Sabido's e.tv and MultiChoice have finally agreed to upgrade the South African free-to-air commercial TV channel's signal from SD to HD on the DStv satellite pay-TV platform.
e.tv also signed a deal with MultiChoice to add its daily local soaps, Rhythm City and Scandal! to the DStv Catch Up service from 1 December.
DStv Catch up already contains some of the SABC's weekday soaps like Generations and 7de Laan in a contract with the SABC, as well as kykNET's (DStv 144) Binnelanders and Villa Rosa.
e.tv is being broadcast in high definition (HD) from today on DStv.
e.tv upgraded its signal to HD in October 2013 and has been broadcasting the high definition version for the past two years on Platco Digital's OpenView HD (OVHD) free-to-air satellite platform.
While the HD version of e.tv was available the past two years, MultiChoice as well as On Digital Media (ODM) and StarTimes Media South Africa running the StarSat pay-TV satellite platform didn't switch to the better version for their respective subscribers.
There's been no announcement from MultiChoice but Monde Twala, e.tv channels managing director praised the upgrade deal, saying it will enrich DStv subscribers' viewing experience.
"All of our distinctive blend of authentic, compelling shows are filmed in HD. We are certain that his new development will give the channel a new edge and add value to our broad audience across all platforms".
In 2016 e.tv will roll out a new second "season" of the telenovela Ashes to Ashes and dramas Z'bondiwe and Umlilo have also been renewed for second seasons.
e.tv will also bring viewers a new local travel show Double Up, a new local action thriller Heist, and picked up the Jongo local superhero drama.
Friday, November 27, 2015
Thursday, November 26, 2015
History on DStv to broadcast the hour-long, rush-documentary, Terror: Seven Days in Paris this Sunday; follows the aftermath of recent Paris attacks for a week.
History (DStv 186) will broadcast a rush-documentary, Terror: Seven Days in Paris this Sunday at 20:30 about the recent terror attacks in Paris, France in which 130 people died.
The hour-long documentary produced by NBC Peacock Productions will be rebroadcast on History on Wednesday 2 December at 22:10.
"This special documentary puts the Paris attacks in a wider context," says Rachel Job, the director for programming for History at A+E Networks UK in London.
"With exclusive footage and first-hand accounts from the people of Paris, alongside expert opinion, we look at how recent acts of terror have changed the course of history."
Terror: Seven Days in Paris looks at the Paris massacre framed against growing international terrorism.
The documentary was quickly produced as two camera teams started doing interviews with witnesses, doctors, the owner of the Bataclan concert venue and various international terrorism experts immediately after the Paris attacks and continuing for seven days afterwards.
The documentary team also filmed the dawn siege by police – and its aftermath – in the Parisian quarter of St Denis on Wednesday, 18 November.
Terror: Seven Days in Paris recalls other major acts over recent years that have had a significant global impact, including 9/11 in New York and Pennsylvania; the Madrid bombings in 2004; 7/7 in London in 2005; the Charlie Hebdo attacks in Paris in January 2015; the Russian plane brought down in Sinai; and the strikes in Beirut, which took place on 12 November 2015, the day before the Paris attacks.
People interviewed in Terror: Seven Days in Paris include Dr Christophe Pudhomme who treated survivors and suspected terrorists in the police shoot-out in St Denis; Dr Michel Bonnot; Raafiaa Benabid who was was making dinner for her family in her flat above La Carillon bar where seven people were killed; and Daniel Habrekon, the owner of the Bataclan concert venue where 89 people were murdered during a rock concert.
Educational channel [ED] on DStv will show Rehad Desai's Emmy award-winning documentary, Miners Shot Down, this Sunday 3 times during the day.
Miners Shot Down, the International Emmy award winning South Africa documentary of filmmaker Rehad Desai about the Marikana massacre by the South Africa police will be broadcast this Sunday 29 November on [ED] (DStv 190) on DStv in South Africa and across the African continent.
Ordinary South Africans haven't seen Miners Shot Down since the SABC and e.tv refused to shown Miners Shot Down on the public broadcaster and South Africa's only free-to-air commercial TV channel.
