Thursday, March 3, 2022

MasterChef SA S4 Day 3: Fine-dining lunch out-of-the-box.


by Thinus Ferreira

It was time for some out-of-the-box thinking in the third episode of MasterChef SA's fourth season on M-Net (DStv 101) on Wednesday evening when the contestants were divided into two teams for a team challenge and tasked with preparing lunch ... for a group of health care workers.

Chef Bertus Basson dropped by Makers Landing as a guest judge for the red team with Charmaine as team leader, and the blue team with dentist Dr Harri as the team captain who were competing for immunity as a team in Thursday's episode that will be a pressure test.





"During this lockdown, the entire restaurant industry came to a standstill. Stuck at home, we were forced to reinvent ourselves. Even fine dining establishments had to resort themselves to the previously unthinkable: making takeaway meals," said judge Gregory Czarnecki.

"Just like that, a new trend was created - fast fine-dining."

For the challenge, each team had to make 24 lunch boxes with two fast fine-dining dishes. 

The first dish had to use sustainably sourced fish, while the second dish had to be a fine-dining take on an iconic South African workers' lunch. It should also be possible to hold and eat one of the dishes with just one hand.

The red team prepared Amasi fried fish with slap chips and tartar sauce, as well as a Durban lamb curry for a ubuntu bunny chow with spinach dombolo (dumplings) and salsa.






The blue team made a Cape Cream Mille-Feuille sandwich, as well as Putu Arancini balls that is spicy mince balls filling and chakalaka.

The blue team won, which means that they will be watching from the balcony during Thursday evening's episode as the contestants who were in red, take part in a pressure test.





Take it away
"This episode gave an interpretation to the Covid-pandemic where suddenly restaurants had to look at take-aways. They had to start boxing stuff," says Homebrew Films producer Paul Venter.

"Bertus Basson was our guest judge because he is just the King of the Box when it comes to fine-dining take-aways. The guy's running five restaurants at the moment and he does these most amazing boxes."

"He says it's just amazing to get to the homes of his clients - when they open their front doors in their shorts - and then he gives them their box. He gets to see them in a different light while he's bringing them this fine dining experience."




"The nursing staff and health workers from the Somerset Hospital visited for the episode and we gave them the feast of the take-aways so thank them for the role they've been playing during Covid to save lives."

"Episode three of MasterChef SA, as are all of them, are just a very feel-good, South African show celebrating our local food culture," he says.


INTERVIEW. Mariana van Zeller on season 2 of Trafficked on National Geographic: 'It's about uncovering the darkest, most hidden corners of the world.'


by Thinus Ferreira

The award-winning journalist Mariana Van Zeller is back in a gasp-inducing second season of Trafficked with Mariana Van Zeller on Thursday nights on National Geographic (DStv 181 / StarSat 220) at 21:00.

In the new 10-episode second season she infiltrates the world of black-market plastic surgery, romance scams, white supremacy, stolen cars, outlaw motorcycle clubs, marijuana and meth. 

Each episode follows Mariana as she works her way inside a different black market or global trafficking network.

Here she meets the players and learns the business, all in an effort to understand the inner workings of the world’s multitrillion-dollar shadow economy, as she ventures into places rarely seen, helping people understand how trafficking networks operate.

TVwithThinus sat down with Mariana Van Zeller to ask her more about the second season on National Geographic.

We're exactly the same age and I saw that you applied to do your master's degree in journalism in New York and you didn't get accepted and then you actually got on a plane and flew to New York to go and see the lecturer. 
They were so impressed, they allowed you to study. What advice do you have for young people, students in high school maybe considering a career in journalism?
Mariana: I think persistence. I think it was the first big, journalism lesson I learnt, and it has helped me tremendously - that persistence pays off.

You're right - I didn't get in the first year, I didn't get in the second year. 

The third year I flew to New York and knocked on the dean's door and then once I graduated from Columbia University as a freelance journalist, I would send story ideas. 

I would email them and then I wouldn't hear back. So then I would call and if I didn't hear back I would go so far as even travelling and knocking on doors, trying to get my stories done and sold.

