Tuesday, October 17, 2023

South Africa's Amazon Prime Video users set for a surge in 2024 as Amazon confirms local buy portal launch next year.


by Thinus Ferreira

Amazon Prime Video, the video streaming service of Amazon, is set to surge in both usage and subscriptions from next year, after Amazon announced that it will officially launch in South Africa in 2024.

When amazon.co.za goes live in 2024 it will fuel sampling, use, subscriptions and uptake of Amazon Prime Video in South Africa where Amazon has furiously been building out office and warehouse space, most notably Cape Town's River Club development.

Amazon's streaming service is battling the likes of MultiChoice's Showmax which will relaunch as a retooled streamer within months in partnership with Comcast's NBCUniversal and Britain's Sky, Netflix SA and Disney+. 

To coincide with the launch of amazon.co.za, Amazon Studios has been ramping up local content TV production, commissioning a flurry of new shows to make Amazon Prime Video as sticky for consumers as the shopping portal, and vice versa, with viewers pushed to shop online and shoppers pushed to watch online.

Amazon.co.za that will likely soon headhunt motorcycle delivery people from Woolworths, Checkers Sixty60, Pick n Pay's asap, Spar, Takealot and everywhere it can find them,  

Confirming the biggest ongoing open secret for years, on Tuesday, Robert Koen, general manager of sub-Saharan Africa for Amazon, in a statement said "We look forward to launching amazon.co.za in South Africa, providing local seller, brand owners and entrepreneurs - small and large - the opportunity to grow their business with Amazon, and delivering great value and a convenient shopping experience for customers across South Africa".

While a regular Amazon account is free, an Amazon Prime account requires a paid subscription. Amazon Prime however means faster delivery and in some cases free delivery, and access to Amazon Prime Video without an additional fee. 

New Amazon Prime subscribers who sign up to get faster Amazon deliveries and other benefits, will therefore be exposed to Amazon Prime Video and become users and watchers of that streaming service.

eMedia takes sports rights fight with MultiChoice to Competition Commission.


by Thinus Ferreira

eMedia, already embroiled in a e.tv channels carriage fight with MultiChoice at the Competition Commission, has now also lodged a new case with the commission in its ongoing TV sports rights fight with the pay-TV operator.

eMedia's new Competition Commission case comes after the Gauteng High Court last week scrapped eMedia's urgent application from the roll after eMedia demanded to show the 2023 Rugby World Cup matches for free through the SABC TV channels it carries on its Openview satellite TV service.

With the help of sponsors, the SABC paid R57 million to MultiChoice to sublicence 16 matches of the 2023 Rugby World Cup from SuperSport. 

MultiChoice and SuperSport in its sublicensing agreement, blocks the SABC from showing these 16 matches on the version of SABC2 carried on eMedia's Openview.

Neither the SABC nor eMedia and Openview made any bid for the direct TV sports rights in 2018 for the 2023 Rugby World Cup from the primary rights holder, RWCL in Dublin, Ireland. That forced the SABC last month to acquire the rights from SuperSport through a sublicensing contract.

eMedia argues that there shouldn't be a "SABC2"-version from the SABC that is free-to-air on digital terrestrial television (DTT), SABC+, on DStv and StarSat, and then a separate "SABC2"-version just for Openview that shows filler content when the "real" SABC2" shows Rugby World Cup matches.

Marc Jury, MultiChoice South Africa CEO, slammed eMedia last week, saying eMedia is involved in a "classic case of free-riding" and that "eMedia wants to broadcast the matches to their Openview customers without paying a cent to do so". 

After its urgent court application was tossed last week, eMedia on Tuesday announced that "We have lodged a complaint with the Competition Commission and we have filed papers before the Competition Tribunal in respect of the provision in the sublicensing agreements concluded between MultiChoice and the SABC that prevent the SABC from utilising third-party platforms to transmit SABC channels that broadcast national sporting events".

eMedia says "MultiChoice’s conduct in this regard is particularly shocking because it has sublicensed these rights to the SABC, and accordingly, the SABC should not be prevented from utilising whichever platforms it selects to broadcast programming to the broader public".