Miner Shot Down has been shown on [ED] before in 2014, as well as earlier this year on Al Jazeera (DStv 406 / StarSat 257) and the community TV station, Cape Town TV (CTV).
Miners Shot Down won the International Emmy Award on Sunday night in New York in the documentary category.
Yesterday e.tv and eNCA (DStv 403) condescendingly said it would broadcast Miners Shot Down but won't pay to show it and that it would broadcast the Emmy award winning documentary "if Rehad Desai drops us a free copy".
Miners Shot Down will be rebroadcast on [ED] this Sunday 29 November at 10:55, 14:55 and 18:55.
"It's an opportunity for South Africans to tune in to a documentary that has the whole world talking," says Roberto Carletti, [ED] station manager.
"As the first channel to air the documentary as far back as July 2014, we feel it's only fitting to repeat it. There's been growing viewer demand for the documentary in light of the recent success at the International Emmy Awards."
"Heeding these calls is in line with [ED]'s vision of empowering viewers through the dissemination of knowledge."
ShowMax set to expand outside of South Africa in 2016 to 3 other continents; Naspers' VoD service signs distribution deal with Samsung and Telkom
Naspers' new video-on-demand (VoD) service ShowMax plans to go global and to expand outside of South Africa soon in 2016 into at least three other continents, the business news wire service Bloomberg reports.
Asked about ShowMax's global expansion plans and roll-out, the VoD service that launched in August told TVwithThinus it had no comment.
According to Bloomberg, ShowMax will launch in North America, across territories in Europe and in Australasia in 2016.
According to Bloomberg, ShowMax will make its video streaming service accessible outside of South Africa from next month by giving access to Afrikaans content from December, and will add West African content in 2016.
Netflix plans to launch in South Africa sometime during 2016.
At the moment in South Africa, ShowMax, Times Media Group's struggling VIDI, MTN's FrontRow and China's PCCW Global that launched ONTAPtv.com in September are all competing against each other as VOD service.
Naspers’s fledgling video-on-demand (VOD) platform, ShowMax, will be expanded to three new continents in the coming year, Bloomberg reported on Thursday.
Samsung is meanwhile also silent about ShowMax's addition to its range of Smart TV's as an app.
ShowMax has signed distribution partnerships with Telkom and Samsung in South Africa and is also negotiating with Vodacom.
M-Net's Magic in Motion Academy embroiled in a race row; trade union Solidarity slams pay-TV broadcaster over exclusion of white students from internship positions.
M-Net and its Magic in Motion Academy has become embroiled in a row about race with trade union Solidary slamming M-Net, saying the South African pay-TV broadcaster is unfairly discriminating by allowing no white students to apply for academy internships.
M-Net's Magic in Motion Academy (MiM Academy)
that started last year has been doing wonderful work with the veteran producer
and director Bobby Heaney as the
academy's director.
For its second year, M-Net is expanding the
landmark internship programme from 12 to 20 positions to give film and TV
graduates much-needed and in-depth practical experience as they work closely
with some of South Africa's top producers and TV shows.
According to M-Net, applications for the film
Academy that closes on 11 December are "strictly EE (Employment Equity)
qualifying candidates only – black, coloured and Indian".
According to Dirk
Groenewald, the head of Solidarity's Centre for Fair Labour Practices, M-Net's film
academy doesn't comply with the provisions of the Employment Equity Act.
"It boils down to nothing but the total
exclusion of white people and amounts to a quota system."
"The said legislation
prohibits quota systems. Moreover, the courts, including the Constitutional
Court, have already found that the use of a quota system as well as the
exclusion of people based on the grounds of their skin colour is unlawful".
Dirk Groenewald says
Solidarity asked M-Net to amend the Magic in Motion advertisement in order for
whites to also be allowed to apply for the internships. Solidarity plans to
lodge a complaint with the Human Rights Commission if the MiM Academy
requirement isn't changed.
Dirk Groenewald says it is allegedly
not the first time that MultiChoice has reserved vacant posts for certain race
groups only.