To this day, with Trafficked with Mariana Van Zeller, it's all about persistence. We're trying to get access to these incredibly dangerous and secretive worlds with a lot of people out there who don't want us to get that access. 

Without persistence, we just wouldn't have a show, so that's my number one lesson for any journalist out there: If you are persistent and determined, you'll be able to achieve your dream.




How has the Covid-pandemic and the global shutdown - since you actually filmed during the global lockdown - how did that change black markets and illegal trade?
Mariana: We started filming in June 2020 - so right at the beginning of the pandemic. 

What we realised as soon as we hit the ground was that there had been an explosion in black markets - not only the traditional black markets such as guns and drugs, but also new black markets that grew out of the pandemic. Something that's had a big rise during the pandemic is "romance scamming".

We realised that Trafficked is even more relevant now than ever. 

Whenever there's an economic downturn and people don't have ways to feed their families, they turn to black markets and that is happening and did during the pandemic and is happening now. So it's more relevant than ever to do a show like Trafficked.


'No matter how far to the edges
 of our society you travel,
 you will still find people
 that are like us'


As a journalist little in life still surprises me and I'm sure you can say the same. What maybe is there that found or still find surprising about smuggling behaviour?
Mariana: The fact that it often happens right around the corner from your house and in plain sight.

We have filmed so many scenes for different episodes of Trafficked that are so close to my house - and in places that I have been before and didn't even know was existing.

One of the episodes we filmed for the black market weed episode here in California, we filmed on a rooftop in downtown Los Angeles- out in the open they were operating this sort of wholesale of illegal weed and cars coming in and buying weed to be shipped all over the country.

It was really amazing to see how open this was and how widespread.




There's often this incredible hopelessness and shocking circumstances in which these black markets operate. 
When viewers watch Trafficked, it already helps because people become aware of the problems but I'm wondering how do you personally keep going and not get demotivated? And how do you keep the show from becoming maybe too dark - or do you want it to be disturbing?
Mariana: No. 

If you watch the show, you'll notice that the message is definitely not dark and depressing - that the message is actually quite positive and hopeful. 

The fact that the people that you meet on the show - these black market operators, the people that at first you consider criminals and the outlaws and traffickers - that they're actually a lot more like us than we know and that we'd like to admit.

No matter how far to the edges of our society you travel, you will still find people that are like us - that are redeemable and that are relatable. That is a pretty amazing thing. 

It really has given me a much more positive view of the world because it's not unreachable. 

It's not unattainable. It's not impossible to change. It's possible to connect with them. And if I'm able to connect, then I'm able to make out viewers care, and if they care, it's much more likely they'll be willing to make some changes and a positive impact on the world.


'A lot of these people operate in worlds 
where there's complete impunity'


How do you go about to try and win criminal's trust?
Mariana: It is very difficult. It's the hardest part of the job for myself and my team. 

We get a "yes" for every dozens and dozens of "no's". I do think at the end of the day people who do agree to talk to us - it's a combination of ego - these are the best people doing what they do, and sometimes not even their families know and we give them an opportunity by disguising their identity to boast about it.

Then there's impunity. A lot of these people operate in worlds where there's complete impunity and they don't really see a downside in speaking to an internationally recognised brand like National Geographic.

And then lastly, it's a very human characteristic, this need to be understood that I think we all share. 

I approach every subject matter and every person I meet with empathy and I tell them that I'm not here to judge you, I'm here to listen to you. 




You mentioned National Geographic so I'll just ask that now. What aspect of Trafficked do you think that you wouldn't have been able to do, or that you think you can do, because of the backing of National Geographic?
Mariana: Yeah, all of it.

I think all of it.  The brand National Geographic is associated with exploration of the world and gaining access into places that people have never been before. I think that is exactly what Trafficked is about.

Trafficked is about uncovering the darkest, most hidden corners of the world and being able to do so with a brand like National Geographic that is not only recognised around the world but is trusted, is pretty incredible.

I know that that is the reason why so many doors open up to us.