"We believe that it is in the national interest that these issues are dealt with as soon as possible and that there are no undue delays in the merits of these matters being ventilated fully."

"National sporting events are part of our nation-building process, and accordingly, MultiChoice’s tactics and behaviour which are simply designed to entrench its dominant position in the television broadcasting sector in South Africa at the expense of the broader public in order to harm its competitors should not be countenanced."

In another long-delayed and yet somewhat similar case before the Competition Commission, the SABC had also taken MultiChoice to the commission alleging anti-competitive behaviour by SuperSport when it comes to the acquisition of sports rights and the sublicensing of sports rights.

This means that both the SABC and e.tv now have cases at the Competition Commission against MultiChoice and SpuerSport in regards to the licensing of TV sports rights in South Africa.

An in another drawn-out case before the Competition Commission, e.tv is fighting to keep its other e.tv channel packaged TV channels on MultiChoice's DStv, after MultiChoice said it no longer wants the eExtra, eToonz, eMovies or eMovies Extra channels on its platform after channel carriage extension negotiations broke down.

These e.tv channels remain on DStv after yet another extension that was granted by the Competition Tribunal, while the body must still decide "whether a further extension of interim relief can be legally justified".

This means that e.tv now has two cases at the Competition Commission against MultiChoice - one about general entertainment TV channel carriage, and one over sports rights sublicensing agreements for public television.


South Africa's government silent on its planned R1 billion streaming service.


by Thinus Ferreira

The South African government is silent after plans leaked that the Government Communication and Information System (GCIS) plans to start its own video streaming service at a cost of over R1 billion.

The Rapport and City Press newspapers on Sunday quoted sources noting that the GCIS is working on setting up its own over-the-top (OTT) streaming service, budgeted to cost around R1 billion, and already started canvassing for presenters, camera operators and voice-over artists in all 11 languages.

After the SABC launched its own SABC+ video streaming in mid-November, and the parastatal signal distributor Sentech had said it also has plans to start a streaming service, the GCIS plan is raising eyebrows since the SABC just reported yet another annual loss of R1.13 billion saying the government isn't doing enough financially to help fund the public broadcaster's so-called unfunded broadcast mandate.

William Baloyi, GCIS spokesperson, told TVwithThinus on Tuesday morning in response to a media query asking about the OTT setup and for confirmation and clarity around its cost that "For now we are not in a position to offer any comment, however we will make the announcement at the appropriate time".

It's unclear what the GCIS streaming service would show with parliamentary coverage already carried on parliamentary TV channels and on parliament's existing YouTube channel.

Natasha Mazzone, shadow minister of communications of the Democratic Alliance (DA) political party on Tuesday said the DA will submit a Promotion of Access to Information Act (PAIA) application to the presidency over the GCIS' plan "to develop a streaming service, which will cost the taxpayer R1 billion".

Natasha Mazzone said that communications minister Khumbudzo Ntshavheni must urgently provide answers.

"A government streaming service is not only a waste of taxpayer funds but is also unnecessary, as GCIS already makes use of social media platforms and YouTube for its broadcasts," she says.

"Parliament also shares its broadcasts on YouTube with no issues. Further, the SABC, South Africa's public broadcaster, already has a streaming platform, as it seeks to make its constitutional mandate more accessible to the public."

"GCIS' plans seek to contradict the SABC. This once again demonstrates how out of touch and depth this administration has become, with little regard for the genuine interests of South Africans."

See Diana, Charles, William and Harry in Netflix's 6th and final season of The Crown.


by Thinus Ferreira

It's almost picture-perfect: Netflix has released publicity images revealing Princes William and Harry - along with their parents Princess Diana and Prince Charles - for the 6th and final season of the British royalty drama series The Crown and its art imitating life.

While Elizabeth Debicki is back as the suffering Princess Diana, there are two actors each for Prince William and Prince Harry - depicting younger and older versions of the heir and the spare. 

