Wednesday, June 3, 2020
China's state-run TV news channel CGTN found guilty of serious breaches of compliance over biased coverage by Britain's media regulator, faces fine for repeatedly breaching rules over its 2019's Hong Kong protest coverage.
by Thinus Ferreira
China's state-run TV news channel CGTN (DStv 409 / StarSat 266) that has been described as a propaganda channel has been found guilty of biased coverage and is facing a fine after Britain's broadcasting regulator found that CGTN repeatedly breached broadcasting rules.
Britain's Ofcom in its judgment found that CGTN broke media rules at least 5 times in programmes like The World Today and China24 in August, September and November 2019 by blatantly favouring the Hong Kong government authorities and the Chinese government in coverage and their positions and comments, and not giving protestors the same opportunities or telling or reporting on their side of the issue.
CGTN that has a very small audience in Africa is carried on MultiChoice's DStv and China's StarTimes pay-TV services across the continent.
Ofcom found that CGTN in "serious failure of compliance" for its shockingly one-sided coverage in 2019 of the Hong Kong freedom protests, saying that CGTN blatantly downplayed the aggression and attacks by law enforcement and the authorities on the public and protestors and overly-focused on violent acts committed by protesters against police.
Ofcom found that CGTN shamelessly channelled the views from the Chinese and pro-China Hong Kong authorities that the protests and protesters are bad, focusing on the economic disruption to Hong Kong business instead of why there are protests.
In one of the biased reporting cases highlighted by Ofcom, the regulator found that CGTN "made no attempt to acknowledge or explore any alternative view at any point during the item, for example, that the Hong Kong police may have played a part in escalating tensions with protesters or that violence occurred on both sides".
CGTN told Ofcom that it did acknowledge that "there has been violence used by the Hong Kong police against protesters".
CGTN told Ofcom that international viewers of CGTN were "unlikely to be surprised by the Chinese views aired on CGTN and will be able to evaluate those views in context, particularly when the audience is likely to be aware of the mainstream positions as presented on other television channels and news platforms".
Ofcom found that the "5 breaches, taken together, represent a serious failure of compliance".
ALSO READ: TV CRITIC's NOTEBOOK. Wednesday night I deleted China's CGTN app from my phone after its shocking censorship and news bias became very clear - here's why you should too.
ALSO READ: China's CGTN news channel on DStv and StarTimes's StarSat shamelessly censors its coverage of the chaotic scenes and protests in Hong Kong while its Africa Live bulletin does pandering coverage of how Chinese business and politicians shine in Africa.
Coronavirus: Some live sports returning to SuperSport in June amidst Covid-19 pandemic including Premier League, La Liga, Serie A and new Aotearoa rugby event; F1 and cricket tests coming in July.
by Thinus Ferreira
Some live sports is returning to the various SuperSport channels on MultiChoice's DStv pay-TV service as the regulations around various national lockdown periods around the world are being scaled back and which saw all sporting codes and events cancelled in a dramatic cascade-effect since late March 2020 because of the global Covid-19 pandemic.
Earlier during Covid-19 SuperSport wasn't willing to answer any specific questions around the impact of Covid-19 or to make any executives available to speak about how SuperSport tried to adapt to the "new normal" regarding scheduling and content changes.
On Tuesday, Gideon Khobane, SuperSport CEO, speaking about the return of some international soccer matches, in a prepared statement says that "The leagues' closed-doors policy may take some getting used to, but the television product ought to be as thrilling as ever".
Next weekend will see the resumption of the Premier League with 92 matches lined up to complete the season, along with matches from the La Liga and Serie A leagues that will also likely return later during June.
From 11 June to 12 July there will be at least one La Liga fixture played each day before all 20 clubs play their final two matches simultaneously on 15 July and 19 July.
Italy approved the resumption of Serie A from 20 June after it was suspended on 9 March.
New Zealand's Aotearoa rugby event involving the Blues, Chiefs, Hurricanes, Crusaders and Highlanders will start on 13 June with all matches that will be broadcast live on SuperSport.
On Friday the Investec Coronation Cup horse race will take place in Britain and will be broadcast live on SuperSport as well.
Next week the PGA Tour golf will return on 11 June with the Charles Schwab Challenge in Texas starting a stretch of 25 weeks of tournament golf.
In July Formula One will also be back with SuperSport that will broadcast the revised season beginning in Austria on the weekend of 3 July.
In international cricket England will host West Indies for three Tests over 21 days, starting 8 July that will be shown on SuperSport. The three matches will be played behind closed doors.