I wanted to ask you, not just in Trafficked but in your career so far you most certainly would have experienced some of the very best of humanity but also the very worst that we as humans are capable of. What do you make of mankind and society?
Mariana: Well, I have a very deep understanding that the world isn't black and white.

There's a lot of beautiful colours in-between - it's not shades of grey as is usually the saying. It's really beautiful colours. There is something that connects us all. There's a lot more that unites us. 

We have a lot more similarities than we have differences no matter who we're talking about in the world.

My mission as a person - and hopefully the message from Trafficked - is to always inspire people to try and look for those similarities instead of the differences and to try and figure out a way that we can connect. 

Trafficked with Mariana Van Zeller season 2 is on National Geographic (DStv 181 / StarSat 220) on Thursdays at 21:00

Launch of SABC's video streaming service pushed to next financial year, delayed to sometime before March 2023.


by Thinus Ferreira 

The SABC has pushed out the launch of its own video streaming service with the South African public broadcaster that will no longer make its deadline of this financial year and has now postponed the launch to somewhere before the end of March 2023.

As part of its video streamer plans, the SABC also is redeveloping the online offering of all of its TV channels.

The SABC's delay in launching its own over-the-top (OTT) service before the end of March 2022 means that it will be pipped at the post by another two streaming services that will now launch in South Africa before the SABC launches its player, while existing video streamers will further entrench their positions in a rapidly expanding market.

While the SABC has postponed its streamer launch, modelled on the BBC's successful iPlayer, The Walt Disney Company plans to launch its highly-anticipated Disney+ video streaming service in South Africa anytime from June this year.

Meanwhile, Paramount last month confirmed that it will be bringing Paramount+ to South Africa and the rest of the African continent in early-2023.

South African video consumers already have access to a range of video streamers showing growth but from a small base, ranging from Netflix SA and Amazon Prime Video, to MultiChoice's Showmax, Apple TV+, VIU, Vodacom Video Play, BritBox, Acorn TV, TelkomONE, eMedia's eVOD, Marquee TV, PrideTV, CineMagic and some other smaller players.

Also still to launch in South Africa are WarnerMedia's HBO Max that will also come to South Africa once existing HBO content contracts with MultiChoice and M-Net run out and lapse, Discovery+, and NBCUniversal's Peacock - all of which are available to overseas pay-TV consumers already on for instance Sky in the United Kingdom.

In his latest speech at a SABC CxO conference, Madoda Mxakwe, SABC CEO, revealed that the SABC's video streaming service, modelled after the BBC's successful iPlayer, will now only come to market before the end of the broadcaster's next financial year - meaning before the end of March 2023 - and no longer the end of the SABC's current financial year.

"In our next financial year we'll launch an even more full HD TV channels, we'll go live with our own over-the-top-platform, and we'll also redevelop our online offerings for all our television channels as well as our radio stations," Madoda Mxakwe said.

The SABC currently provides some of its locally-produced entertainment content on MultiChoice DStv streaming service, licenses some series to VIU, and places some of it on YouTube.

Various permutations of the SABC's linear TV and radio channels are currently carried by MultiChoice on DStv, StarTimes' StarSat and eMedia's Openview, with different collections of linear SABC TV channels streaming and SABC on-demand content available on the streaming services of TelkomONE and VIU.

In March 2021, Ian Plaatjes, SABC chief operating officer (COO), told TVwithThinus about the SABC's video streamer plans that "Our strategy is to have a multi-OTT presence and we are not going to be competing with others".

He said "We are going to be launching our own and it will be during this financial year. We will be going to market pretty soon with our own but it will be complementary to the other OTT providers as well."

In August 2021, Bongumusa Makhathini, SABC board chairperson, in a SABC News interview reiterated that the SABC planned to have its own video streaming service up and running in South Africa before the end of its current financial year which is 31 March 2022.

"We are going to be launching our own and it will be during this financial year. We will be going to market pretty soon with our own but it will be complementary to the other OTT providers as well," Bongumusa Makhathini said at the time.

TVwithThinus asked the SABC in a media query why the launch of its video streaming has now been pushed out by what could be as much as a year, what factors contributed to it, and how work is progressing on its streaming service.

