Friday, April 9, 2021

With close to a million digital views M-Net says Love Island SA has become its top video-on-demand content on MultiChoice's DStv app for DStv Premium subscribers, 9:30pm timeslot's live linear ratings up 21%.


by Thinus Ferreira

M-Net says that the first season of Love Island South Africa has become its top video-on-demand content on MultiChoice's DStv app for DStv Premium viewers, while linear TV ratings on the M-Net (DStv 101) channel during the 21:30 timeslot increased by 21% during March.

Love Island SA, produced by Rapid Blue as a localised South African adaptation of the ITV Studios format, has so far lured "just under 1 million views to date on the DStv app," M-Net said on Friday night.

"After 6 six weeks of riveting reality TV bonanza viewing, the first season of Love Island SA is set to end on an all-time high as the series has become the top video-on-demand content on the DStv App for DStv Premium viewers, ahead of popular TV shows such as Grey’s Anatomy and Boer Soek 'n Vrou," M-Net said.

"Another notable achievement for Love Island SA is that the live viewing during the 21:30 daily broadcasts has improved by 21% since the launch on 28 February."

M-Net says that the Love Island SA production created over 200 job opportunities over its 6-week production period.

The reality show concludes on Sunday night 11 April on M-Net at 20:00 when one of the 4 remaining couples - Mischka and Xavier, Thimna and Libho, Tania and Ross or Millie and Asad - will be announced as the winners of the R1 million prize, with voting that closes on Friday night 9 April at 23:00.

Noxolo Grootboom's final SABC TV news bulletin is a ratings hit with a 33 share and 3.82 million viewers who tuned in to watch her TV swansong.


by Thinus Ferreira

It was a more than fitting TV farewell for Noxolo Grootboom whose TV news reading swansong on 30 March drew a massive 3.82 million viewers on the evening of 30 March who all tuned in to see her do her last SABC News Iindaba TV news bulletin on South African television.

Noxolo Grootboom decided to retire after a career-spanning 37 years at the South African public broadcaster that went through a restructuring and retrenchment process in which 621 staffers lost their jobs at the end of March.

The beloved and highly-respected SABC News personality - who became famous for her isiXhosa bulletin sign-off closer, "Ndinithanda nonke emakhaya" that can loosely be translated as "I love you all at home" - bid farewell to a very large TV audience, with 3 823 686 viewers who tuned in to the 19:00 isiXhosa TV news bulletin on SABC1.

Noxolo Grootboom's 3.82 million viewers represent 9.88 ARs, with a 33 share. It means that 1 out of every 3 TV sets that were on during the 19:00 timeslot, were tuned to watch her and SABC1.

For even more context to her ratings smash swansong, Noxolo Grootboom's final TV news bulletin was the 7th most-watched programme for March 2021 in all of South African television, and the 4th most-watched show for March on all of SABC1.

Only Uzalo (8.14 million) and Generations - The Legacy (6.45 million) on SABC1, followed by Scandal! (5.22 million) on e.tv, Skeem Saam (4.83 million) on SABC1, and Imbewu (3.92 million) and Rhythm City (3.86 million) both on e.tv, drew more viewers than Noxolo Grootboom's final TV news bulletin during the month.

Noxolo Grootboom who grew up in Fort Beaufort in the rural Eastern Cape and got her name (mother of peace) from her grandparents, started her career at the SABC as a typist.

She climbed the career ladder inside the SABC's Auckland Park headquarters where she eventually made her way on-air as the widely-respected and beloved isiXhosa TV news anchor for over two decades while she also worked behind-the-scenes as an editor in the output section.

Broadcast Research Council (BRC) to do a more thorough 2-month audit of South Africa's TV audience measurement panel after shrinkage and decay due to Covid-19 pandemic.


by Thinus Ferreira

South Africa's Broadcast Research Council (BRC) is going to do a more thorough audit of the TV Audience Measurement Survey (TAMS) panel than in previous years after technicians were unable to do their proper panel maintenance in 2020 because of the Covid-19 pandemic.

South Africa's panel of TV households used to measure TV ratings has shrunk by 8%, together with decay happening to all parts of the panel, with a new audit that will be commissioned this month and that will last 2 months.

The same happened in America where a big controversy is currently raging between broadcasters who are very upset, and Nielsen.

