Friday, December 6, 2024

MultiChoice opens applications for 2025 bursaries for tertiary studies


by Thinus Ferreira

MultiChoice has opened the application process for its 2025 MultiChoice Bursary Programme for students, who can apply, until29 January 2025, for financial aid in various tertiary study fields.

For the 2025 academic year, MultiChoice is offering 230 bursaries to undergraduate and postgraduate students pursuing studies in critical and scarce skill fields.

These include disciplines within the STEM focus areas, as well as media and entertainment scholarships, within fields such as actuarial science; electrical, electronic & information engineering; information technology (AI & robotics); data and information science, digital media technology; as well as film and television marketing.

Bursary money is also available for the fields of sound engineering, filmmaking, as well as accounting and finance.

The eligibility requirements for the bursary money are that students must be South African citizens.

Students must be registered or intend to register at a South African institution for a field aligned with MultiChoice's focus areas, achieve a minimum of 75% (matric) or 65% (current university students), and be a first-time undergraduate and postgraduate student (Honours and Masters) at South African institutions of higher learning.

MultiChoice says applicants will be considered based on academic performance and financial need, as per the MultiChoice external bursary policy.

The bursary covers one academic year only and does not apply to historical debt. Applications will be evaluated based on both financial need and academic merit.

MultiChoice has partnered with Skills 123 for bursary administration, alongside Student Village.

The programme is open to South African students registered at higher learning institutions and covers all levels of study up to NQF 9. The application deadline is 29 January 2025 and applications can be done at https://multichoice.bursary.sv.co.za/ .

M-Net will do 'devious things' and make housemates 'as uncomfortable as possible' in 2025's Big Brother Mzansi Umlilo with new host Afrika Mdutyulwa


by Thinus Ferreira

MultiChoice and M-Net will do another season of reality show Big Brother Mzansi that will start on 12 January 2025 and run until 23 March, with M-Net which says it will do "devious things" and make the contestants extremely uncomfortable.

On Thursday afternoon MultiChoice and M-Net's Mzansi Magic (DStv 161) channel held an official media launch event at its MultiChoice City headquarters in Randburg, Johannesburg for a certain group of media and influencers which it didn't bother to tell broader media would be happening.

To those who attended and sat in MultiChoice City's cinema venue, Shirley Adonisi, M-Net director of local entertainment channels, said "We're really going to make the housemates uncomfortable".

"We're experimenting with things never done before. We're determined to make them as uncomfortable as possible. We’re really pushing the envelope. We'll test their intolerance to see how much they can take without breaking any legal rules. The team has come up with devious things."

The upcoming Big Brother Mzansi season is produced and conceptualised with the theme of "Umlilo" meaning "fire" in isiZulu.

Big Brother Mzansi "Umlilo" is the fifth season of the show under this moniker but the 11th season overall of Big Brother done by M-Net in South Africa according to the Banijay format.

The upcoming Big Brother Mzansi season will once again be produced by Red Pepper Pictures.

Besides strands on Mzansi Magic (DStv 161) and MultiChoice's video streaming service Showmax, Big Brother Mzansi will also again run as a 24-hour linear TV channel on DStv channel 198 until the finale on 23 March 2025.

Lawrence Maleka has been replaced by Afrika Mdutyulwa, known as Smash Afrika, as the host for the fifth season. 

It's not known what he said at MultiChoice and M-Net's media launch event on Thursday and Mzansi Magic didn't share comments or a transcript or include any quotes in a press release.

In a press release quote, Christinah Mazibuko, the M-Net group of channels' head of marketing and publicity, says "We're incredibly excited to bring Big Brother Mzansi back for the fifth season".

"This season is about pushing boundaries, and with the Umlilo theme, we're sure to give our viewers a hot, unmissable experience. Working with Smash Afrika as the host takes the energy to a whole new level, and we can't wait to see how his charisma sparks more fires in the house. It's going to be an unforgettable ride."

Previous seasons of Big Brother Mzansi, including the last, have all filled with controversy with housemates evicted previously and during the last season for shocking behaviour and utterances, causing brand damage to M-Net, Mzansi Magic and sponsor LottoStar associated with it.

M-Net then contracted these people and are currently paying them to be Mzansi Magic brand ambassadors.


TV CRITIC's NOTEBOOK. Yet another Big Brother Mzansi. Yet another big M-Net and MultiChoice media fail


by Thinus Ferreira

On Thursday M-Net had yet another song-and-dance, performative, so-called official "media launch event" at MultiChoice City in Randburg for the next upcoming Big Brother Mzansi season on DStv in 2025.