Coronavirus: Production on The River telenovela for M-Net's 1Magic on DStv shutters after colleague tests positive for Covid-19, Tshedza Pictures locks studio doors for decontamination and will not do interviews.
by Thinus Ferreira
Production on The River telenovela on M-Net's 1Magic (DStv 103) channel has been forced to shut down for a second time this year because of the Covid-19 coronavirus pandemic, this time because an unnamed person working on the show has tested positive for the virus on Tuesday morning.
The River, produced by Tshedza Pictures, restarted production on 1 May 2020 after weeks of downtime when South Africa's entire film and TV industry shuttered since late-March because of South Africa's national lockdown period to try and curb the spread of the virus.
Now the weekday primetime series produced for one of M-Net's channels and seen on MultiChoice's DStv satellite pay-TV service has locked the studio doors again.
The River has closed its doors for the set to be decontaminated and the Tzhedza Pictures producers don't want to do any interviews.
"Ever since we resumed production on 1 May 2020, all necessary lockdown health guidelines were implemented on set," says Phathu Makwarela of Tshedza Pictures in a statement.
"After we received the news of the colleague testing positive, we immediately asked the cast and crew that came into contact with the member to go into self-isolation. They will soon avail themselves to health authorities for testing, in-line with government directives."
Nomsa Philiso, channel director for local entertainment channels at M-Net, in the prepared statement says that "We have contacted the production team in order to assure them of our support".
"Our understanding is that ever since they resumed production, the production team implemented all the necessary health precautions to ensure the safety of cast and crew."
"Now more than ever, we need to show compassion to our fellow brothers and sisters, and we would like to wish the affected member of the production team a speedy recovery."
M-Net ran out of episodes for The River on 8 May 2020 which was replaced on the 1Magic schedule by Is'thunzi. After production resumed on 1 May, new episodes of The River resumed on 25 May 2020.
It's very important to note that MultiChoice, M-Net and Tshedza Pictures felt the need to specifically say that there won't be any interviews done because they want to make very clear that they don't want to talk about Covid-19 and its impact on the show, and don't want to answer any questions about it at all.
So far there's been very little evidence of South Africa's TV and film industry working on awareness campaigns and pro-active communication against the stigmatisation of Covid-19 and people with Covid-19.
This is something once again shown by the approach of MultiChoice, M-Net and Tshedza Pictures to outright tell the media that there won't be any interviews done.
TV programming, producers and South Africa's media show viewers how they themselves respond when confronted with Covid-19, and through that are teach viewers how they should react when they or someone they know tests positive for Covid-19: Hide and don't talk about it.
While fighting the scourge of Covid-19 South Africa's TV and film industry should keep in mind that it is as important to signal that there is nothing "wrong" with being Covid-19 positive, nothing to be ashamed about, and nothing to hide away for or to keep a secret.
If everybody really is "in this together" - especially South Africa's influential TV and film industry - it is extremely important to be open, forthcoming, to keep talking about Covid-19 without fear, to fight against coronavirus stigmatisation and to tell people that it's okay to say that you are Covid-19 positive, to get help, and to ask for help.
Tuesday, June 2, 2020
Coronavirus: South African news media devastated by Covid-19, shedding hundreds of jobs in 'media extinction event' new SANEF-study finds.
by Thinus Ferreira
The already-struggling South African news media has been left reeling and is doing triage in what has been described as a "media extinction event", trying to keep newsroom doors open as a devastating wave of layoffs and salary cuts have swept the industry over the past two months because of the ongoing Covid-19 national lockdown.
A new study by the South African National Editors' Forum (SANEF) released on Monday makes for nightmare reading that found that while the need under the public for accurate news from dwindling, credible news sources has never been greater, the cataclysmic drop in advertising income because of Covid-19 is decimating the news biz.
Hundreds of jobs have already been lost and vanished seemingly overnight in the local media pool spanning South Africa's TV, magazines, newspapers, radio and online media.
The new 32-page SANEF study paints a horrifying picture of how the Covid-19 pandemic and resulting government lockdown regulations have further eroded South Africa's news industry that is "desperately looking for new ways of sustaining itself while audience demands for timely, credible but free news surges".
The report states that South Africa's magazine industry was dealt a massive blow "with the closure of two magazine publishers with the loss of 97 jobs at the one publisher and up to 250 at the other".
"Away from the limelight, small, independent, hyperlocal print publications were also ravaged. This was in the first phase of the lockdown as small publishers were unable to access emergency funding, resulting in the loss of an estimated 300 to 400 journalistic jobs."