In the United States, since the Covid-19 pandemic began in March 2020, the size of Nielsen’s national panel has shrunk 20% from 36 975 homes to 29 456. Nielsen largely stopped visiting its panellists homes to make sure they were still properly participating because of the pandemic.

"There have been rapid changes in the recent video viewing landscape exacerbated by the Covid-19 outbreak and the resultant accelerated changes in access to alternate video services and data," says the BRC that tabulates South Africa's TV ratings and viewership data into television viewership figures.

"In this context, it is more important than ever that the industry remains confident in the TAMS panel, the core of South African TV measurement."

"The TAMS panel will continue to form the cornerstone of video audience measurement in South Africa as the industry moves forward on the path of including additional screens, platforms and services into Total Video (TV)," says the BRC.

"To this end, the 2021 TAMS audit will be a more comprehensive and expansive audit than in previous years."

“In 2020 we planned an audit encompassing 50 household visits. Unfortunately, the audit was not conducted due to the Covid lockdown," says Gary Whitaker, BRC CEO.

"This year, the BRC will be validating the panel and implementing 200 coincidental household checks using a remote Covid-safe methodology."

During 2020, TAMS technicians were unable to carry out their normal maintenance activities resulting in the BRC commissioning auditors 3M3A, analysing the possible effect this would have on the panel and the data. 

This check was completed in July 2020, by comparing the panel data for two weeks in 2020, from 13 to 19 January and 6 to 12 July.

This audit found that South Africa's TAMS panel had decreased in size from January to July by 8% from 10 727 to 9 907 with decay happening to all parts of the panel.

The panel also saw the mean weight increasing slightly since there are fewer panel members to carry the TV universe weight. The BRC says that there was no significant increase in the standard deviation and that the panel efficiency also remained the same.

"At that point, the panel was still deemed to be a good currency overall for TV advertising in South Africa, however a more in-depth analysis will take place by means of the upcoming audit."

"The broad scope of this year's audit will include amongst others, a technical check - viewing recording and reporting correctly as per the previous audit and ascertaining the general health of the panel," says the BRC.

The organisation's new audit will also include an environmental review; a qualitative review of factors including power supply and information on viewing on other platforms and devices.

"The audit report will have significant input on informing our scope for future measurement including over-the-top (OTT) streaming, leading into an RFP after the audit," says Gary Whitaker.

"Zero Ratings, which is a global phenomenon brought on by increased fragmentation, continues to challenge all industry players but measurement of OTT/streaming, amongst other planned interventions, will offer some relief."

The audit will also include heavy analysis of the changes in the market landscape over recent years, changes to the data output as a result of adjustments to RIMS (Random Iterative Method Weighting) and the universe update to the PAMS universe estimates from the ES (Establishment Survey), more specifically Household and SEM universe estimates.

"The BRC is planning to commission the 2021 TAMS audit by the beginning of April and will run for a period of two months due to the intensive and expansive nature thereof," says Gary Whitaker. "Results of the audit will be publicised shortly thereafter."

"We have been extremely aware of the impact the pandemic has had on all research, not only here in South Africa, but globally, and by commissioning extra surveys and checks, we will ensure that all of our data is correct, in good health, reflective of the situation and representative of the universe."


SuperSport acquires pay-TV broadcasting rights of FIFA World Cup 2022 for sub-Saharan Africa.


by Thinus Ferreira

SuperSport has acquired the pay-TV broadcasting rights to all 64 matches of the FIFA World Cup 2022 that will be held in Qatar after signing a broadcast deal with FIFA.

SuperSport says that the new contract "continues SuperSport’s long-standing association with football’s governing body and reaffirms SuperSport as Africa’s home of world football".

SuperSport’s pay-TV broadcast rights extend to all platforms across sub-Saharan Africa.

SuperSport will bring viewers high definition (HD) coverage across multiple channels, with expert analysis, in-depth digital offerings, as well as supplementary programming.

The FIFA World Cup 2022 will take place from 21 November to 8 December 2022, and will be the first to be held in one city.

SuperSport says that the FIFA acquisition sits alongside its exiting offering that includes all the major football leagues from around the world.

"This is fantastic news, especially after the success of the 2018 tournament, a fitting celebration of the beautiful game," says Marc Jury, SuperSport CEO, in a statement.