On Thursday, just like last year for the previous season, M-Net and MultiChoice yet again utterly failed to communicate with media across South Africa to tell them beforehand that there would be "an official media launch" or to liaise and communicate with them.

While some media got an email on 27 November telling them about and inviting them to the Big Brother Mzansi launch event on 5 December, the PR people at MultiChoice and M-Net's Mzansi Magic (DStv 161) channel did absolutely nothing to communicate with the rest of the other press who remained blissfully unaware.

The result? MultiChoice and M-Net left media who didn't know about anything, unable to Diarise anything or to Plan for any coverage.

Now, and over the next few months, MultiChoice and M-Net presumably want the media to cover and give Big Brother Mzansi exposure - yet did absolutely nothing to manage media relationships, to communicate with actual people around the upcoming season, or to set any type of productive, positive working tone between Mzansi Magic and media for the season. 

To make matters worse: Exactly a year ago in 2023, when exactly the same thing happened, M-Net was told it was a problem. M-Net gave assurances that it wouldn't happen again. Cue December 2024 and guess what happened?

I do not write to scold. 

I write because I'm frustrated and upset as a journalist trying to cover the TV biz in South Africa and across the African continent by the ongoing, can't-care-less, let-the-river-run, attitude of people who are Paid to talk, Paid to communicate and Paid to give information through to media so they can do their job or reporting, but who are not doing it.

In the process a lot of damage occurs: Broadcasters losing out on coverage and media losing out on stories and being hamstrung from doing what they do which is to channel information.

Most of all the losers are ordinary TV viewers and people working and interested in the industry who are being done a massive disservice by not getting access to the information they seek, through the media.

How difficult is it to open an E-mail and to write a quick email, to write or send a voicenote on Whatsapp, or - gasp! - pick up that old thing called a Telephone and Call your media, personally, that you say your company has relationships with and then ... Talk To Them?

The extent to which publicists and PR agencies within South Africa's film and television sphere and whoever else mandated and Paid to Talk to The Media, simply don't do it, remains mind-bogglingly astounding (and shocking). 

And it's everywhere.

PR people working for TV channels want better but aren't willing to Do better. In fact, most don't even do the basics. 

Yet, in some form of cognitive dissonance, they expect ... what? Reams and reams of articles, coverage and exposure, "content" on socials, smiley happy journalists and influencers, and heaps of so-called "positive" stories?

From out of what exactly? What Work? What effort?

On Thursday, after M-Net and MultiChoice's lastest "did-nothing", I spoke with several media across South Africa who all said the same thing to me: Nobody wants special treatment. Nobody needs above-and-beyond effort

But just do actually Do the basics. Talk to us. Talk to us in time so we know, and can plan and can work together. Communicate. 

Nothing will always yield nothing. And in fact, doing nothing creates net negative relationships. It's also true in PR and media.

A year from now, in December 2025 when MultiChoice and M-Net have the official media launch of Mzansi Magic's next Big Brother Mzansi season, I fully expect de ja vu: No prior communication, no email, no call.

It's terrible to say it. 

And yet, to stay silent and say nothing adds to the ongoing problem and adds to the pervasive paralyses when it comes to the gross lack of basic communication between PRs and media practitioners in South Africa, within our TV industry.

For the most part, media coverage, media liaison and actually working with journalists - talking to them and talking to them beforehand to Let Them Know what is going to happen - for some odd reason remains this "elusive art".

It's something that most "communication architects" and "networking liaison fulfilment officers" just refuse to get - and do - right on the most basic of levels.

The media working to report on television (always) wait with bated breath to hear what you're busy with to try and cover it, instead of having to constantly play catch-up afterwards when there's a lack of basic communication.

Talk to me. Talk to us.


As millions continue to watch on analogue South Africa's deadline for switch to digital TV is pushed out again

by Thinus Ferreira

South Africa's latest switch-off deadline of 31 December 2024 for analogue transmitters in the country's long-delayed migration process to digital terrestrial television (DTT) has inevitably been pushed out yet again, now to 31 March 2025.

Millions more TV households who either haven't had their free set-box box (STB) installed yet by the government as well as the "missing middle" who earn more than R3 500 and must buy one - although none exist in retail - must still make the switch.

If these households in the four remaining provinces of Gauteng, the Western Cape, KwaZulu-Natal and the Eastern Cape - collectively representing more than 50% of South Africa's population - suddenly lose their TV signals, they will be cut off from news and information. 