"The SABC can confirm that in the next fiscal, the corporation will launch more TV channels, which will also be available on its own over-the-top (OTT) platform," says Gugu Ntuli, the SABC's group executive for corporate affairs and marketing.

"The SABC is cognizant of the fact that launching an OTT platform is a sizable project with many complex technical and content requirements and considerations for the public service broadcaster."

"The SABC chose to delay the implementing of the OTT platform to firm up its requirements, strategy, business case and prepare the environment for rapid deployment," she says.

'Mass retrenchments' coming to eMedia's eNCA with 'consolidation' of jobs countrywide inside the TV news channel: 'eNCA bleeding staff as it is but they're cutting even more'.

by Thinus Ferreira

"Mass retrenchments" are looming at eMedia Investments' eNCA (DStv 403) TV news channel in South Africa according to insiders, affecting staffers in Johannesburg, Cape Town and Durban across various workflow divisions that will see scores of people lose their jobs in so-called "consolidation" of work responsibilities.

eNCA staffers once again reiterated the ongoing refrain, heard constantly again since last month, without prompting, when they talk: "Staff morale is at an all-time low" inside the TV news channel. 

TVwithThinus already reported that eMedia plans to shutter its etv News & Sport channel on its Openview satellite service at the end of March which will see 45 workers lose their jobs. eMedia said the etv News & Sport channel is "no longer viable".

TVwithThinus already reported earlier this week that eMedia Investments plans to get rid of over half of its video editors and senior video editors by the end of April who were served with Section 189 retrenchment letters on Monday in a process overseen by eNCA eNCA managing director Norman Munzhelele.

According to sources, just 11 out of eNCA's 25 long-form and news video editors are safe, with the newsroom that has moved to a system where producers, writers and reporters have to do their own editing, making video editors obsolete.

 eMedia in response to a media query said "We acknowledge your questions and queries, however this is an ongoing, internal matter that is sensitive and will be facilitated with the utmost respect, whilst preserving the dignity of our staff".

"The company is committed to all relevant and applicable labour legislation."

Sources told TVwithThinus that eNCA staffers were called to a meeting on On Wednesday morning in Johannesburg where the mass retrenchment process was announced by Norman Munzhelele affecting eNCA staffers across Johannesburg, Durban and Cape Town.

eNCA plans "consolidation" broadly across five different workflow areas.

Norman Munzhelele's plan is to "consolidate" the desk editor and programme editor positions at eNCA, meaning that basically the programme editors will be lumped together with desk editor duties.

"Consolidation" is also coming to producers and guest bookers - with the result that guest bookers will lose their jobs.

The company has also adopted a new archive strategy that will result in archive team staffers getting axed.

The plan is further to integrate sports into news which could mean that the sports news team will face job cuts too.

Then eNCA wants to "drive efficiencies" in Cape Town and Durban - meaning that staff working in those cities will likely see their job numbers cut.

According to sources in the past few weeks a desk editor, assignment editor and programme editor resigned at eNCA.

"eNCA is bleeding staff as it is, but they're cutting even more," said another insider. "Staff morale is at an all-time low."


Wednesday, March 2, 2022

BREAKING. The Russia Today TV channel abruptly disappears on Wednesday evening from MultiChoice's DStv, and TelkomONE in South Africa.


by Thinus Ferreira

Russia's propaganda TV channel Russia Today (DStv 407) known as RT, late on Wednesday abruptly disappeared from the channel line-up of MultiChoice's DStv as well as Telkom's TelkomONE video streaming service.

DStv subscribers on Wednesday evening got a black screen on DStv channel 407 with the on-screen notification "This channel is closed".

On Wednesday night it wasn't immediately clear whether MultiChoice and Telkom decided to remove RT, similar to how pay-TV operators and streaming services in multiple other countries from America to Australia decided to do since this past weekend, or whether Russia Today decided to remove its signal, or whether other technical problems interrupted the RT channel feed.

MultiChoice and Telkom were asked for comment on Wednesday evening.