"The FIFA World Cup always excites fans and the kick-off times will be most convenient for our viewers, given friendly broadcast time-zones."

LG's 2021 TV set line-up will be available in South Africa from Q2: This will go on sale including first-ever QNED Mini LED TVs and upgraded NanoCell TVs.

by Thinus Ferreira

LG will rollout their 2021 line-up of TV sets from the second quarter of this year in South Africa, that includes OLED TVs and LG's expanded range of first-ever QNED Mini LED TVs and upgraded NanoCell TVs.

LG says that its comprehensive 2021 collection will offer a wider range of screen sizes from the most compact 43-inches, to a new-to-market 83-inches, including a mesmerising 88-inches.

LG's new OLEDs will include the Z1, G1, C1, B1 and A1 series.

The Z1 series is LG's large-display, premium OLED range, while LG's A1 series offers a cheaper OLED option to consumers. 

LG's C1 range that it says is its most popular, offers the widest range in size, from 48-inch to 83-inch screens. 

LG's G1 forms part of LG's Gallery OLED TV designs, created to fit walls perfectly with an ultra-slim design. All models in the G1 series also feature the new OLED evo-technology, the next step in the evolution of OLED TVs that delivers better luminosity for higher brightness and punchy images with amazing clarity, detail and realism.

The Z1, G1, C1, B1, A1 all have self-lit panels that produce ultra-sharp, ultra-realistic picture quality and smooth, natural motion, as well as slim designs.


An exciting addition for 2021 is LG's new QNED Mini LED TVs that the company says take LCD TV picture quality to the next level. 

Available in an array of 8K (models QNED99, QNED95) and 4K (models QNED90, QNED85), these models employ LG’s Quantum Dot NanoCell technology and Mini LED backlighting to achieve deeper blacks, more vibrant, accurate colours and greater contrast than conventional LCD televisions.

"LG QNED Mini LED TV sets a new standard for the LCD TV category, enabling users to enjoy excellent HDR image quality and a far more immersive viewing experience, thanks to the combined power of the new NanoCell Plus technology and quantum dot to deliver improved red and green while the blue wavelength is emitted from the LED," says LG.

Of the entire LG 2021 TV lineup, the new NanoCell 8K and 4K TV offerings provide the greatest number of options with a large selection of 8K (models NANO99, NANO 95) and 4K range (models NANO90, NANO85, NANO80, NANO77, NANO75) units to choose from. 

All models feature LG NanoCell display technology, employing nanoparticles to filter out colour impurities, resulting in lifelike images that draw the viewer deeper into their favourite movies, sports and shows.


"Beyond superb picture quality, all of LG's premium 2021 TVs offer an immersive home entertainment experience through compatibility with the latest standards and content formats, and brand-new features and functions that add differentiated value," says LG.

"With support for Dolby Vision IQ, Dolby Atmos, HDR10 PRO and Filmmaker Mode, this year’s TVs make the latest movies, TV series and documentaries come to life through picture and sound of the highest quality."

LG says that its new Game Optimizer automatically applies the best picture settings according to the type of game the user is playing: first-person shooter, role-playing or real-time strategy. 

Sports fans will also find it easier to keep up with their favourite leagues and teams on LG TV with Sports Alert, while OLED Motion Pro displays every moment and key play in incredible clarity. 

With Bluetooth Surround Ready, LG TVs can wirelessly connect to multiple Bluetooth speakers to deliver powerful, nuanced audio that faithfully recreates every sound on the field to recreate the feeling of being at the stadium.

LG says that a selection of the 2021 LG TV lineup will also support the advanced HDMI 2.1 feature, enhanced audio return channel (eARC), which simplifies the process of connecting the TV to a sound system while also optimizing the audio. 

Also supported is automatic low latency mode (ALLM), which delivers seamless gaming and lag-free viewing. Select LG TV models support a variety of other HDMI 2.1 features as well.


Featured in the majority of this year’s TVs is LG's latest intelligent processor, α (Alpha) 9 Gen 4 AI.2 

Integrating improved deep learning, the upgraded processor boosts upscaling performance to make content of any quality look sharp and detailed on the new TVs’ high-resolution screens. 

The α9 Gen 4 further optimizes visual output, making precise adjustments in accordance with the amount of light in each scene, the genre of content playing and ambient conditions in the viewing environment.