It will also prove disastrous for South Africa's broadcasters like the SABC, eMedia's e.tv and community TV channels like Cape Town TV (CTV) who will experience further debilitating viewership losses, with diminished ratings impacting advertising rates, and in turn cratering their ad revenue.

Around 174 analogue transmitters across these provinces are still on.

On Thursday evening Solly Malatsi, South Africa's 12th minister of communications and digital technologies dealing with the issue of the country's DTT transition, announced that the switch-off is once again being pushed out.

The deadline of 31 December is moved out by another three months to 31 March 2025.

The SABC asked the government for another 12 months' delay until 31 December. It's not clear what extension eMedia asked the department for. eMedia declined to say what period it wanted the deadline date to be pushed out by when asked in a media query. 

"This extension will ensure that as many indigent households as possible will enjoy their right to access broadcast services," says Solly Malatsi.

He said that the department "communicated this decision to the broadcasters and relevant stakeholders" in a meeting on Thursday "and commit to continue working together with them on this project".

"Their commitment to ensuring that the free-to-air households migrate is critical to the success of this programme."

"The postponement of the analogue switch-off deadline recognises the considerable delays that have plagued the Broadcasting Digital Migration (BDM) project since its inception and provides the necessary relief that makes provision for more time to migrate as many South African as possible before the final switch-off."

According to Malatsi, he has "directed the director-general to implement consequence management for any individuals responsible for failures within the department".

Around 467 000 poor households who have registered for the government-subsidised set-top boxes have not yet had these installed with STBs gathering dust in locked South African Post Offices and Sentech warehouses.

"There is no denying that the Broadcasting Digital Migration project has dragged on for far too long, costing the government R1.23 billion for dual illumination, which refers to the simultaneous transmission of both analogue and digital signals," Malatsi says.

No money has been budgeted for dual illumination for 2025 to keep analogue transmitters on and it isn't clear where the department will get the money from for the next three-month extension.

Since 2015 South Africa has spent over R12 billion on the switch to DTT.

"This process is costly and cannot be sustained indefinitely. More so, at a time when the fiscus is under extreme pressure," Solly Malatsi says.

"Our immediate focus between now and the end of March 2025 is to aggressively accelerate the delivery and installation of set-top boxes to indigent households to ensure that as many households as possible are prepared for the switch-off."


Thursday, December 5, 2024

DTT: South African TV's R12 billion, 496 000 undone, 'unmitigated disaster'

by Thinus Ferreira

The South African government has spent over R12 billion on the "unmitigated disaster" that is the country's switch-over process from analogue to digital TV and will be forced to once again postpone the cut-off date at the end of this month since 469 000 households still need a free decoder and installation while many others who don't qualify must buy one.

While not a cent was budgeted for 2025 for South Africa's over-run and extremely costly and wasteful digital terrestrial television (DTT) migration process, Solly Malatsi - South Africa's 12th minister of communications still dealing with the incomplete issue - will very likely have to postpone the latest deadline of 31 December 2024 yet again.

It's not clear where the millions of rand will come from for next year to continue with dual illumination - the process of broadcasting the analogue and digital signals of TV broadcasters like the SABC, e.tv and community TV stations like Cape Town TV (CTV) - as well as to install set-top boxes (STBs) for poor households currently gathering dust in locked South African Post Office storerooms and Sentech warehouses.

A shocking 469 000 poor TV households - many with incomplete and outdated contact details - must get their government-subsidised STBs installed for free before the end of this month. Practically, this is an impossible task.

Besides poor households who qualify for a box, there are many more so-called "missing middle" TV households who must pay for a STB but don't see the urgency or need, might not have the money and can't even buy one since STB are not actually even available in commercial retail. These people must get either MultiChoice's DStv, or eMedia's Openview satellite TV services to switch from analogue to digital.

South Africa is ticking ever closer to having missed the international deadline to complete the switch from analogue to digital TV ... by a decade. The international deadline to which South Africa agreed was June 2015.

Since then the South African government has spent billions of rand and will miss its own deadline - constantly postponed - yet again when 31 December 2024 becomes 1 January 2025.

The government has spent far over R12 billion and pays between R130 million to R160 million per year for dual illumination. There is no money budgeted for this must-pay expense from 1 January.

The SABC, e.tv and community TV channels all want another extension of the 31 December cut-of date. 