"Multichoice has already advertised a significant number of posts
exclusively for specific race groups. It is clear that the race problem at
MultiChoice is far more significant than initially thought."
Asked why M-Net's Magic in Motion Academy internship positions decided to
exclude a certain race group, M-Net told TVwithThinus that the focus of the film
academy is on previously disadvantaged communities.
"As the MiM Academy is one of M-Net's corporate social investment
initiatives, the focus of the initiative is on previously disadvantaged
communities".
"However, whilst it is targeted to a pre-determined demographic requirement
in line with powerful national transformation objectives, there are also
positions and development opportunities at M-Net that are open to a wider pool," says M-Net.
"In this way, M-Net is focused on maintaining its multi-cultural, diverse
talent complement".
Wednesday, November 25, 2015
OPINION: The ugliest and most awful thing e.tv and eNCA have EVER said - and why even an Emmy winning filmmaker can't pay the rent with 'exposure'.
And no, it surprisingly didn't come from the SABC's corporate affairs office, but from e.tv and eNCA (DStv 403).
Sabido's TV channels said it will will take an Emmy winner and a South African filmmaker's documentary and show it - but won't pay for it and only if these commercially-run channels can get it for free.
Well, "exposure" doesn't pay my rent and probably also not the salaries of the TV executives at e.tv and eNCA who I presume are not paid in bags of mealies either.
It's from eNCA and e.tv that condescendingly gloated and noted today that the Emmy winning filmmaker Rehad Desai is "welcome" to "drop off a copy at our studios" of his documentary film and that eNCA and e.tv would then "gladly" do so [broadcast it] "for free".
Disgusting.
Rehad Desai just won the 2015 International Emmy award for best documentary for his harrowing documentary film, Miners Shot Down.
Rehad Desai just won the 2015 International Emmy award for best documentary for his harrowing documentary film, Miners Shot Down.
I was writing about television long before e.tv became a TV station.
I was there from before and have covered it since it's little brother on MultiChoice's DStv started - the eNews Channel that transformed into eNCA and its ongoing journey. eAfrica. eNews Africa. OpenView HD.
I've seen them launch and grow and I've tracked them all meticulously since as I do all South African television.
While the SABC as South Africa's public broadcaster stooped pretty low in the past with disgusting, erratic and downright crazy behaviour and said some very destructive and disturbing things, what e.tv and eNCA said on Tuesday ranks as my all time worst public remarks from these Sabido channels. Ever.
And yes, that includes even HCI's Yunis Shaik and his notorious, alleged missive of " I work for a living sucking dick!"
Make no mistake about it: What e.tv and eNCA said is what they want the public to know.
They chose their words and specifically want people and South Africa's TV industry to know - hence a public statement - that they won't pay for Miners Shot Down but that yes, they will show it - just not pay for it.
Make no mistake about it: What e.tv and eNCA said is what they want the public to know.
They chose their words and specifically want people and South Africa's TV industry to know - hence a public statement - that they won't pay for Miners Shot Down but that yes, they will show it - just not pay for it.
On Tuesday there was no congratulations or positive remarks from e.tv and eNCA supporting someone who is working in, supporting, winning for South Africa on the world stage, and trying to earn a living while doing so and making that one thing that all TV channels and broadcasters hold most dear: TV content.
Instead e.tv and eNCA decided to eviscerate Rehad Desai [who I've never met] and his Miners Shot Down documentary which has won numerous, numerous awards, saying in so many words that his documentary film is worthless.
We only pay for something that has value, right?
It was dirty, low ball and aggressive attack by e.tv and eNCA in my view on a filmmaker and a South African one at that who just won an International Emmy, one totally uncalled for and way below e.tv and eNCA's maturity level as people as as a business.
We only pay for something that has value, right?
It was dirty, low ball and aggressive attack by e.tv and eNCA in my view on a filmmaker and a South African one at that who just won an International Emmy, one totally uncalled for and way below e.tv and eNCA's maturity level as people as as a business.