"Workers at three of the so-called Big 4 print media companies were forced to take salary cuts of up to 45% and temporary lay-offs have been widely implemented. It is not known how many jobs have been lost at community radio stations," the study says.
"Neither the regional and national newspapers of the Big 4 South African publishers nor broadcasting was immune to the plunge in advertising, which varies from an estimated 40% to 100%." The "Big 4" are Independent Media, Media24, Arena Holdings and Caxton & CTP.
Online news surge
The SANEF study notes how the public has sought out news and information to a higher degree than ever before because of the Covid-19 pandemic.
"Perhaps the biggest upside of this dark period for the industry has been the massive surge in traffic to credible online news sources."
"Traffic to news websites increased by 72% in March, while these sites saw a 44% growth in unique browsers. Many news websites saw double-digit growth in their audience numbers, with News24, Business Insider, The Citizen, Fin24, SABC and EWN growing their traffic by more than 50% in March."
"The crisis brought on by the Covid-19 lockdowns has pushed over the edge operations that were imperiled or survivalist, and arguably have highlighted fissures in the news media industry. How well the news media will emerge from the crisis will depend on the speed of the economic recovery and the attendant increase in advertising revenue."
The SANEF study says that "While print media consumption has been devastated, broadcasters and online platforms, linked to legacy print operations or not, have seen dramatic uptake in their production of news as citizens seek sources of trustworthy, credible information in the time of uncertainty around the Covid-19 pandemic."
Hundreds of jobs lost
According to the SANEF study print magazines were not granted “essential service” status in terms of government regulations for the first phase of the lockdown and can be regarded as the first media casualty of the lockdown.
"Other print publications may follow the magazine closures," the study found. "Caxton, once more, seems to have moved decisively by closing or merging freesheet titles. The company announced the closure of its North Eastern Tribune along with City Buzz and that the, "Footprints of certain local newspapers in Gauteng metropolitan areas, Limpopo, Mpumalanga and the South Coast of KwaZulu-Natal needed to be adapted for the company to provide the best solutions for readers, customers and clients in these markets."
According to the study, Carol Mohlala, executive director of the Association of Independent Publishers, estimates that 300 to 400 journalists’ jobs have been lost as small, mostly black-owned independent newspapers, often serving indigenous-language groups in far-flung rural areas, have closed and a further 700 jobs in the value chain lost.
"Notably, once heralded as the savior of print, tabloid newspapers have not proved immune. Media24 has cut back the print edition of its popular tabloid Daily Sun to four provinces: Gauteng, Limpopo, North West and Mpumalanga."
The study notes that freelance journalists and photographers have also been badly affected.
"The danger is that in South Africa and elsewhere the strong may get stronger, including the social media giants that soak up much online revenue, and the weak be victims of the competitive destruction that marks major economic downturns."
"WhatsApp, Facebook, Netflix (and other streaming services) and Zoom are among obvious beneficiaries of the work-from-home reality forced on former office workers."
Stark news audience change
The Covid-19 pandemic has heightened awareness of the value of credible news and boosted readership, viewership and listenership of broadcasting and online outlets that provide such news, the SANEF study finds.
"Newspaper readership has been devastated by the decrease in the movement of people. Andrew Gill of Arena Holdings explains that newspaper retail sales, for instance at supermarkets, took a big hit thanks to the decline in traffic, while informal street, and door-to-door, sales in e.g. townships dropped to almost zero."
"While free-to-air TV has been validated by the coronavirus, pay-TV in the form of DStv has been knocked by the unavailability of sport, arguably DStv’s major drawcard and in an era of film and TV-series streaming via the Internet, offset to some extent by MultiChoice’s own standalone Showmax online service."
"Netflix and other streaming services are bound to have been beneficiaries of the lockdown, along with social media, competing for the attention of audiences with news. However, the lockdown and confinement of many South Africans to their homes with the main link to the world outside being a computer screen has as expected boosted online news."
According to the SANEF study the Covid-19 coronavirus pandemic "resulted in a surge in web traffic, most notably the news category".
"In particular, massive month-on-month growth can be seen across News24, Fin24, Citizen and BusinessInsider who all recorded more than 50% growth in unique browsers. Typical monthly variances in traffic for these top 10 sites is in the region of around 10%, which highlights the massive increase in online browsing during March 2020."
"Some advertising vanished entirely during the lockdown. Freesheets normally thick with inserts for major stores and full of other retail advertising and small classifieds shrank to eight pages of news without ads. For broadcasters, the problem is compounded by the time given to official announcements displacing commercial programming."