Rufus Kampa is the younger Prince William in Part I of The Crown's sixth season while Ed McVey is the older Prince William in Part II. Fflyn Edwards is the younger Prince Harry in Part I of the 6th season, with Luther Ford in the role in Part II. 

Meg Bellamy is Kate Middleton in Part II. Part I will be released on Netflix on 16 November, followed by the last few episodes in Part II on 14 December.




Part I has four episodes, with Part II having six episodes for a total of 10 episodes in the final season.

In the 6th season of The Crown, subscribers will see the development of the romantic relationship between Princess Diana and Dodi Fayed which culminates in their untimely deaths in a horrific car accident in a Paris tunnel which shocked the world and almost meant the end of the British royal family.

According to Netflix, the 6th season of The Crown also sees "Prince William trying to integrate back into life at Eton in the wake of his mother's death as the monarchy has to ride the wave of public opinion. As she reaches her Golden Jubilee, the Queen reflects on the future of the monarchy with the marriage of Charles and Camilla and the beginnings of a new Royal fairytale in William and Kate".

Imelda Staunton portrays Queen Elizabeth II with Jonathan Pryce in the role of Prince Phillip and Dominic West as Prince Charles. 

The rest of the season's cast includes Lesley Manville as Princess Margaret, Olivia Williams as Camilla Parker Bowles, and Khalid Abdalla as Dodi Fayed.

Monday, October 16, 2023

Disney marks 100th anniversary with 'group photo' TV special Once Upon a Studio featuring 543 characters including Robin Williams’ Genie.


by Thinus Ferreira

Disney is celebrating its 100th anniversary with the simultaneous streaming release and broadcast today of a "group photo" TV special, Once Upon a Studio, that gets together 543 beloved characters from 85 Disney films.

Once Upon a Studio releases today on Disney+ and will air at 16:55 today on the Disney Channel (DStv 303) and throughout the rest of the month.

The TV special will also air at 18:20 today on e.tv, and will air today on e.tv's channels on Openview today (eExtra 17:50, eSeries 18:15, eToonz 18:50, eReality 18:50, eMovies 19:50, eMovies Extra 19:50, ePlesier 20:00).

Written and directed by Dan Abraham and Trent Correy and produced by Yvett Merino and Bradford Simonsen, Once Upon a Studio sees an all-star cast of the Mouse House's characters come to life.


From Mickey Mouse to hundreds of heroes and villains, princes and princesses, sidekicks and sorcerers pop up - everyone from Elsa and Bambi to Goofy, Peter Pan and Moana and even Robin William's Genie from Aladdin through the use of outtakes from the original voice recordings the late actor made.

In both hand-drawn and CG animation, the characters come together to "celebrate 10 decades of storytelling, artistry and technological achievements" in what is described as "a joyful, entertaining and emotional reunion".

Fantasy caper In Your Dreams is Amazon Prime Video's first scripted South African drama series.


by Thinus Ferreira

The fantasy drama series In Your Dreams billed as an action-adventure drama show is the title of the first South African scripted series from Amazon Studios.

Following a year after Netflix SA's supernatural drama series The Brave Ones that was released in September 2022, In Your Dreams will make its debut on 24 November on Amazon Prime Video as the first scripted Amazon Studios South African Original on the streaming service.

In Your Dreams has already completed filming and was commissioned a while ago but Amazon Studios is only announcing its existence now.

Didintle Khuno, Jesse Suntele and Kiroshan Naidoo star in the fantasy series of six episodes following three friends going on an adventure involving "the living dead and cursed statues".  

Produced by Motion Story, the official logline for In Your Dreams reads: "In Your Dreams centres on down-at-heel best friends and business partners Lloyd (Kiroshan Naidoo) and Marcus (Jesse Suntele), who accidentally awaken an ancient spirit when they encounter Marcus' schoolboy crush, adventuring relic hunter and antiquities dealer Dineo (Didintle Khunou)".