I get what e.tv and eNCA probably tried to do: Scared of growing negative sentiment, and with public pressure building over the circulation of a public petition calling for Miners Shot Down to be shown on the SABC and e.tv, my guess is that e.tv and eNCA wanted to distance themselves from appearing politically biased.
My guess is that e.tv and eNCA wanted to show that they're not not showing Miners Shot Down due to any political agenda, influence or leanings but purely because they don't want to and because during negotiations the price for the product - in this case an Emmy winning local documentary - was too steep.
Instead e.tv and eNCA now come across as just plainly disgusting and cheap - just like Mfundi Vundla of SABC1's Generations who can't fathom why actor's can't be cheaper and why they apparently don't come for free.
Every single person - yes, even those working in television - work for money. Apologies for stating the probably obvious, but apparently it's not so obvious to e.tv and eNCA.
"Exposure" doesn't pay your bills even if you work in media or the content generation or creative industries.
"Exposure" doesn't pay your bills even if you work in media or the content generation or creative industries.
The executives as well as the the corporate affairs and marketing and public relations people at e.tv and eNCA all know that very well, but on Tuesday they decided to throw Rehad Desai under the bus in a very big way - and by implication all of South Africa's local content producers.
I hate it, and I hate that e.tv and eNCA did that and in such a terrible, pathetic, thoughtless and dismissive manner.
Filmmakers and South African TV and film content producers deserve better and e.tv and eNCA should go to their own broadcasting eAcademy and get an education.
I hate it, and I hate that e.tv and eNCA did that and in such a terrible, pathetic, thoughtless and dismissive manner.
Filmmakers and South African TV and film content producers deserve better and e.tv and eNCA should go to their own broadcasting eAcademy and get an education.
e.tv and eNCA deliberately chose to send a rotten, untrue and extremely wrong message to South Africa's TV and film industry: That there's instances where we as oh so mighty TV people who need content and work in the content business will "gladly" take your content and will show it ... if we don't have to pay for it.
Oh, and you should be glad because it's "exposure".
By the way, giving your content to a TV channel is what you should do according to them - meaning give it to them for free - should you, as e.tv and eNCA say in their statement to Rehad Desai "feel the film requires further exposure to a South African audience".
By the way, giving your content to a TV channel is what you should do according to them - meaning give it to them for free - should you, as e.tv and eNCA say in their statement to Rehad Desai "feel the film requires further exposure to a South African audience".
If I were Rehad Desai my gentle words to eNCA and e.tv would be ... "Go f* yourself".
Rehad Desai isn't a top 25 M-Net Idols contestant who doesn't know better and is singing for free to get "exposure".
Rehad Desai isn't a lowly job seeker entering the TV and film industry who have to work as an unpaid intern just to get desperately needed "experience" at some company to try and have something on the CV.
Rehad Desai isn't a lowly job seeker entering the TV and film industry who have to work as an unpaid intern just to get desperately needed "experience" at some company to try and have something on the CV.
And Miners Shot Down definitely isn't Fanny By Gaslight and Walker, Texas Ranger and Backstage or Anaconda: The Hunt for the Blood Orchid and all the other trash TV that e.tv has shown over and over and over and over many times because poor viewers have apparently not yet seen it enough.
Yet e.tv and eNCA have the eye-rolling audacity to say they don't want to show Miners Shot Down because there's been "no aspect to the Marikana tragedy we have not covered" and that they've done enough Marikana massacre coverage.
In television and in the news business, the wheel never stops turning.
There's always space and place on the schedule for showing more, for bringing more perspectives, for showing more sides.
I'm venturing a wild guess here, but I thought that's the business eNCA is in and wants to be in.
Among all of the repeats on the e.tv schedule yet another Marikana programme will not seem odd. And how about Platco Digital's OpenView HD and its channels?
If I worked in TV, I'd think that a documentary like Miners Shot Down would be a nice pick-up for one of my locally packaged TV channels that desperately need new content on the bouquet like eAfrica+ or eMovies+ or eKasi+ to make it stronger and stand out a bit and to strengthen their individual channel propositions.
There's always space and place on the schedule for showing more, for bringing more perspectives, for showing more sides.