"A high-level SABC source notes that the Ministerial briefings have disrupted schedules and have been a 'major displacement of revenue at the SABC, but we have to do the right thing."
Media extinction event
The SANEF study notes that "Businesses already on the brink will be pushed over the edge".
"Financial problems may be multifaceted, and stem from the relationship between the paying audience and the content published. Some reflection is needed within the news business of whether journalism is offering what the audience wants and needs."
"In the time of Covid-19, magazines, and in time newspapers, may face what has been called a 'media extinction event', affecting the news industry more than the 2008 global recession, including African newspapers."
"So far, the print media has been hardest hit and this threatens to affect the amount of news being produced, with massive closures of community newspapers, and possible shrinking of newsrooms through retrenchment. Freelance journalists, a longstanding part of the supply chain of news content, are exceptionally vulnerable."
"Broadcasting will not remain unaffected. The SABC has been affected by advertising revenue declines. The corporation would have received its full bailout amount of R3,2 billion cannot ask for more from the cash-strapped fiscus. Private media houses would have to stand in line with other worthy recipients of rescue money, such as the unemployed whose numbers will be swelled."
For domestic news media, the key word in the immediate period is "survival", says the study. "Those organisations entering the crisis with serious cash-flow problems will have difficulty surviving."
'Devastating'
"While news organisations are clearly worth preserving, a thought must be given to individual journalists displaced by the wake of the Covid-19 destruction," the study says.
"Some funding could be directed towards individuals to help them cope with retrenchment and retrain for new work. South Africa no longer has a journalism union to fend for journalists."
"A return to a 'new normal' may not prevent further job losses," the SANEF study finds in its conclusions.
"So far, none of the major newspapers have been closed, but a lot depends on the way the ending of the lockdown is handled, the length and severity of the Covid-crisis-induced depression, and whether the lockdown has changed audience behaviour."
"Retrenchments and shrinking of news staff have so far been confined to print, but broadcasting has also been hit by a decline in advertising and what levels of ad revenue will return to in a depressed economy is uncertain."
Ths study notes that "the Covid-19 crisis has been devastating".
"The effect can be calculated in jobs lost – still difficult at this stage to ascertain with any certainty – and most importantly in the shrinking of the vital-for-society news ecosystem as the country and the world copes with an unprecedented economic decline."
Monday, June 1, 2020
SABC1 adds new South African hip hop docu-reality series, Blow Up Or Cave, narrated by Zubz.
by Thinus Ferreira
SABC1 is adding a new South African hip hop doc-reality series, Blow Up Or Cave, narrated the Zambian-born South African rapper Ndabaningi Mabuye, known as Zubz.
Blow Up Or Cave, making its debut on SABC1 on Monday 1 June at 21:00 will showcase some of the country's rapper and lyricists, taking viewers through the story of their lives as it introduces the so-called "new school in the hip hop fraternity" to show the craft of these music creators.
Zubz was previously the presenter of the docu-reality hip hop series Above Ground that was broadcast in 2015 on e.tv's eKasi+ channel on Openview.
Blow Up Or Cave on SABC1 will examine elements of hip hop music and culture and will serve as a preview into the new and upcoming generation of hip hop artists, producers and labels, taking viewers behind-the-scenes and into the lives of rappers who have made their mark already, as well as those on their way to the "big time".
Blow Up Or Cave will profile artists ranging from JOZI, Reason, Shugasmakx, Big Hash, Touchline, thisguthatguy, Indigo Stella and Champagne69 to Jimmy Wiz, Benny Chill, Danny Bazuka, Faith K, Dee Koala, Fonzo, Charlie Fam, SIMZ MRVL and more.
Bollywood bounces back as 4 Star Life primetime series are set to return from 8 June with new weekday episodes.
by Thinus Ferreira
Bollywood is bouncing back as international lockdowns restrictions regarding work and movement to curb the spread of the Covid-19 coronavirus pandemic are starting to ease with Star Life (DStv 167 / StarSat 550 / Openview 110) that has returned 4 series to its schedule with new episodes that will debut on 8 June.
In April 2020 Indian TV channels like Star Life, Zee World and Glow TV ran out of new episodes for several shows because of the Covid-19 international shutdowns that led to schedule disruption and schedules that were altered and shows replaced by repeats.