On Wednesday night MultiChoice said that "As of today, 2 March 2021, Russia Today (Channel 407) shall not be carried on the DStv platform until further notice. Sanctions imposed on Russia have led to the global distributor of the channel ceasing to provide the broadcast feed to all suppliers, including MultiChoice."

On Monday, MultiChoice in response to media queries said that "We have no editorial control over third-party channels". 


SA’s broadcasting regulator demands answers
South Africa's broadcasting regulator, the Independent Communications Authority of South Africa (ICASA) in a statement to TVwithThinus on Wednesday night, said that "ICASA wants to put it on record that the broadcast of RT on the DStv platform is and continues to be a commercial agreement between the subscription TV broadcaster, MultiChoice and RT".

"The authority's role in the broadcasting of RT has been solely limited to channel authorisation as submitted by the licensee  – in this case, MultiChoice – and approved by ICASA prior to the channel being introduced."

ICASA said that this is a regulatory requirement fulfilled by the licensee before introducing any new channel for consumption by the South African public.

"Our licensing and compliance division has not received any notification by MultiChoice confirming the discontinuation of the channel on its DStv platform,” ICASA chairperson Dr Keabetswe Modimoeng said.

According to Dr Keabetswe Modimoeng "it is in the public interest to know the reasons for this discontinuation since the authorisation was approved by the authority".

"Given the underlying principle of the South African broadcasting system for promoting plurality of views, it is only prudent for ICASA to enquire with DStv on the rationale for the discontinuation of the RT channel."

Dr Keabetswe Modimoeng said that ICASA continues to monitor the developments regarding this matter.


Petition against and global RT offboarding
The Kremlin-backed TV channel came under fire globally especially since last week, following Russia's invasion and unprovoked war with Ukraine.

In South Africa, the country's Broadcasting Complaints Commission of South Africa (BCCSA) confirmed that it has been receiving complaints from DStv subscribers asking why MultiChoice has not removed RT.

A DStv subscriber Jared Myroff also started an online petition on change.org, directed to MultiChoice CEO Calvo Mawela and the pay-TV operator's chairperson Imtiaz Patel, imploring MultiChoice to remove RT from DStv.

The petition says that RT "is a tool of the greater Russia propaganda machine" and that is "currently using its air time to spread misinformation on the invasion that Russia has undertaken on Ukraine".

"As a DStv customer, part of your fees goes towards DStv to paying for this channel to have air time in our country and poison the minds of our citizens."

"Essentially our MultiChoice subscriptions help fund Russia and Putin's propaganda machine. The goal of this petition is to gain the attention of the top management of MultiChoice and to remove the Russia Today "news" channel from our screens," the petition states.  

Australia's biggest pay-TV operator Foxtel also removed RT on Sunday as a linear TV channel and from its streaming service. 

"In view of concern about the situation in Ukraine, the Russia Today channel is currently unavailable on Foxtel and Flash," Foxtel said in a statement.

Canada's two biggest pay-TV services, Rogers Communications and Bell Canada both announced on Monday that they're dropping RT completely.

America's DirectTV on Monday announced that it's removing RT "and will no longer offer their programming effective immediately".

The 1+1 Media Group, a Ukrainian media conglomerate, on Monday said they wrote to media companies worldwide, asking them to stop transmitting Russia's propaganda-filled TV channels like RT.

"More than 20 local providers from Poland, Australia, Slovakia, the Czech Republic, Canada, Estonia, Lithuania, Latvia, Bulgaria, Germany, as well as representatives of international corporations have already responded to the request," 1+1 Media Group said in a press release on Monday.
"As of 26 February they have started the turning off of the propagandistic TV channels on their satellites, cable networks and across other platforms and sources."

YouTube also blocked RT from generating any advertising revenue from any of its content placed on Google’s video streaming service.

"In light of extraordinary circumstances in Ukraine, we're taking a number of actions,” Michael Aciman, global communications and public affairs manager at Google, said in a statement. 

"We're pausing a number of channels' ability to monetize on YouTube, including several Russian channels affiliated with recent sanctions. We will be significantly limiting recommendations to these channels. And in response to a government request, we've restricted access to RT and a number of other channels in Ukraine."