"With horrifying and hilarious results, the malevolent spirit will show our intrepid adventurers what they're truly willing to do to make their most heartfelt dreams come true."

"A parable about the power of family – both the ones we're born into and the ones we create ourselves – the series spans across mystical caves and sacred burial grounds to modern cities and the African bushveldt."

The rest of the cast of In Your Dreams includes Sello Maake Ka Ncube, Thando Thabethe, Khabonina Qubeka, Anthony Oseyemi, Tshamano Sebe and Nqobile Sipamla.

Honey TV: MultiChoice's attempt at a 'BBC Lifestyle for Africa' axed after just 2 years.


by Thinus Ferreira

Less than three years after it launched in February 2021, the failed Honey TV, MultiChoice's attempt at a "BBC Lifestyle for Africa"-type TV channel is getting axed at the end of October.

MultiChoice confirms that Honey TV, produced by Media24's TV studio division, is getting shuttered at the end of the month.

Honey TV's closure comes two years and eight months after the channel that attempted to be a homegrown version of BBC Studios' BBC Lifestyle for Africa, failed to capture the essence of pan-African viewers with an apparent misguided offering of locally produced lifestyle programming.

"Please note that Honey TV is closing on 31 October 2023. Thank you for watching," a new on-screen advisory on the DStv electronic programme guide (EPG) states.

MultiChoice confirmed to TVwithThinus that Honey TV is being terminated. 

"In line with the strategy to continuously review international and local content line-ups and optimise the suite of channels on offer on DStv, the business has decided to bid farewell to HONEY TV (DStv 173)," MultiChoice says.

"This is done to ensure we deliver unbeatable content to our customers and that our DStv services cater for the needs and viewing requirements of our customers."

While market research and focus group analyses are done before any local TV channel and its content line-up and schedule are created, it's unclear why Honey TV was so far off the mark with its programming.

Questions are now being asked whether Honey TV failed because it attempted the impossible: Trying to package stereotypical and cookie-cutter African lifestyle content in one channel feed shown across different African countries although the continent's viewers are not homogenous with big differences in viewing preferences from country to country.

Honey TV launched in mid-February 2021 with a coterie of shows like South Africa's Anele Mdoda doing a The View-type talk show called The Buzz, the criticised reality series Pastor's Wives, and with promises to "showcase Africans living their best lives and to depict an honest modern-day view of our diverse countries, cultures and peoples".

Honey TV also promised to work with African producers across South Africa and several other African countries to show DStv subscribers "their own talent, food, celebrations and their families as the well-deserved hero".

When it launched, Honey TV said that it would "focus on authentic African storytelling, made possible through a groundbreaking content creation model in which the channel is partnering with producers in different African countries to create hundreds of hours of new African shows".

Friday, October 13, 2023

SABC 'at breaking point' as South Africa's public broadcaster racks up another staggering R1.13 billion loss.


by Thinus Ferreira

After promising to break even the beleaguered South African public broadcaster is once again finding itself on the edge of a financial cliff with the country's SABC racking up yet another annual loss of R1.13 billion as board chairman Khathutshelo Ramukumba warns its reached "breaking point".
 
In addition, South Africa's Auditor General slapped the SABC with an unqualified audit, noting that there's uncertainty over whether the broadcaster remains a company with going concern status.
 
The SABC, battling falling ratings and continuing to shed 5 million viewers annually, has tabled its latest dire financial report for the year until April.
 
It comes as the broadcaster battles the growing popularity of streamers like Netflix and Disney+, competition from pay-TV in the territory in the form of MultiChoice, coupled with underperforming ad sales and the country's debilitating ongoing electricity blackouts.
 
While the SABC's TV licence fee evasion rate once again ticked up to another record high of 87.1% over the past year with only 13% of TV households on its database of 10.8 million licence-owning homes still bothering to pay this annual fee, the public broadcaster is begging the South African government to urgently move in the direction of countries like France and the United Kingdom, to scrap the licence system and replace it with a new and sustainable funding model.
 