"Lockdowns are still in place in some form or the other in different parts of the world that is still impacting our various productions," Mayank Bharara, Star Life spokesperson tells TVwithThinus, "but we are doing everything possible to bring back our powerful shows for our audiences across Africa and so we will be bringing back 3 hours of original programming in June."
"With the reduced workforce in studios, that is the maximum we can manage for now until lockdowns completely open."
On Star Life Family Affairs (18:00 to 19:00), Kulfi - The Singing Star (19:00 to 19:30), Made for Each Other (19:30 to 20:00) and Geet (20:00 to 21:00) are all back on the primetime schedule between 18:00 and 21:00.
While all 4 of these shows are back, they're showing repeats and have been rolled back a few episodes to that viewers can get a recap of where the stories were before the shows went into repeats and left the schedule.
On 7 June all 4 of these shows will align back to the point where they were on Star Life when they stopped.
"From Monday 8 June 2020 we will have all-new episodes of these 4 shows," says Mayank Bharara.
Between 21:00 and 23:00 where Star Life had The Inseparables and A Perfect Lie, the TV channel has now brought back Game of Love from 28 May due to public demand, after the end of Chasing My Heart.
"This show launched when we launched the channel in 2018 and has been our most successful show so we should have good viewership during this timeslot too," says the channel.
CNBC Africa turns 13: ABN Group says Covid-19 is a 'major test' for the TV business channel, hints at switch to a new operating model post-coronavirus.
by Thinus Ferreira
CNBC Africa (DStv 410 / StarSat 309), the Africa-localised TV business news channel franchise of the American CNBC brand is turning 13 years old today amidst the devastating global Covid-19 pandemic and says that the impact of the coronavirus has been a "major test" for the channel, hinting at a switch to a new operating model in the future post-Covid-19.
As with all South African and African media, the ABN Group that launched CNBC Africa on MultiChoice's DStv satellite pay-TV service on 1 June 2007, has felt the tremendous devastating impact of Covid-19 over the past two months.
As elsewhere, CNBC Africa saw programming advertisers and sponsors disappear while several of CNBC Africa's planned, broadcast business sessions which are sponsored content, had to be cancelled.
CNBC Africa currently has bureaus in Johannesburg (South Africa), Lagos (Nigeria) and Kigali (Rwanda) and produced roughly 8 hours of Africa-produced business and economic-related TV content per day.
Commenting about CNBC Africa's 13th anniversary, Roberta Naicker, ANB Group managing director, says that "The journey has been a game-changer in the business news genre as the channel has showcased business and economic news on the continent".
"We could not have achieved this without the commitment of the executive team and staff at CNBC Africa who have been the cornerstone of our achievement."
Sid Wahi, CNBC Africa director, says that the industry has evolved over the last decade as both content creation and distribution have radically transformed.
"Although we were the first server-based TV station in sub-Sahara Africa, that was not enough as we had to realign our processes, modernise our equipment, train our staff and consolidate the operation to meet the challenges that we were faced with."
Sid Wahi says that CNBC Africa TV channel distribution had to be addressed as well since it was a major gap in sub-Sahara Africa. After just being available on MultiChoice's DStv in 2007, CNBC Africa gained carriage to further carriage agreement contracts on other platforms as well, for instance China's StarTimes pay-TV platform.
"Covid-19 has been a major test of the channel's resolve." says CNBC Africa. "On one hand news media is considered an essential service, but on the other, there is little support in the form of advertising and sponsorships during this pandemic."
"Like all media companies, we have reached out to a lot of our long-time clients to stand by us during this extremely challenging time. The post-Covid-19 era will herald a new operating model as the experience has catalysed transformation of the business, making it more productive and efficient."
In an interview on CNBC Africa on Monday, Zafar Siddiqi, ABN Group co-founder and chairperson, about the impact of Covid-19 on the TV business said that the channel "has a steady number of viewership who are interested in business news so we generally will not lose them. So, in summary I'd say - uncertainty, again - but we should be out of the storm in roughly 12 to 18 months".
MultiChoice and M-Net add Big Brother Pepper Dem reunion show to Africa Magic on DStv to drive entries for camera-reality show's new 5th season.
by Thinus Ferreira
MultiChoice and M-Net West Africa has added a Big Brother Naija Reunion Show, starting on 1 June 2020 and that will be shown on the Africa Magic Urban (DStv 153) at 23:00 and Africa Magic Family (DStv 154) channel at 23:30 on DStv to help promote and drive entries for the new 5th season of Big Brother Nigeria.
The Big Brother Naija Pepper Reunion Show will revolve around contestants from the 4th season of Big Brother Nigeria. and episodes will be shown from Mondays to Thursdays.