In the United Kingdom where RT still remains on the air, that country's broadcasting regulator, Ofcom, on Monday announced in a statement that it had " opened 15 new investigations into the due impartiality of news programs on the RT news channel."

"We have observed a significant increase in the number of programs on the RT service that warrant investigation under our Broadcasting Code," Ofcom said.

On Wednesday Ofcom announced that it has added another 12 investigations into RT, bringing the total number to 27.

"We are very concerned by the volume of programmes on RT that are raising potential issues under the Broadcasting Code, and as we progress our investigations we are considering whether RT should retain a U.K. license," Ofcom said in a statement late on Wednesday. 


MultiChoice confirms addition of NBCUniversal's DreamWorks channel, will add another movie channel later in 2022.


by Thinus Ferreira

MultiChoice that is taking away the set of e.tv channels except for eNCA (DStv 403) and e.tv from 1 April confirmed on Wednesday that it's adding the DreamWorks kids TV channel from NBCUniversal, and will be adding another movie channel later in 2022.

MultiChoice is axing the eMovies, eMovies Extra, eExtra and eToonz channels from eMedia Investments from April, with these channels that will remain available on eMedia's Openview satellite service.

MultiChoice confirmed what TVwithThinus reported in mid-February, that NBCUniversal's DreamWorks kids channel, axed on China's StarTimes and StarSat, is being added to DStv soon, with DreamWorks that will be placed on DStv channel 304.

A revived KIX action channel is being made available to DStv Family and DStv Access viewers from 31 March on DStv channel 114.

"We constantly review our channel offering on DStv in line with our viewer's needs," says Nyiko Shiburi, MultiChoice SA CEO, in a statement.

"Although these four eMedia channels will no longer be available on DStv, customers still have access to a wide range of entertainment which includes 200 channels of movies, dramas, sport, kids, news, reality, and so much more."

MultiChoice was asked for comment in a media query regarding the removal of eMovies, eMovies Extra, eExtra and eToonz from DStv from April, why it decided not to renew the carriage agreement for these specific channels and what research or financial reasons informed the decision.

Comment will be added here when received.

MultiChoice is removing the 4 channels from DStv on the same day that its annual price increase for DStv subscriptions for 2022 comes into effect.

The removal of eMedia's channels from DStv, with the exception of eNCA and e.tv, means that all of e.tv's TV channels carried on DStv are being taken away.


MultiChoice loses 4 eMedia channels from April, will continue to have eNCA and e.tv on DStv.


by Thinus Ferreira

MultiChoice is doing away with 4 of eMedia Investments' TV channels from 1 April with eMovies, eMovies Extra, eExtra and eToonz that are getting axed although the eNCA (DStv 403) TV news channel and etv (DStv 194) will continue to remain available.

eMedia in a statement on Wednesday said that MultiChoice is dropping e.tv channels and that MultiChoice will carry fewer e.tv channels from 1 April.

eMedia said that it has renewed a channels carriage agreement with MultiChoice but that MultiChoice decided "not to carry certain eMedia channels, namely eMovies, eMovies Extra, eExtra and eToonz".

"Effective 1 April, DStv will only broadcast eNCA (DStv 403) exclusively, and the daily Afrikaans eNuus news bulletin on kykNET (DStv 144)."

eMedia said that "e.tv, licenced under a separate agreement, will continue to air on the DStv platform".

"All the e.tv channels will continue to broadcast and are still available on the Openview platform. Viewers have access to eMovies, eMovies Extra, eExtra, eToonz, and so much more on the Openview platform," eMedia said in the statement.

MultiChoice was asked for comment in a media query regarding the removal of eMovies, eMovies Extra, eExtra and eToonz from DStv from April, why it decided not to renew the carriage agreement for these specific channels and what research or financial reasons informed the decision.

Comment will be added here when received.

MultiChoice is removing the 4 channels from DStv on the same day that its annual price increase for DStv subscriptions for 2022 comes into effect.

