncated monthly TV ratings tally of the viewership of SABC1, SABC2, SABC3, eMedia's e.tv and MultiChoice's DStv.

South Africa's Television Audience Measurement Survey (TAMS) panel remains - the viewers' panel used to determine the country's overnight ratings - as does TV viewership measurement done by companies like Nielsen in the South African market.

However, none of the TV ratings that used to be posted publicly for over a decade - initially weekly and later only monthly - are posted on the BRCSA's website anymore. 

Over years, the information gave the general public, the media, viewers, advertisers, broadcasters, academics, as well as the broader South African film and TV industry, general insight into South Africa's top performing TV shows, the flow and change in viewership patterns, and well as what people are watching in terms of numbers and audience share.

Only people and companies like ad buyers and broadcasters who subscribe and pay thousands of rand per month now get access to ratings data. 

TV ratings reports and viewership data published between 2015 and late-2024 remain available on the BRCSA website as archived data.

In comparative TV markets to South Africa, the Broadcasters' Audience Research Board (Barb) in the United Kingdom continues to publish TV ratings data weekly without any problem, as does Australia, New Zealand, and the United States where anyone who wants, can instantly see what is being watched and by how many people.

"It is disappointing. I think the media and public should be able to see our TV and broadcasters' ratings and numbers," a veteran ad executive and media buyer told TVwithThinus who accesses South Africa's TV ratings through a subscription service anyway but laments that the BRCSA stopped making the digest monthly ratings publicly available.

Another veteran TV insider said: "Any semblance of transparency is gone and it's impossible for the general public to know what's true when it comes to TV viewership in South Africa".

A veteran academic and university lecturer in TV and film, also slammed the decision, saying the BRCSA's axing of publishing South Africa's TV ratings "is a huge loss to South African scholarship on the local audio-visual industry".

"South African researchers based at public tertiary institutions, and especially postgraduate students, cannot afford to pay the same rates as advertising and marketing companies for the simplified statistics."

"Information about the viewership popularity of a local soap opera, telenovela, or even the evening news broadcast, is extremely important in longitudinal and other qualitative and quantitative research studies, where one can draw conclusions about audience preferences, in terms of storylines, character depictions (e.g stereotypical representations of specific groupings) and other wide-ranging questions."

"This is also a blow to the public broadcaster and the public who has a right to know how the SABC's programmes and content are received and watched and by how many people." 


TV ratings removed
The BRCSA, established a decade ago in 2015 out of the  South African Advertising Research Foundation (SAARF) that until then published ratings, tells TVwithThinus it decided to no longer publish summarised monthly South African ratings information in order to uphold the "credibility" of the audience measurement system.

The BRCSA board is currently comprised of Monde Twala (Paramount Africa), Melissa McNally (Kagiso Media), Antonio Lee (eMedia Holdings), Fahmeeda Cassim-Surtee (DStv Media Sales) and Ursula Shikhati (SABC Sales) from television, as well as Tracy Stafford, Johan van Rooyen and Alfie Jay representing radio.

In response to a media query, Gary Whitaker said the BRCSA made the decision in December 2024 to stop publishing any further South African TV ratings publicly "after identifying concerns regarding the interpretation and legitimacy of top-performing programme figures".

"Some entities were extracting data in a manner that differed from the BRC's methodology, creating inconsistencies and confusion."

"Given that the BRC has no control over how data is pulled from various industry software providers, the organisation conducted a risk assessment on supplying audience data directly to the market free of charge."

He notes that the BRCSA wants to preserve revenue and membership value.

"Making audience data freely available could undermine the value of BRC membership, leading paying stakeholders such as broadcasters, media agencies, and advertisers to question their financial contribution."

According to him, a decline in paying members could weaken the funding structure and thereby "threatening the long-term sustainability of audience measurement in South Africa".

Gary Whitaker claims that "Public users may extract and interpret data incorrectly, leading to inconsistencies and potential misrepresentation of audience figures. If different users pull data using varying methodologies it could create discrepancies that erode trust in the JIC's measurement system".