"This is no spoiler alert but there will be a laughter, tears and confrontations as the ex-housemates along with Ebuka Obi-Uchendu, the show's host, revisit the events that rocked Biggie's house last season," says MultiChoice in a statement.
The reunion show will let viewers in on the lives of the Big Brother Naija Pepper Dem contestants 7 months after the show's finale.
Coronavirus: After 2 months South Africa's department of arts and culture has only paid 488 of over 5 000 artists who applied for its Covid-19 Relief Fund.
Photo: Steve Kretzmann
by Steve Kretzmann
It took 2 months before a tiny percentage of artists received any relief funding from the government. This after losing their income when theatres and performance venues shut down with immediate effect from 15 March.
Of over 5 000 applications from artists seeking relief from the department of sports, arts and culture, only 488 artists have been paid out, 8 weeks after Covid-19 relief funding for artists and athletes was announced.
A list of those who received money was published on the department’s website this week.
A R150 million relief fund, which is to be shared by artists and athletes, was announced by the department on 25 March, with criteria for applications announced on 29 March.
The submission deadline was initially set for 4 April, but was extended to 6 April because many artists were not able to obtain the necessary documents in time.
"If we cannot provide relief to artists in a period of six weeks from the date it was announced, then there’s something fundamentally wrong with the way we understand poverty," said Market Theatre CEO Ismail Mohamed during a radio interview on 7 May.
The money disbursed was capped at a maximum of R20 000 per artist or company. The R150 million set aside by the Department as a "relief fund" has also been widely criticised because the money comes out of the existing budget for productions and events that were cancelled due to the lockdown, rather than being additional emergency relief funding.
"The Department has therefore reprioritised its budget allocation from quarter one to avail over R150 million to provide the much needed relief to practitioners in the sector," said minister Nathi Mthethwa on 25 March.
In a radio broadcast interview with Eusebius McKaiser on 7 May, the department’s director-general Vusumusi Mkhize said that there were 92 163 people directly employed in the arts and culture sector.
A further 335 000 people worked in support of the industry, with the creative and cultural industry supporting a further 698 000 people in ancillary services or crew. Vusumusi Mkhize said the sector cumulatively supports 1.1 million people.
These figures were backed up by the South African Cultural Observatory. SA Cultural Observatory chief economist Jen Snowball said the creative economy contributed R74 billion to the economy in 2018, or 1.7% of the national GDP.
Snowball said that if the multiplier effect was taken into account (including people such as an accountant working for a theatre company or catering company employed in the film industry) the sector accounted for 5.5% of GDP.
The arts and culture sector had been growing at 2.4% per year from 2016 to 2018, outstripping economic growth of 1.1%, he said.
One of the 4,512 artists who applied for relief but has not yet received anything, is Cape Town film choreographer Didi Moses.
Didi Moses said she sent the department proof of cancelled contracts, email addresses and contact details of people who could verify her information, as well as her monthly expenses.
It took 6 weeks before she got a response that her application was declined, but that she could appeal.
She said her appeal email then bounced back and after much frustration she took to Twitter to try and get a response from Nathi Mthethwa.
Sixty days after her initial application, she finally got the correct email address to send her appeal. Two weeks later, she has still not gotten a response to her appeal.
Didi Moses said she cannot pay any of her bills, including her rent, and is accumulating a mountain of debt.
Even though film companies are now allowed to work with a maximum crew of 50, it did not automatically mean there would be work for crew or actors. Didi Moses, along with theatre producers and actors we spoke to, only expect to return to any form of work in 2021.
"Some artists I know can't get out of bed," she said, recounting an incident where at 02:00 she had to counsel a fellow artist who was considering suicide.
Meanwhile, the Theatre Benevolent Fund, established to assist aged or infirm theatre practitioners, has been doing what they can to bridge the gap.
In a statement released in May, the Fund said it had paid out R401 000 by way of "about 800 food vouchers" to theatre practitioners after receiving R250 000 from a private donor and R151 000 from other donors.
However, the Fund has had to close its relief fund and has welcomed independent auditing of their relief efforts.
While the disbursement of funds to 488 artists is welcomed, numerous questions about transparency remain, among them the tenders awarded to companies to run live streaming of artists’ work on digital platforms.
Questions sent to the ministerial spokesperson, department spokesperson, and chief director of communications and marketing on the evening of 25 May were not answered by the time of publication on Friday 29 May.
Read this article on GroundUp.
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