I'm venturing a wild guess here, but I thought that's the business eNCA is in and wants to be in.
Among all of the repeats on the e.tv schedule yet another Marikana programme will not seem odd. And how about Platco Digital's OpenView HD and its channels?
If I worked in TV, I'd think that a documentary like Miners Shot Down would be a nice pick-up for one of my locally packaged TV channels that desperately need new content on the bouquet like eAfrica+ or eMovies+ or eKasi+ to make it stronger and stand out a bit and to strengthen their individual channel propositions.
Furthermore e.tv and eNCA know that documentaries like Miners Shot Down are distributed by local and international distributors.
How platitudinal to go in a disingenuous sounding press release that "his office is welcome to drop off a copy at our studios". It doesn't work that way.
How platitudinal to go in a disingenuous sounding press release that "his office is welcome to drop off a copy at our studios". It doesn't work that way.
How about saying "congratulations Rehad Desai for producing an outstanding and award-winning documentary, and with persevering with a difficult story you wanted to tell. Previously our content executives couldn't successfully negotiate a deal to show Miners Shot Down but we would love to sit down again with the relevant representatives to see if we can bring this important piece of television to our South African viewers".
That is apparently too much and too high-brow difficult for e.tv and eNCA who opted to rather go with the trashy and decidedly downmarket "we therefore extend an invitation to him to accept our offer of a free broadcast".
It is so hugely offensive to me.
There's also huge irony in the fact that eNCA that continues to struggle in adequately telling the press on a consistent basis about its actual programming and what it is going to show, is quick to put out a press release about what it won't show (unless it gets it for free).
There's also huge irony in the fact that eNCA that continues to struggle in adequately telling the press on a consistent basis about its actual programming and what it is going to show, is quick to put out a press release about what it won't show (unless it gets it for free).
Yes, Mahala on e wasn't just a show on e.tv - it's apparently e.tv's attitude when it comes to procuring content.
With the often trashy advertiser-funded productions (AFPs) that litter e.tv's schedule (Hi Edgars! Hi Pick n Pay! Hi FNB!) it's actually a surprise that e.tv and eNCA didn't ask Rehad Desai to pay them.
Uhuru Productions should probably be glad that e.tv will show Miners Shot Down just for free instead of asking a fee. Phew!
(Don't forget that e.tv and eNCA also cut loose and threw away Late Nite News with Loyiso Gola - another programme that also managed to win an International Emmy and rightly was and should be a jewel in the crown of any channel's programming line-up. Perhaps Diprente Productions should have offered LNN to eNCA and e.tv for free...)
Uhuru Productions should probably be glad that e.tv will show Miners Shot Down just for free instead of asking a fee. Phew!
(Don't forget that e.tv and eNCA also cut loose and threw away Late Nite News with Loyiso Gola - another programme that also managed to win an International Emmy and rightly was and should be a jewel in the crown of any channel's programming line-up. Perhaps Diprente Productions should have offered LNN to eNCA and e.tv for free...)
I really don't understand why e.tv and eNCA had to be so hard and harsh and trying soo much to be dismissive and disparaging. It's our TV industry you as broadcasters are shamelessly asking to give you content for free.
e.tv and eNCA's press statement is as tone-deaf bad as the ANC spokesperson idiot on Monday who congratulated the Miners Shot Down "cast members" in a hollow statement filled with fake sentiment. (The documentary has no cast - only miners, police, killed miners and widows.)
Will e.tv and eNCA tell Steven Spielberg or George Lucas or Michael Moore that they will show one of their films for free? For the ... "exposure".
Will e.tv and eNCA tell Steven Spielberg or George Lucas or Michael Moore that they will show one of their films for free? For the ... "exposure".
Dear e.tv and eNCA, go ask the WWE for their trashy wrestling content for free because its become too expensive. See what happens.
Yet sadly e.tv and eNCA have the audacity to publicly say and ask that of a South African documentary filmmaker. One whose work just got recognised internationally.