Whitaker says the BRCSA also considered "preventing competitive misuse".

"Unrestricted access to audience data could allow competitors both local and international to use the insights strategically without contributing to funding. Some entities might selectively use data without proper context, potentially misrepresenting trends and distorting the market view."

"By limiting public access, the BRCSA aims to uphold the integrity, sustainability, and credibility of the official audience measurement system while ensuring that stakeholders who invest in the currency continue to derive value from it."

Gary Whitaker was also asked why Barb in the United Kingdom and other countries have no problem to continue to make their countries' TV ratings data publicly available and that the move seems to set South Africa back compared to the insight into viewership and ratings data that is available publicly in other countries.

He says "The TAMS ratings in South Africa are accessible through various software providers, ensuring that both the public and industry have access to viewership data. The BRC's priority is to safeguard the sustainability of the currency by maintaining a sound funding model while mitigating risks associated with free data availability".

Asked if there is another way that the BRCSA will make TV ratings data available to the industry and public, or if this is the end of accessible TV ratings for South Africa, Gary Whitaker said "The data is accessible but must be paid for and pulled by the end-user".

Barb in the United Kingdom said it generally doesn't comment on the way other measurement bodies chose to operate but referred TVwithThinus to its third core purpose listed on its website which it said is quite relevant.

On its website, Barb notes that the third of three purposes of its publishing of ratings data and insights fulfil the aim "to inform how broadcasters and other media services operate in the public interest".


Friday, August 26, 2022

HBO's House of the Dragon on M-Net drew 7 701 DStv Premium subscribers on Monday to watch on linear TV in South Africa.


by Thinus Ferreira

On Monday 7 701 South Africans watched the linear TV broadcast debut of HBO's new fantasy drama series House of the Dragon on M-Net (DStv 101) with 1 500 who were up at 3am to watch the episode at the same time as it was airing in the United States.

While 7 701 DStv Premium subscribers in South Africa watched the first episode of the new dragons and danger series on M-Net as a TV broadcast - the number most important to broadcasters and advertisers - there would also have been some more watching it online on DStv Catch Up who are not included in the official TV ratings tally, as well as people who started watching the pirate copy that leaked on torrent and download sharing sites a day before the show's TV debut.

TV ratings for the rest of sub-Saharan Africa are hard to come by or non-existent since many African countries don't have one but M-Net also showed House of the Dragon on its M-Net Africa channel feed elsewhere on the continent.

According to ratings compiled and provided by the Broadcast Research Council of South Africa (BRCSA), M-Net lured 1 505 DStv Premium subscribers who watched on Monday morning at 3:00, with another 6 196 viewers who watched M-Net on Monday night at 21:30.

In the United Kingdom House of the Dragon pulled 1.39 million Sky subscribers to tune in to the Sky Atlantic channel with 394 000 who watched at 21:00. "Viewing over the last 24 hours for House of the Dragon across Sky and NOW has been as epic as the show itself," Sky said.

Warner Bros. Discovery (WBD) which didn't provide viewership numbers, said in a statement on Wednesday said that House of the Dragon had the largest ever collective viewership across 21 countries for a new TV show or movie in Europe on its HBO Max video streaming service, which is not available in Africa. 

"The platform saw unprecedented demand starting in the early hours which peaked on Monday evening. House of the Dragon is by far the biggest launch in the history of HBO and HBO Max in Europe, breaking previous records for a new title. The number of viewers for the first episode exceeded all expectations."

In America, WarnerMedia in a statement on Monday said "The premiere of House of the Dragon drew 9.986 million viewers across linear and HBO Max platforms in the United States on Sunday night, the largest audience for any new original series in the history of HBO".


Thursday, August 4, 2022

The SABC's shocking TV ratings slide in numbers: 'The world of broadcast TV is rapidly changing'.


by Thinus Ferreira

Like a once deep lake slowly getting drained while the entire ecosystem which depended on it becomes unstable, shrinks and disappears, the South African public broadcaster's constantly eroding TV ratings and ongoing audience loss is a massive cause for concern for the entire local television and advertising industry and a growing existential crisis for the troubled SABC which seems unable to stop the viewership bleed.