If they suddenly lose millions of TV viewers who lose their analogue TV signals without being able to watch TV further, they lose viewership - something immediately picked up by the South Africa's TV ratings system gathering and compiling TV ratings daily.

When broadcaster's viewership plunges, they have to adjust their advertising rate cards, charging less for ad spots due to fewer viewers. This will have a devastating impact on their revenue, especially the already crippled SABC. 

Besides revenue, viewers will lose access to news and public information services, again damaging the SABC.

The SABC asked the department of communications and digital technologies for a deadline extension of another 12 months to 31 December 2025. It's not clear what extension of the deadline eMedia requested and eMedia declined to say in response to a media query when it was asked.

The SABC says its planned satellite TV service with SABC TV channels as an internet-enabled and connected decoder, will target this "missing middle" TV households, similar to the millions of households who have made a once-off payment to buy eMedia's Openview satellite service.

There remain 174 analogue transmitters across the country's most populated four provinces which must be switched off at the end of this month in Gauteng, Western Cape, KwaZulu-Natal and the Eastern Cape.

When these transmitters are switched off in these provinces - collectively representing more than half of South Africa's total population - millions of viewers will be wiped from the TV ratings system and lose television signal access.

Khusela Diko, chairperson of the portfolio committee for communications and digital technologies, told parliament that she doesn't "want to be called alarmist but I think this issue is really an unmitigated disaster".

Google appoints Kabelo Makwane as new South Africa country director


by Thinus Ferreira

Google has appointed Kabelo Makwane as its new South Africa country director from 6 January 2025.

He replaces Dr Alistair Mokoena who served in the position from April 2020 until July 2024.

Kabelo Makwane joins Google from Vodacom Business where is currently the managing executive for Vodacom's cloud, hosting and security business.

The exec has over 20 years of experience in the technology sector.

Prior to Vodacom, Kabelo Makwane was managing director for the Africa Global Unit at Accenture Operations, and also held the role of managing director for Cloud and Technology Consulting. 

 

Kabelo Makwane also spent 8 years at Microsoft in various roles including as country managing director for Nigeria and the public sector director in South Africa. He also served as Cisco's regional manager for public sector in South Africa for 5 years.


"I'm excited to join the team in South Africa and to help more people and businesses get more out of AI, the internet, and technology in general," says Kabelo Makwane.


Alex Okosi, Google Africa managing director, says "We are thrilled to welcome Kabelo as he joins us at an incredibly exciting time for both Africa and Google".


"With digital transformation accelerating across the continent, we are poised to leverage the power of AI to deliver innovative solutions that enable our users, partners and advertisers to thrive in this dynamic era. We're thrilled to have Kabelo join our leadership team."


Kabelo Makwane, holds an MBA from Wits Business School (WBS) and a Bachelor of Commerce Degree from the University of KwaZulu-Natal (UKZN).

New Paramount Global owner David Ellison plans to cut content of its pay-TV channels and staff


by Lucas Shaw and Thomas Buckley, Bloomberg

David Ellison plans sweeping changes at Paramount Global, including cuts at the company's TV networks, billions of dollars more for streaming and an overhaul of top management, according to people familiar with his plans.

David Ellison who will take over as chief executive officer of Paramount when it merges withhis Skydance Media next year, is exploring combining all of Paramount's TV networks, including CBS and MTV, into one unit.

Those businesses are mostly run by two of the company's co-CEOs, Chris McCarthy and George Cheeks. While Cheeks is expected to stay, McCarthy's future is less certain.

The company’s third co-CEO, Brian Robbins, who leads the Paramount Pictures film studio and the Nickelodeon (DStv 305) kids channel, is expected to leave around the close of the deal, said the people, who asked to not be identified discussing plans that are still being formed.

A movie fanatic who has co-financed most of Paramount's biggest films of the last decade, David Ellison was initially interested in the company's namesake movie studio.

While David Ellison and Robbins have worked together on several titles, they are said to have both conceded it's unlikely Robbins will stick around. No final decision has been made, however.

David Ellison has discussed putting Dana Goldberg, the head of production at Skydance, in charge of the film business, at least for the time being. Spokespeople for Paramount and Skydance declined to comment.

Since agreeing to merge Skydance with Paramount in July, Ellison and his deputies have been meeting with their future employees, seeking opinions about what is working and what isn't. David Ellison told employees at Paramount that he hasn't made any decisions about personnel.

David Ellison agreed to the deal knowing Paramount would require a major overhaul.