Picture quality is further improved with LG AI Picture Pro which recognizes the objects onscreen and processes them independently to bring three-dimensionality and depth to every scene. Additionally, AI Sound Pro up-mixes two-channel audio to virtual 5.1.2 surround while Auto Volume Leveling ensures a consistent volume when switching between channels or streaming apps.

LG also revamped and refined its intuitive smart TV platform to webOS 6.0.

The new webOS user interface provides faster access to apps as well as simpler content discovery with finely-tuned personalized recommendations. 

A redesigned Magic Remote has dedicated hot keys for popular content providers, allowing users to jump to their favourite services with just a quick push of a button.

LG says that select TV series, models and sizes will begin rolling out to participating retailers in the second quarter of 2021 in South Africa, continuing throughout the year with specific dates and lineups announced locally.

INTERVIEW. Who has the highest sperm count? South African writer and actor Alan Santini on taking part in the reality show - and a sperm test - in Labor of Love on Lifetime, in which you hear a bit of Afrikaans.


by Thinus Ferreira

"All we could do was just suck it up and do what we had to." So says Alan Santini, the South African actor, writer and eligible bachelor who suddenly had to take part in a sperm test challenge on the very first day of filming and seen in the first episode of the reality show Labor of Love currently broadcast on on Lifetime (DStv 131).

In the reality show, hosted by Sex and the City's Kristin Davis, 15 eligible men compete in various challenges - including a sperm count in the first episode - to test their personal and potential parenting skills as dads before Kristy Katzmann who wants a baby.

Kristy Katzmann (41) who is on a journey towards motherhood, was a contestant of season 11 of the American version of The Bachelor, and in Labor of Love she whittles down the men across 8 episodes to find the one to be her "baby daddy" so to speak, with the South African Alan Santini as one of the bachelors.

The episodes of Lifetime's Labor of Love are available on MultiChoice DStv Catch Up and the big finale is broadcast on Tuesday 13 April at 21:00 on the channel.

Alan Santini says he was actually approached through Instagram to be a part of Labor of Love. "At the time it was 2018 and I actually turned them down the first time. And then going into 2019, I made a New Year's resolution to follow what I call a 'Year of Yes'."

"So if anyone approached me with anything, or an offer or something like that, I would say yes to it as long as it didn't cause me any hard or tarnish my name - I would say yes to it. So they reapproached me in January and so I said yes."

Alan who is a writer, is an actor by trade and has been living in Los Angeles for 11 years. 

He had a big motorcycle accident and over the last 3 years he "kind of drifted into poetry" as he explains it, "and it just seems such a natural fit for me".

"For whatever reason, I think the accident knocked some sense into me and since that day I've been writing poetry. I really love acting and I love theatre but for whatever reason, I just feel myself called to write."

After Alan said yes, but before production and filming of Labor of Love started, did he have any second thoughts? 

"Going into something like that, sure. Any normal human being is going to have some second thoughts and doubts and concerns," he says.

"You're effectively putting your life on display for the world to see. What made me more comfortable going into that situation was knowing that if I was to be myself, there's nothing to be worried about. As long as I wasn't trying to be something other than who I am, it should go well."


When Alan Santini and the rest of the group of men are introduced and mingle, one asks him in the first episode of Labor of Love if he speaks Afrikaans after he says he's from South Africa, and Alan responds in Afrikaans.

Does he think the guys responded or reacted to him differently after they discovered that he's not American but in a sense the "exotic South African"?

"I don't know if I would use the word exotic when it comes to South African," says Alan, "but you know, I cut a very particular figure, you know, so coupled with an accent and a physical representation, and I know what I bring to the table and I have a confidence in what I bring to the table, so I think for some men that may be threatening".

"For some men that might be cause for creating a good friendship. There were definitely some people that were triggered by it, but there were definitely some people who were more confident in who they were and we ended up making good friendships."



Pecking order
The first challenge in Labor of Love is an unexpected jaw-dropper for the guys, when a mobile collection "centre" trailer pulls up and Kristin Davis orders all 15 men to climb up the steps to little port-a-potty-like cubicles in the type of trailers you often find at large outdoor music festival events, for them to provide a semen sample for a sperm test.

Kristin tells the men that "fertility tests are greatly impacted by activity levels", and asks them to raise their hands "if you have done something like this in the past 5 days" - after which a few sheepishly raise their hands. 