An analysis of SABC TV ratings over the past year shows how the South African public broadcaster continues to lose millions of viewers, with its SABC1, SABC2 and SABC3 TV channels experiencing ongoing and hugely troubling linear TV ratings losses.

The disappearing SABC TV audiences have a massive negative impact on the broadcaster's income, with the SABC forced to charge less and less in advertising rates for TV commercials when fewer eyeballs are watching.

While the troubled SABC3 has been in a ratings black hole for more than the past decade, the disturbing South African TV ratings picture reveals that even SABC2 now looks like the SABC3 of five years ago. 

Back in September 2017, SABC3 still managed 1.87 million viewers for its most-watched content for the month, and 430 621 viewers for its 20th highest-rated show. 

Cue SABC2's ratings in June 2022 with 1.88 million viewers at most and 399 844 for its 20th highest-rated show and it's evident how SABC2's ratings picture is now like SABC3 when that sister channel was already in big trouble.

Meanwhile, SABC3 itself looks to be virtually on life-support now as a TV channel, with just over 700 000 viewers nationally at most in June.

TVwithThinus looked at the ratings of the past year - from June 2021 to June 2022 - for the SABC's three big terrestrial TV channels. For the exercise, the TV rating of the highest-rated programming on each channel, as well as the 20th highest-rated show on each channel were taken over the past 12 months.

Take a look at the steady and shocking decline of the SABC's TV viewership and ratings over just the past year.

SABC1 top-rated show
June 2021:            8 024 208
July 2021:             7 776 154 
August 2021:        7 648 487
September 2021: 6 879 581
October 2021:      7 099 635
November 2021: 6 990 052
December 2021: 6 855 580
January 2022:    6 995 444 
February 2022:  6 677 494
March 2022:      7 020 908
April 2022:          6 471 686
May 2022:           5 783 736
June 2022:           6 103 846

SABC1 20th rated show:
June 2021:            2 118 704
July 2021:             2 357 043
August 2021:        2 262 219
September 2021:  1 937 322
October 2021:      1 745 856
November 2021:  1 558 864
December 2021:   1 465 153
January 2022:       1 419 480
February 2022:     1 417 425
March 2022:         1 560 967
April 2022:           1 547 113
May 2022:            1 558  562
June 2022:            1 653 227


SABC2 top-rated show:
June 2021:             4 734 276
July 2021:              5 840 203
August 2021:         4 166 031
September 2021:    3 696 060
October 2021:         3 643 585
November 2021:     3 553 242
December 2021:     3 672 139
January 2022:         3 952 923
February 2022:       3 300  031
March 2022:           3 309 806
April 2022:             3 285 619
May 2022:              2 408 898
June 2022:              1 885 401

SABC2 20th rated show:
June 2021:              562 390
July 2021:               716 496
August 2021:          533 571
September 2021:    511 761
October 2021:         437 448
November 2021:     561 974
December 2021:     495 536
January 2022:         491 980
February 2022:       440 633
March 2022:           379 094
April 2022:             456 635
May 2022:              400 620
June 2022:              399 844


SABC3 top-rated show:
June 2021:             731 009
July 2021:              769 858
August 2021:         733 963
September 2021:    1 031 635
October 2021:        968 107
November 2021:    597 534
December 2021:    491 171
January 2022:        652 702
February 2022:      490 709
March 2022:          576 562
April 2022:            793 301
May 2022:             518 197
June 2022:             596 374

SABC3 20th rated show:
June 2021:               277 417
July 2021:                327 316
August 2021:           292 736
September 2021:      291 793
October 2021:          267 159
November 2021:      251 032
December 2021:       245 209
January 2022:          312 382
February 2022:        229 714
March 2022:            317 634
April 2022:              314 518  
May 2022:               249 813
June 2022:               229 175

About the slide in the SABC ratings, Chris Botha, Park Advertising group managing director, tells TVwithThinus that falling linear TV ratings is not unique to the South African public broadcaster, but that what's happening with TV audiences is worse in South Africa.