I often speak to TV and production executives off the record, often at the sidelines at TV events, and they always openly talk to me about what they might want, don't want, can't afford, just bought and are looking at. They also quite openly will say when certain shows or programming are bad and what they won't buy.
What I don't understand is why e.tv and eNCA had to come out and say publicly that they don't want something, but actually will want it if they can get it free.
Why publicly try and trash someone by deliberately saying you won't, and will show a locally made documentary but only if you can get it for free because the price previously was too expensive?
Why publicly try and trash someone by deliberately saying you won't, and will show a locally made documentary but only if you can get it for free because the price previously was too expensive?
It's really low and unbecoming of TV brands like e.tv and eNCA.
And guess what e.tv and eNCA? Quality ain't cheap. Miners Shot Down is obviously quality, even if you want to make as if it's worth not paying for. It was judged by peers worldwide to be the best TV documentary in the world for this year.
And guess what e.tv and eNCA? Quality ain't cheap. Miners Shot Down is obviously quality, even if you want to make as if it's worth not paying for. It was judged by peers worldwide to be the best TV documentary in the world for this year.
What e.tv and eNCA said today in their joint statement ( a statement issued without even a subject line) doesn't build and doesn't support South Africa's TV industry. It belittles it. And that's wrong.
The irony of course is that e.tv and eNCA are a part of this TV industry.
So they're throwing mud and meanwhile slinging some of it at themselves, getting themselves dirty trying to throw shade.
So they're throwing mud and meanwhile slinging some of it at themselves, getting themselves dirty trying to throw shade.
For every established and up-and-coming documentary maker and TV producer and someone with a dream to make TV content in South Africa, I want to say, don't give up. Keep pursuing your dream.
Rightly expect and demand to get paid for your work and your blood and sweat and tears and time and creative and intellectual property.
Don't give up what you make for free to others who don't care even if it really matters and should be seen - because what you do and earning and making a living out of it, matters too.
Even if broadcasters like e.tv or eNCA show disrespect and make as if you're a lowly intern who made a movie with a shaky Sony handheld, or tell you that what you ask is too much, please never lose the respect and dignity you have for yourself and what you create.
Keep doing what you love. Persevere.
And always stand up for yourself - even when you're undermined and shot down by people who should know better.
And always stand up for yourself - even when you're undermined and shot down by people who should know better.
BREAKING. e.tv and eNCA doesn't want to pay to show International Emmy award winning Miners Shot Down; tells Rehad Desai to 'drop us a free copy'.
In an extremely snooty and condescending
statement, eNCA, one of the TV news channels on MultiChoice's DStv satellite
pay-TV platform, says Rehad Desai's office "is welcome to drop off a copy at
our studios" and that eNCA and e.tv will "gladly" broadcast his documentary for
free.
On Sunday Rehad Desai's multi-award winning
documentary about the Marikana massacre won yet another award – despite the
fact that it has not been shown in South Africa by the public broadcaster, the
SABC, nor e.tv or M-Net.
The hard-hitting Miners Shot Down telling
the story of the Marikana miners who were gunned down by the South African
Police in August 2012 and produced by Uhuru Productions has been shown earlier
this year on Al Jazeera (DStv 406 / StarSat 257) and the community TV station,
Cape Town TV (CTV).
Video-on-demand (VOD) services like Times
Media Group's struggling VIDI and PCCW Global's ONTAPtv.com have also added the
documentary to their streaming catalogues.
With a growing petition circulation, calls
have been growing for the SABC and e.tv to show the documentary in South
Africa. While the SABC has been silent, e.tv and eNCA is now responding saying
they will show it, but not if they have to pay for it.
People and production companies who produce
content for broadcast, especially on commercial TV channels, are paid for their
work in South Africa, as is the case internationally.
eNCA earlier this year however went through painful layoffs and downsized the business, closing bureaux and shuttering its entire African news division.
“Previously Rehad Desai wanted us to pay him
to broadcast it. At the time we felt his price was too high and we had a
documentary, feature stories and reports of our own,” says e.tv in a statement.