Then they have to go in - 5 at a time in tiny cubicles next to each other - to masturbate and then ejaculate into a cup for samples. To see who's the winner of this challenge is and where Alan ranks in his sperm count, you have to watch this Labor of Love episode.

"It was a complete curveball," says Alan. "No-one was expecting that. No one was expecting a challenge on the first day of filming. That was our first day of meeting Kristy. It was our first day of just being on set with just all these cameras."

"And then to have that curveball thrown at us, and the challenge thrown at us within about one or two hours was a big one. But you're in it. At that point, all we could do was just suck it up and do what we had to."

"Remember, there are like 20, 30 cameras on set and it's this tiny trailer, and all of the men are standing outside the trailer, and we're asked to go in there and do our business. It's a lot to expect."

When the results of the sperm tests come back, there is a big surprise. "I don't think any guy there expected to get what they got," says Alan.

"For me, it was a complete curveball to get the results that I got. I had no idea what I was going to get. I had no idea where in the pecking order of those men I would be."

"So, it definitely was a huge shock to me and it was a huge shock to everyone around me. We were all sitting with bated breath every time she announced a result. I think viewers will be pleasantly surprised by that first challenge."



Building campfires and Argentinian tango
"Certainly being in front of cameras 24/7 can be a little bit of a challenge, especially when you're trying to get settled," says Alan when asked what was awkward about the show.

"You're every reaction, you're every movement, you're every spoken word is caught on camera."

"So it's that - coupled with entering a house with 15 other guys, living in close quarters with 15 other guys and all the while you've got this huge daunting task ahead of you of meeting and getting to know this woman and vying for her attention."

"It's hard to say who appeared to be the biggest competition," says Alan. "You can go for obvious things like looks or character but at the end of the day it comes down to the woman and what she's looking for."

"We all had our assumptions from the beginning but if I look at the challenges - they all put us in situations that were a little compromising or challenging but there was one where we had to build a campsite in the outdoors and we were given very limited items."

"Viewers don't get to see much of it in the actual episode but that for me was one of my favourite challenges."

"One of the least favourite ones and most difficult ones was learning the Argentinian tango where we had to do that in a really short space of time, with a lot of pressure and the dancers who only knew the female moves and not the men's moves."

"There are a few others - like where we go up against each other in a general knowledge test against these genius kids and they really made us look stupid," says Alan as he laughs. "It also gives the audience an idea of whether we are team players and how we work with one another and how we work with Kristy."

"It was an interesting experience in that regard. There were so many interesting challenges that viewers will enjoy."



About fatherhood and wanting kids
Asked about fatherhood, Alan Santini says "I want to be a father".

"I've got two younger brothers both of whom are fathers and they are two of the people I admire most in this world. And t see how they've adopted that role in such a beautiful way - I've always wanted to be a dad. I've always wanted to have kids, so it just brings me closer to that experience for myself."

"I don't know if Labor of Love really helped me to appreciate what fatherhood would really be so much," says Alan.

"I think it was more in line with helping Kristy choose what type of man she would want to be with in certain situations. As far as preparing me for fatherhood - not so much. In short, I would love to be a father and I can't wait. Righ person. Right person first though!"


Enjoying the experience
About what he enjoyed about taking part in the show, Alan says "the experience itself".

"Having been given the opportunity to meet great guys, to go through those experiences, to get a taste of that kind of world - those are the opportunities that not a lot of people get and I relish those opportunities because they are few and far between."

"For me it was just great to have gone through that, to meet great people, and to come out with just having learnt a few things for myself about myself, about other people, and for that I'm grateful," Alan says.


Labor of Love is on Tuesdays on Lifetime (DStv 131) at 21:00 with the finale on Tuesday 13 April 2021. Episodes are also available on DStv Catch Up.

Thursday, April 8, 2021

After its retrenchment process South Africa's public broadcaster now has just 1 single publicist responsible for SABC1, SABC2 and SABC3 as media warns: 'Black holes coming where SABC content used to be and got exposure'.


by Thinus Ferreira

Following its restructuring and acrimonious retrenchment process the SABC has now appointed and allocated just a single publicist responsible for liaising with media and who must do publicity for SABC1, SABC2 and SABC3 combined.