The company still makes almost all its profit from pay-TV networks such as Nickelodeon, MTV (DStv 130) and Comedy Central (DStv 122) that defined an era in pop culture. 

But those networks have hemorrhaged viewers and advertisers to technology companies such as Netflix and YouTube. The company's namesake film studio isn't expected to show a profit for 2024, according to analystss estimates.

"The business needs to be transitioned," David Ellison told Bloomberg shortly after the deal was announced.

When Donald Trump won the presidential election, David Ellison and the team at Skydance began preparing to take over Paramount even sooner than they once thought. They now believe the deal could close as soon as the end of March or early April.

The Federal Communications Commission, which approves the transfer of broadcast licenses, still must bless the deal. Petitions from those opposing the transaction are due 16 December, according to the commission. Final responses from the parties are due 13January 2025.

Two areas requiring David Ellison's immediate attention are TV networks and streaming.

David Ellison is looking at potentially cutting hundreds of millions of dollars in costs by folding the company's TV networks into one group, consolidating teams across departments like programming and marketing. The amount of original programming produced for the cable networks will decline, as will the staffing.

David Ellison will combine two groups, one that currently reports into McCarthy and another into Cheeks. While McCarthy was a favored son of former CEO Bob Bakish, Cheeks has a good relationship with Jeff Shell, who will serve as Ellison's number 2 at Paramount. Cheeks and Shell worked together at NBCUniversal.

David Ellison stated plans to streamline the company's operations in an investor presentation earlier this year, without getting into specifics.

Paramount will also explore strategic partnerships involving pay-TV networks that could result in a divestiture of some of those businesses. 

While David Ellison may not formally explore the sale of any of these networks, as was done under the previous regime, he is open to selling almost any network in the portfolio other than CBS.

David Ellison plans to cut back on the company's real estate holdings and will look to sell facilities like the CBS Broadcast Center, a production facility used for 60 Minutes and Last Week Tonight with John Oliver. CBS also owns the Ed Sullivan Theater, the home of Stephen Colbert's late-night show.

"We're not going to sell Paramount, we're not going to sell CBS, but we're looking to maximize value," David Ellison previously told Bloomberg.

The transaction has already led to negotiations between David Ellison, Paramount and the NFL.

The league is able to opt out of its broadcasting agreement with CBS as part of a provision in its contract. While the NFL doesn't plan to do so, it has talked to Ellison about turning some of its stake in a joint venture with Skydance into an equity stake in Paramount.

It has also discussed selling some or all of the NFL Network to Paramount.

The cuts in TV will help pay for a greater investment in streaming.

Paramount+ has grown to 72 million customers and has made money two quarters in a row. Yet it ranks last in viewership among mass-market services and is still much smaller than competitors such as Netflix, The Walt Disney Company and Amazon. 

Cindy Holland, who's serving as an adviser to Skydance, is consulting on the streaming strategy and is seen by many at Paramount as the person likely to take over that business.

David Ellison is particularly concerned with the poor user experience in the app and has talked about making it easier for viewers to find shows to watch by improving the recommendation algorithm.

David Ellison, the son of Oracle Corp. co-founder Larry Ellison, grew up around technology luminaries such as Apple Inc. co-founder Steve Jobs. He speaks often about marrying technology and art at Paramount, and more quotidian changes like improving Paramount's use of enterprise software.

David Ellison will also more closely integrate Pluto, a free streaming service, into Paramount+.

A free service like Pluto can serve as an on-ramp for viewers to use Paramount+ more often while also benefiting from the marketing around Paramount+ programmes. 

Paramount+ is one of three services, alongside Peacock and Max, that are seen as too small to survive independently.

Paramount's current leaders have talked to both Peacock and Max about strategic partnerships to leverage their shared resources. The company has also spoken to Amazon and foreign streaming services.

While Paramount will continue to pursue those deals, Ellison sees less urgency to do so. He believes the company has a solid foundation upon which it can build.

Paramount is much smaller than most of its competitors, even those struggling like Warner Bros. Discovery.

But, after this transaction, it will have a healthier balance sheet. And, unlike most of these other companies, it will have access to the bank account of the Ellison family. While David oversees Paramount day-to-day, his father - one of the world's richest men - financed much of the transaction.

Netflix denies dumping Nigeria after telling filmmakers at 'last supper' party it is pulling out, Africa licensing exec David Karanja exits


by Thinus Ferreira

Netflix denies that it plans to or has dumped Nigeria in terms of local content spending after recently telling Nigerian filmmakers at a "last supper" event that it is pulling out, saying the video streaming service remains committed to producing more shows and films from the West African country.