“We have not been asked by Rehad Desai to
broadcast the documentary since the initial release. We therefore extend an
invitation to him to accept our offer of a free broadcast should he feel the
film requires further exposure to a South African audience," says e.tv.
e.tv says "There are no aspects to the
Marikana tragedy we have not covered as a news organisation. eNCA and the SABC
also broadcast the Marikana Commission of Inquiry at our own costs."
ANN7 news channel on DStv named the worst employer in South Africa, Sabido's e.tv and Telkom also shamed in Cosatu's list of worst workplaces.
ANN7 (DStv 405), the South African TV news channel from Infinity Media has been named the worst employer in South Africa by Cosatu, with Sabido's e.tv also shamed by the trade federation.
At its 12th congress held in Midrand, the Congress of South African Trade Unions (Cosatu) singled out ANN7, known as "Guptanews" as the worst employer in South Africa.
Over the past year and a half the Infinity Media run channel also based in Midrand has seen a spate of resignations from several on-air talent who've left since ANN7 launched, as well as production staff and journalists.
The Gupta family-owned news television channel, ANN7, is now the worst employer in South Africa, according to the Congress of South African Trade Unions (Cosatu).
Infinity Media is co-owned by Oakbay Investments that belongs to the Gupta family.
ANN7 was nominated by the Communication Workers Union (CWU) that represents employees at the news channel.
"If you want to be recognised as a progressive media house, pay your workers correctly," Cosatu president Sdumo Dlamini told the Cosatu national congress.
The Gupta owned TV news channel has constantly remained more in the news for the eye-popping and tumultuous personnel and human resources drama happening behind the scenes at its Midrand based headquarters than for anything else.
In August an ANN7 journalist physically attacked and assaulted the channel's own news editor Abhinav Sahay in the ANN7 Midrand newsroom, and since then more people left like anchors Gladys Sithole and Nzinga Qunta.
Presenter Asanda Magaqa was fired in November 2015 and the Commission for Conciliation, Mediation and Arbitration (CCMA) ruled that ANN7 was guilty of unfair dismissal and ordered the channel to pay her R500 000.
Other bad employers according to Cosatu that made its list include another broadcaster - South Africa's only free-to-air commercial TV channel e.tv, as well as Telkom and the Birchwood Hotel in Boksburg, said Zingiswa Losi, Cosatu's second deputy president.
2016 Idols audition dates announced for the 12th season; new season of the reality singing show could move to Mzansi Magic only as M-Net starts The Voice SA.
The audition dates for the 12th season of Idols in 2016 have been announced and people who want to enter will get the chance to do so in Durban, Pretoria, Johannesburg and Cape Town.
After a massive spike in voting from 24 million votes in 2014 to almost 79 million votes for the just completed season in which Karabo Mogane won, it looks as if Idols is going to become a Mzansi Magic (DStv 161) show only, although M-Net has not yet confirmed it.
Since the 7th season in 2011 Idols has been a co-production between M-Net (DStv 101) and Mzansi Magic (DStv 161) for the past four seasons.
As the viewership demographics of Idols changed over the past few years due to the dual broadcast on both channels, and with M-Net that picked up The Voice South Africa that will start at the end of January 2016 and be shown only on M-Net, it's looking increasingly likely that Idols will be moved off M-Net to a Mzansi Magic reality competition show only.
M-Net declined to give a definite answer on Sunday when asked if M-Net is going to stop showing Idols and if the show is moving to just Mzansi Magic in 2016.
"Idols has done phenomenally well on both M-Net and Mzansi Magic," said Gideon Khobane, the M-Net director for general entertainment channels.
"What we do know is there will be a season 12 of Idols next year and there will be The Voice SA next year."
"We haven't made any announcements yet or any final decisions regarding it. We just want to see how the last voting went and ratings. There's enough space in South Africa to do both shows because we've got so much talent," said Gideon Khobane.
Idols auditions in 2016 will start at the end of January.
Durban, The Playhouse, Saturday 30 January 2016
Pretoria, The State Theatre,Saturday 6 February 2016
Johannesburg, Carnival City, Sunday 28 February 2016
Cape Town, Grand West Casino, Saturday 5 March 2016
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