Meanwhile members of South Africa's media maintain their stance from months ago and who warned that it won't be practically workable, again saying that the new "structure" is going to inflict massive damage on the broadcaster's overall aim of maintaining and growing exposure for its TV programming going forward.

As part of its retrenchment process in which 621 staffers lost their jobs at the South African public broadcaster at the end of March, the SABC tore up its decades-old structure for publicity and marketing of its TV content and unilaterally swept away its entire existing corps of allocated publicists working at SABC1, SABC2 and SABC3.

In several cases, as longtime SABC publicists exited at the end of March, so did their specialised media contact lists as well as their established network connections with media and transactional relationships and influence.

According to SABC insiders, one chosen publicist from SABC1 who would have been kept on, declined the job and she moved elsewhere.

The public broadcaster has now appointed Caroline Phalakatshela to handle all media enquiries and the entire publicity portfolio for SABC1, SABC2 and SABC3 with her job title that is now PR specialist.

Caroline Phalakatshela, a longtime SABC2 publicist, has now been saddled with the basically impossible task of doing publicity work and handling all media enquiries, schedules, programming information, updates, publicity photography, show synopses and press kits for all of the programming on SABC1, SABC2 and SABC3.

This includes the entire collection of locally-produced TV soaps and telenovelas across all 3 channels - 7 in all.

SABC brand managers will also be expected to help with publicity, although their job is to look after each channel's brand management and brand campaign executions.

It's not clear how Gugu Ntuli, who heads up the SABC's corporate communications division, or Merlin Naicker, the SABC's latest head of SABC Television, decided that just one specialist publicist for SABC1, SABC2 and SABC3 is workable, practical, or doable, or how just one publicist is adequate for this gargantuan task.

The SABC decided that the jobs of individual publicists for SABC1, SABC2 and SABC3 are redundant and their jobs were all scrapped in the structure proposed and devised by Gugu Ntuli and Merlin Naicker. 

For decades the SABC has had specialised and allocated publicists working on SABC1 and that channel's properties, for SABC2 and its content, and for SABC3 and that channel's shows.

Over the past decades, all three channels at times outsourced and appointed external PR companies to rep the channels in addition to the permanent channel-allocated SABC publicists. 

Over decades various PR companies have also been paid to work on specific soaps, or shows for SABC1, SABC2 and SABC3 and helped with organising quarterly previews and press screening events when the SABC still bothered to preview content to the media and advertisers.

The SABC channels over the years all employed at least two or more publicists for the workload, with divisions headed up by a publicity managers well - except for SABC3 that in the end made do with just a single publicist who now also lost her job.

Now Caroline Phalakatshela - as well as brand managers who might as well balk at the added publicity responsibilities suddenly folded into their new job descriptions - are responsible for what a lot more people did until now.

In December TVwithThinus asked the SABC why it wants to completely axe all publicists at all of its TV channels and why the SABC no longer sees this crucial job as important.

Gugu Ntuli said that "The current processes underway are exploring all options and I'm very certain that whatever has been tabled will be duly considered and the right structures will come into effect".

South Africa's media, who depends on SABC publicists as the go-between for interviews, media enquiries and the latest programming information, however disagrees that "the right structures" are now in effect.

After media previously described what's going to happen and what has now, in fact, happend as a "wholesale burndown", the South African press continue to say that the SABC has been extremely "short-sighted" and "arrogantly clueless" to get rid of all SABC TV channels' publicists in its retrenchment plan.

"Don't know what Gugu's thinking. We got no communication [before], or even now as to what's happening or how things are changing. I suppose just less SABC stuff going on the pages. We already get so little," an editor told TVwithThinus this week, whose publication includes SABC programming and TV listing and who relies on publicists to "send us stuff and to know who to send it to by what deadlines".

A longtime senior publicist working at a PR company with decades-long experience with how the SABC's PR divisions used to operate said about the axing of the swathe of PR people at the SABC that "this was a big mistake".

"It doesn't seem as if the people responsible for it had the remotest of ideas what the PR programming function entails, why its crucial or what these people actually really did".

"It's thankless and often-unseen work but you only start to notice it when it's gone and these gaping black holes appear where your content used to be and got exposure," said the person.

This person also warned: "Competitors and competing brands with the SABC and their shows are all too happy to flood in to fill the void andto  take up the space in the media attention that media gave to them [SABC]".