"Firstly, let's be clear: Linear television ratings across the world are dropping. So it's not an 'SABC thing' or even a 'South African thing' – it is a problem the world over. Now in South Africa, the picture is worse than the rest of the world for a number of reasons."

"It's not just one thing – it is actually a confluence of circumstances. Firstly, this is South Africa's worst ever year for Eskom load shedding. The numbers clearly show that load shedding has an enormous impact on TV viewership."

"Secondly, there is the government rollout of the DTT project. As transmitters are being switched off in certain provinces we have noted that this has resulted in drops in audience."

"Thirdly, the competition is only increasing. The amount of streaming providers popping up is scary. Netflix, Disney+, TelkomOne, BritBox, Amazon Prime Video, Apple TV+, Google Play and VIU, just to name a few, are all eating away at what used to be a strong and healthy audience," Chris Botha says.

"Then there are also issues with the TAMS (Television Audience Measurement Survey) panel balance that is being addressed at the moment."


Competition will only increase
Chris Botha says South Africa's linear TV audience erosion is a big concern for the entire industry.

"The Advertising Media Forum (AMF) has engaged with the BRCSA (Broadcast Research Council of South Africa) to address the drop in TV ratings - not only for the SABC but for TV broadcasts as a whole," he says.

"Our clients are investing millions of rands to reach consumers, and when the investment delivers a subpar return, everyone gets twitchy."

"As an industry we do well when the SABC does well. They remain South Africa's biggest media owner, so we are actively working with them as best we can to try and mitigate the circumstances."

"However, things like load shedding is completely and entirely out of our control, so we have to make due with what we have."

Chris Botha says "the world of broadcast television is rapidly changing".

"The consumer will never have fewer choices than what they have right now. The competition is only increasing. Loadshedding might go away. DTT will eventually settle audiences down. The TAMS panel will be balanced. But competition is here to stay."

"The SABC and other terrestrial broadcasters need to make a plan to compete with the OTT suppliers like Netflix, MultiChoice's Showmax and Amazon Prime Video - otherwise the slide in audience and revenue will only continue." 

Trying to stem losses
Since early July, TVwithThinus asked the SABC repeatedly for comment on various questions pertaining to the SABC's falling TV ratings for SABC1, SABC2 and SABC3.

The SABC was asked whether its audience erosion is a concern, what the broadcaster is making about Eskom's electricity blackouts, e.tv's ratings rise since viewers without analogue access are sitting over e.tv which hasn't switched off its analogue signals, what the SABC's plan and strategy is for ratings stabilisation and what the impact of payback and make-good ads are when the SABC is unable to deliver promised ratings during which ad spots were sold. 

Ndindi Cola, SABC spokesperson, declined to answer any of the specific questions and told TVwithThinus in a general statement that "The SABC has a mitigation plan in place to improve its audience and market share, however the internal strategies cannot be shared in the public domain, but the public will see the results in the future industry ratings".

Thursday, October 7, 2021

South Africa's TV ratings set to tank in suddenly rushed digital migration plan: TAMS and e.tv warn millions of TV households will be wiped away and lose access, severely damaging TV biz and advertisers.


by Thinus Ferreira

South Africa's TV ratings are set to tank. 

That's the stark warning from the custodian body of South Africa's TAMS TV ratings system, as well as e.tv, raising red flags over the government's suddenly rushed plan to complete its long-delayed digital TV migration plan to switch off all analogue signal transmitters by February 2022.

This suddenly rushed plan will leave millions of TV households without any television access, will severely damage the entire South African TV ecosystem, advertisers, cause TV ratings to crater while it leaves millions of viewers without access to television news content.

On Tuesday, Khumbudzo Ntshavheni, South Africa's latest minister of communications and digital technologies, announced the latest amended rushed plan to flip the kill switch on all remaining analogue signal transmitters in the country's 9 provinces within the next 3 months.

eMedia Holdings that says the plan is not practical and extremely damaging, has now filed papers in the High Court to attempt to stop Khumbudzo Ntshavheni's latest digital terrestrial television (DTT) plan for a 31 January 2022 hard switch-off of analogue signals.