Three years after a R3.2 billion government bailout that did little to improve the finances of the largest public broadcaster on the African continent, the past year at the SABC was once again marked by ongoing irregular spending and other financial concerns.
 
While the broadcaster owes local producers millions in outstanding payments it was back to getting its first unqualified audit opinion in 10 years as it continues to battle poor record-keeping.
 
The country's AG concluded that the benefits of the bailout and the SABC's latest turnaround strategy failed to materialise and that there is such massive pervasive uncertainty over the broadcaster's ability to maintain its going concern status, that it issued a disclaimer opinion.
 
According to Ramukumba, the SABC's liquidity and solvency risk has now "escalated to breaking
point". 
 
In the annual report he notes that "with the continued unfunded cost of the SABC's public mandate and the high TV license payment evasion rate, it is now more than ever critical that the funding model for the SABC is overhauled".
 
He told parliament that "the current funding model of the SABC is simply not working and it's not working for the future. At the moment the ailing revenues that we are making from the commercial side of the business are used to cross-subsidise the public service mandate and that is not sustainable".
 
He revealed that the broadcaster is also no longer paying and has cut back on crucial expenditure needed to keep the SABC broadcasting. 

"The SABC is in a situation, where now - as a short-term intervention - we're even deferring certain critical expenditure programmes that are critical to keep the SABC on-air".
 
Nada Wotshela, acting SABC CEO, said the performance of the broadcaster's SABC+ video streaming platform launched in mid-November "is not quite what we had expected". 
 
She said that "SABC+ hasn't grown to the levels we had anticipated" blaming the cost of data in South Africa and noted that "a lot of the audiences that we are targeting cannot afford data to watch the programmes."
 
In the annual report she notes that "declining audiences and advertising revenues, as well as the cost of the unfunded mandate continue to cripple the business of the SABC. The introduction of on-demand digital media platforms has also put the SABC's video entertainment division under tremendous pressure as viewers' consumption patterns are rapidly changing".
 
Nada Wotshela says it has "has further fragmented advertising revenues and the SABC has not been spared."
 
The broadcaster notes in its annual report that it remains concerned about "significant audience losses" and didn't anticipate the "aggressive and audience eroding approach" that continues to wipe millions of SABC viewers from the country's TV ratings system as analogue signals are being turned off in the switch to digital terrestrial television. 

Another fire at SABC's radio park complex sees building evacuated after blaze starts in ground floor lift pit a day after finance boss warns broadcaster's dilapidated buildings and studios are in urgent need of upgrade and repair.


by Thinus Ferreira

The latest fire at the South African public broadcaster broke out on Thursday afternoon just before 13:00 at its radio complex in Auckland Park, prompting the evacuation of the building, after the last fire in the same building five years ago in June 2019.

The fire comes a day after the SABC's finance boss warned that the broadcaster's dilapidated buildings and studios are in urgent need of long-overdue infrastructure investment 

It took a fire rescue services team of 12 people an hour to extinguish the blaze after a fire alarm went off at 12:40 causing an evacuation of the 33-storey building.

According to Robert Mulaudzi, Johannesburg emergency services (EMS) spokesperson, the latest SABC fire started in the lift pit area on the ground floor of the building, close to where a lot of paper were being stored. 

No injuries were reported and the cause of the fire is not yet known, although SABC staffers said it smelled like "an electrical fire".

According to Mulaidzi the SABC must urgently improve its management and administration.

The fire at the SABC comes just a day after Yolande van Biljon, SABC chief financial officer, told parliament that the South African public broadcaster's buildings and studio facilities at Auckland Park are in a dilapidated state and that millions of rand are needed to renovate the buildings and to bring the studios back up to standard again.

Mmoni Seapolelo, SABC spokesperson, in a statement, said that "The SABC can confirm a fire incident at its headquarters in radio campus in Auckland Park" and that "staff members have been evacuated from the affected building and an investigation into what caused the fire is also underway."

In a second statement on Thursday at 17:36 she said that the building has "been declared safe by EMS" and that "electricity supply has also been restored".