Another independent publicist weighed in and said about the SABC's move: "It seems non-sensical but a lot that's been happening at the SABC over many years just don't make logical sense."

"They just tried to save money by letting of people. But they don't seem to understand what the term 'earned media' means or maybe never google-ed it to understand about the value of the hundreds of thousands of rands that the SABC gets in brand awareness, when something about a SABC show appears in ex-SABC media. It's something that far outweighs publicists' salaries."

"That article or clip in a newspaper or online, or that soundbyte or show listing about any SABC programming is worth gold and they don't seem to understand that publicists at their channels are the worker ants pushing that to the media."

"Now media will rely even more on what they receive from e.tv or MultiChoice from their DStv channels and stuff if they don't get what they need in time from the SABC."


Wednesday, April 7, 2021

eNCA and eNuus reporter Monique Mortlock and camera operator Asanda Javu robbed at gunpoint in Khayelitsha, TV news crew struggles to report crime case to South African police after doing a live crossing about lack of service delivery in the area.


by Thinus Ferreira

A news reporting team from eNCA (DStv 403) and eNuus on kykNET (DStv 144) was robbed at gunpoint on Wednesday afternoon after which they also encountered problems at the nearest South African Police station where they tried to report the robbery.

eNCA reporter Monique Mortlock who also reports in Afrikaans for eNuus on kykNET was robbed along with camera operator Asanda Javu on Wednesday afternoon in Khayelitsha, Cape Town, just after she did a live crossing on eNCA's late afternoon The Lead timeslot about the ongoing lack of service delivery in the area.

"We were just robbed at gunpoint in Khayelitsha after doing a crossing," said Monique Mortlock on social media on Wednesday afternoon. "Now my colleague and I have to deal with an inept police officer telling us we can't open the case at this station - a 2 minute drive from where it happened - because it's not in their jurisdiction".

"I told this officer but it happened around the corner from this station, how can we not open a case here. He tells us to 'not be on top of him'. I told him we're both traumatised and just want this sorted so he said "I'm also traumatised".

Monique Mortlock said that "only when I told him we are journalists, then he took us to a higher ranking officer" and later than they were "being helped now. Everyone is being quite friendly now".

WarnerMedia's kids TV channel Boing gets a refreshed on-air look from 10 April including a flexible new 'chameleon-like logo'.


by Thinus Ferreira 

WarnerMedia's kids entertainment channel Boing that is available in 19 African countries is getting a refreshed on-air look from 10 April.

WarnerMedia says that Boing has "redesigned its playfulness" after working closely with children from the channel's core target market and that Boing will introduce a new "chameleon-like logo".

The well-known red Boing logo isn't changing in itself but is going to be used in a different and inventive way going forward, giving the Boing brand's new visual identity an added level of playfullness.

The Boing logo on-screen will change into an array of different Boing logos with different backgrounds going forward.

Boing is aimed at girls and boys aged 4 to 14 years old and has a range of shows and franchises, including popular comedy and action shows, such as international animated hits like Sonic Boom, Dragons and The Jungle Bunch; 90’s classics including Codename KND, Dexter’s Laboratory and Johnny Bravo; and others, for example, Angelo Rules, Uncle Grampa and Oswaldo.


A massive icon library that can be changed and adapted according to the brand's modernised visual language has been developed and features over 320 graphical elements, including 150 Boing brand stickers aligning the shows that kids love with the channel.

"With just the right amount of childhood chaos, the new, flexible logo can be updated into many different variants working across all the different platforms on which the channel is featured, giving Boing viewers in Africa something to look forward to every single day," says WarnerMedia Africa.

"The new-look Boing is a fun-filled playground where kids can take ownership of the brand, finding themselves surrounded by a palette of stickers, icons, and other doodles allowing fans to add their own element of chaos to create unique looks that reach a new level of excitement and fun," says Ariane Suveg, kids content director for France and Africa.

"With this new fun-filled identity, Boing is now even more connected and in step with the world of our young viewers: Dynamic, inclusive, and constantly evolving."

Boing has acquired new exclusive programming and from April viewers can look forward to Boing Sunday Marathons at 13:30 every week, including the escapades of a group of 10-year olds in Codename KND on 11 April, Uncle Grampa on 18 April, the tale of Maurice the penguin in The Jungle Bunch on 25 April, and the 11-year old in Angelo Rules on 2 May.