Although the South African government more than a decade ago promised that analogue TV signals in South Africa won't be switched off before all TV households haven't been switched over to digital terrestrial television (DTT), the government will now take television reception away from millions of TV households in South Africa.

These viewers will no longer be able to watch or listen to any content on any SABC TV channels or radio stations, e.tv, or community TV stations in the country as they lose analogue TV signals but don't yet have the means of receiving digital TV signals.

These millions of TV households are part of South Africa's TV ratings system that TV channels use to set advertising rates according to TAMS viewership figures. The result is that these TV households will disappear in large swathes when analogue signals are turned off.

Millions of South African TV households still watch television using analogue TV signals and haven't bought digitally-capable TV sets, or are poor households that haven't received the free government-subsidised set-top box (STV) for DTT because of corruption and incompetence, industry-in-fighting and ongoing delays in the country's digital migration process that had severely hampered and delayed the process for a decade and a half.

Over the past decade, TVwithThinus had reported numerous times - as lately as March this year - about the looming danger that analogue transmitters in South Africa will be switched off before all TV households have been migrated that will inflict massive damage on free-to-air broadcasters who depend on ratings and advertising revenue, advertisers, as well as the TV ratings system.


Analogue signal hard kill: Millions of viewers left in the dark
Khalik Sherrif, Media Holdings CEO, in an interview on eNCA (DStv 403), said Media and e.tv don't agree with the suddenly changed and rushed plan to switch off all analogue TV signals by the end of March 2022 "because we don't believe it's achievable at all".

"Analogue switch-off must happen," he said, "but in the way it's being rushed now, it is absolutely unachievable to do this by January 2022." 

He said there's an STB shortage with decoders that are not available, there's a microchip shortage around the world in all industries depending on chipsets, and that there are big questions around the logistics on installations.

"How is it going to be done? 5.6 million TV households in this country rely on analogue transmission," Khalik Sherrif said. "You need to do 500 000 boxes a month to meet the January deadline. It's not going to happen. Absolutely not." He said that eMedia's plan and suggested for the government's amended DTT plan has not been heard.

"This is an absolute problem for the country. There are people who are going to be left in the dark. There's going to be no television available to many millions of households and that's the problem."

He said that "more than 50% of people in this country watching television are watching it through analogue. 


SA's TV ratings: Warning of severe impact
Gary Whitaker, Broadcast Research Council of South Africa (BRCSA) CEO, warned that South Africa's TV population will decline and that the country's TV ratings will tank if analogue signals are switched off before all viewers have migrated, with massive implications for the TV industry and advertisers. 

South Africa's TV universe is roughly 15.9 million TV households.

The passive TV households forming part of the TAMS panel are just over 3000 TV households that represent the almost 16 million TV households in the country. 

TAMS also measures analogue TV viewing, with 28% of the households in the TAMS panel who are analogue viewers and who represent 5.6 million TV households.

"TAMS reflects what is actually happening in the market. If analogue signals go off, anyone in our panel that loses their signal, we don't throw them out of our panel - they stay on - and they get measured as nil viewing. Zero viewing. Their viewership cannot be traded as a currency. The broadcasters cannot make money."

Gary Whitaker said that "the deadline as it stands now - we know that's there's going to be a severe impact on free-to-air channels".

He said that if there is a hard switch-off of analogue transmitters in South Africa wiping away millions of viewers "we have to abide by what's happening in the market and we will be agile as far as we can. If there is a switch-off by March 2022 that's when we will enact our plan to establish a new TV universe that will take into consideration fewer TV viewers. The TV population will decline." 


DTT: Free-to-air broadcasting in jeopardy
Khalik Sherrif said that the government's plan for a sudden hard switch-off of analogue signals within months will have a massive negative impact on free-to-air broadcasters like community TV stations, the SABC, e.tv and others.