The removal of eMedia's channels from DStv, with the exception of eNCA and e.tv, means that all of e.tv's TV channels carried on DStv are being taken away.

NBCUniversal said that it will be adding the DreamWorks kids channel to DStv soon, which has been terminated on China's StarTimes and StarSat service.


MultiChoice's streamer commissions 13-episode drama series ENO as its first Ghana Showmax Original from Shirley Frimpong-Manso's Sparrow Studios.


by Thinus Ferreira

MultiChoice's video streaming service has commissioned its first Showmax Original series from Ghana, with Shirley Frimpong-Manso's Sparrow Studios producing ENO as a 13-part drama series that will debut on Showmax in March.

ENO, set in Accra, follows Abena Baafi (Gloria Osei-Sarfo) as a single mother determined to meddle in her three daughters' lives by steering them towards the path of rich suitors. 

Unfortunately for her, her daughters - played by Mariam Owusu-Poku, Esi Hammond and Emelia Asiedu - have minds of their own.

John Dumelo, Godwin Namboh, Peter Ritchie, Brian Angels, Michael Katahena, Kabutey Ocansey and Kelvin Sarpong Jr have supporting roles in ENO and is helmed by filmmakers Shirley Frimpong-Manso and Ken Attoh as director and producer respectively under their Sparrow Studios banner.

Sparrow Studios is behind the Ghanaian telenovela Dede, the romantic drama The Perfect Picture and its sequel The Perfect Picture: Ten Years Later, as well as the romantic comedy film Potato Potahto.

"I was immediately drawn to ENO because of its female-driven narrative," says Shirley Frimpong-Manso.

"In spite of the fact that the main character, Abena Baafi, is described as a woman who is cunning and even greedy, I love her zeal to succeed against all the odds."

"The fact that she is determined to see her daughters make better choices than she has, shows me a mother's honest attempt to right her past wrongs through the children she so dearly loves, even if she doesn't get it right every single time."

"The success of this series will set the stage for much more original Ghanaian-produced content on Showmax. I am convinced this will happen and help accelerate the growth of the Ghanaian film and TV industry," she says.

Ken Attoh says ENO is fitting as a first Ghanaian Showmax Original. "It is visually entertaining, drama-filled and a completely relatable African story with Ghanaian nuances".

"It highlights some of the pressures we all experienced at one point growing up and even as adults, either from our parents or family members."

“The success of this series will set the stage for much more original Ghanaian-produced content on Showmax. I am convinced this will happen and help accelerate the growth of the Ghanaian film and TV industry,” Shirley says.

eNCA plans to axe over half of its video editors, staffers served with Section 189 letters.


by Thinus Ferreira

eMedia Investments' eNCA (DStv 403) TV news channel plans to get rid of over half of its video editors and senior video editors by the end of April who were served with Section 189 retrenchment letters on Monday.

According to sources, just 11 out of eNCA's 25 longform and news video editors are safe, with the newsroom that has moved to a system where producers, writers and reporters have to do their own editing, making video editors obsolete.

eNCA planning to axe video editors come as eMedia plans to shutter its etv News & Sport channel on ts Openview satellite service at the end of this month that will see 45 workers lose their jobs. eMedia said the etv News & Sport channel is "no longer viable".

About serving eNCA video editors with Section 189 letters on Monday, eMedia in response to a media query said "We acknowledge your questions and queries, however this is an ongoing, internal matter that is sensitive and will be facilitated with the utmost respect, whilst preserving the dignity of our staff".

"The company is committed to all relevant and applicable labour legislation."

eNCA managing director Norman Munzhelele told video editors that after moving to the new Hyde Park building in late-2021 and with upgrades in broadcasting infrastructure, "the number of video editors in the structure exceeds the operational requirements of the business".

eNCA says that the video editing role and positions are under-utilized or not utilised.

Norman Munzhelele told video editors that the new proposed structure "will realign to deliver high-quality, newsworthy, relevant video content capability where resources  - both human resources and technology - and skills/competencies are maximised and productive".

A meeting will be taking place with affected workers on Wednesday afternoon.