Meanwhile, David Karanja, Netflix Africa's manager for licensing originals, is exiting the streamer.

David Karanja's exit comes as the Nigerian filmmaker Kunle Afolayan caused controversy and bewilderment when he and another panellist at the 2024 Zuma Film Festival mentioned that the red letter streamer had stopped commissioning further Netflix Originals from Nigeria.

Kunle Afolayan said that Netflix greenlit a third season of his Aníkúlápó series after which it allegedly axed further commissioning of more Nigerian content for Netflix, eight years after the video streamer launched in Africa.

"Coming to Netflix, I've tried to really avoid this because it's really heartbreaking. It's a big blow on us," he said on stage.

"When we signed the three-film deal with Netflix three years ago, it was a moment of great excitement," Kunle Afolayan said at the festival. 

"Thank God we had shot seasons two and three of Aníkúlápó because all the other people that were commissioned with us at the same time were cancelled. Their projects were cancelled."

Victor Okhai, president of the Directors Guild of Nigeria, who was also a panellist at the film festival, said on stage that a few weeks ago Netflix invited Nigerian producers to a party which looked like "a last supper".

The event he was referring to was Netflix's "Lights, Camera ... Naija!" event which took place again in November in Nigeria, with Netflix that didn't communicate anything of what was said or happened there to the larger media contingent across the African continent.

"Netflix came to serve a last supper here a couple of weeks ago," Victor Ohai said.

"They invited our filmmakers to a party and before that told them 'we are pulling out, we are not doing business with you anymore'. So it was what you might call a fitting last supper." 

The comments of Kunle Afolayan and Victor Ohai fuelled speculation that Netflix is done with Nigeria, similar to how Amazon MGM Studios and Amazon Prime Video in March abruptly decided to stop all content spending in sub-Saharan Africa and got rid of its entire African content executive team for Nigeria and South Africa. 

From 2016 through 2023 Netflix, according to its Africa impact report, has invested R3.16 billion ($175 million) in producing localised African content content in its three key markets of South Africa, Kenya and Nigeria combined.

In Nigeria, where Netflix is primarily competing with MultiChoice's DStv and its Showmax streamer, Netflix has already invested R415 million ($23 million) since 2016 to create over 250 new local titles in the form of Netflix Originals from Nigeria, including co-productions and films.

"We are not exiting Nigeria," Netflix Africa told TVwithThinus in response to a media query. "We will continue to invest in Nigerian stories to delight our members".

On 29 November Netflix added Sisi London, with 7 Doors from Femi Adebayo launching on Netflix on 13 December. 

An insider noted that Netflix Africa is excited about the journey the streaming service has made in Nigeria when it comes to its films and series and continues to focus on further improving and building out the volume and quality of its Nigerian content slate.

Struggling Nigerian consumers and content companies continue to battle the country's runaway inflation and severe naira currency devaluation, making it difficult for consumers to afford luxury services like video streaming and for companies to make enough revenue.

MultiChoice last month singled out Nigeria and Zambia as the two African nations that severely negatively impacted its half-year results due to worsening economic environments for both consumers and operators.

Exiting Netflix's Africa division is David Karanja just over three years after he joined Netflix in September 2021 in the Netherlands as part of the team.

Over the past three years, he oversaw the development of over 35 new series and films for the platform ranging from Netflix's first Afrikaans show and drama series Ludik in South Africa, to Shanty TownCountry Queen and Kunle Afolayan's Aníkúlápó.

Moshoeshoe Monare exits as SABC News boss after two and a half years


by Thinus Ferreira

Moshoeshoe Monare will exit as SABC News boss at the end of this month after two and a half years of heading up the South African public broadcaster's news and current affairs division.

It's not clear who is replacing him or will be acting SABC News boss until a new permanent appointment.

Moshoeshoe Monare was appointed in June 2022.

Nomsa Chabeli, SABC CEO, in a statement says "Moshoeshoe Monare has been an invaluable asset to our newsroom".

"His dedication, expertise, and unwavering commitment to journalistic excellence have set a high standard for us all. Under his leadership, our newsroom has consistently delivered ground-breaking stories that have informed, educated and inspired our audiences."

"The SABC acknowledges Moshoeshoe Monare's invaluable contributions and extends its gratitude for his dedicated service. We wish him success in all his future endeavours."