"Free-to-air broadcasters make their money from advertising. Now you switch off everybody on a date. Hard switch-off. Viewers won't be measured. Advertisers will be disappointed. Marketers will pull away. Free-to-air broadcasting in the country stands in jeopardy because we lose our businesses," Khalik Sherrif said.

He said there must be a planned approach with Media suggesting a timeframe of 15 to 18 months - not 5 months.

Khalik Sheriff said that it's not just eMedia that will be impacted but all of free-to-air broadcasting in South Africa. "What is the recourse? We have to go to the court. There's no other way. We're definitely not partnering with the department of communications on this matter".

In the court affidavit eMedia filed in court, Antonio Lee, eMedia COO, states that "very recent events have raised alarm bells regarding the process that the minister and Icasa intend to follow to achieve analogue switch-off".

"The so-called 'fast-tracking of digital migration at a 'rapid speed' - without the preconditions for a lawful digital migration process having been achieved - fundamentally threatens e.tv's ability to continue to reach the majority of its audience".

"It also threatens the rights of the public to have access to free-to-air television from either the SABC or e.tv - both of which use analogue spectrum for the purposes of broadcasting their programmes."

"Around 23.5 million viewers in South Africa watch e.tv on average each month. This equates to approximately 6.7 million households in which e.tv is viewed."

"Given than 58% of these households are dependent on the analogue broadcasting of e.tv's news and programming, an analogue switch-off would deny some 13.6 million viewers in South Africa the opportunity to view the broadcasting of the only source of free-to-air independent television news and information programming."

"Many of these viewers are among those who do not have sufficient economic resources to afford digital subscription platforms such as DStv, and who cannot afford to purchase sufficient data to stream news and programming via mobile networks."

"To comply with constitutional obligations and public promises, before digital migration can be completed, the government must ensure that these 13.6 million viewers are provided with the necessary equipment, be it set-top boxes and/or reception devices, to continue to receive these broadcasts."

"e.tv has calculated that an additional 3.9 million set-top boxes are still to be provided to its viewers to achieve this purpose."


Saturday, March 13, 2021

Oprah’s TV special with Harry and Meghan draws 176 104 viewers in South Africa on M-Net, 'close to a million viewers across Africa'.


by Thinus Ferreira

In South Africa, Oprah Winfrey's sensational sit-down TV special with Prince Harry and Meghan that was shown on M-Net (DStv 101) on Monday night 8 March drew 176 104 viewers during its broadcast on the pay-TV channel.

The 2-hour special internationally distributed by ViacomCBS Global Distribution was made available to not just DStv Premium subscribers but also DStv Compact Plus and DStv Compact subscribers and is getting a rebroadcast today, 13 March, at 16:00.

The TV special, fully-titled CBS Presents Oprah with Meghan and Harry will again be available to all three tiers of DStv subscribers.

The special lured 21.3 million viewers over three days in the United States on CBS according to Nielsen and has also surpassed 61 million viewers around the world, CBS said in a ratings press release on Friday.

In the United Kingdom Oprah's interview with The Duke and Duchess of Sussex pulled 11.3 million viewers on ITV, and in Australia the headline-grabbing special had 1.78 million viewers on Network Ten.

South Africa's 176 104 viewers, according to data requested and supplied by the Broadcast Research Council of South Africa (BRCSA), are those who watched the special live and viewing-on-same-day-as-live (VOSDAL) viewers, and doesn't include people who viewed it during its broadcast on DStv online.

A ratings breakout for the rest of Africa isn't available since several African countries don't have or don't accurate TV ratings measurement systems but the special that MultiChoice broadcast across sub-Saharan Africa on DStv in other major markets besides South Africa like Nigeria and Kenya, pulled a combined viewership of close to a million viewers for the programme in Africa.

M-Net told TVwithThinus that CBS Presents Oprah with Meghan and Harry "reached close to a million viewers across the African continent" but the Randburg-based pay-TV broadcaster didn't provide a specific ratings number or tally methodology.

Since Harpo Productions holds the streaming licensing rights to the interview special it isn't available on DStv Catch Up and has also not been available on any American streaming services.