Showing posts with label Tina Kruger. Show all posts
Showing posts with label Tina Kruger. Show all posts

Tuesday, October 21, 2025

'Secrets, survival and a sprinkling of love': Creator and creatives of kykNET's Appels en Tee on the new family drama's story of redemption and hope


Thinus Ferreira

Tina Kruger, executive producer and head writer of the Afrikaans series Appels en Tee starting on kykNET (DStv 144) on Tuesday 21 October at 20:00, says the new family drama is about "friendships, secrets, survival, reconciliation with a sprinkling of faith, hope and love".

Tina Kruger spoke at the media launch of Appels en Tee, a new 10-episode local series filmed on location in the Langkloof, along the Garden Route and Hoekwil and set in the fictional Paradysbos.

Starring Diaan Lawrenson as Lisa Rossouw, Tinarie van Wyk Loots as Henriette de Klerk as two 1998 high school friends who experience a tragedy and reunite 27 years later around several big secrets from their past, Appels en Tee was produced by Meerfout Films with Berdene Burger as director, producer and writer, and Sunel Haasbroek as cinematographer.

The rest of the Appels en Tee cast includes Ivan Zimmermann, Jacques Erasmus, Ivan Roberts, Neels van Jaarsveld, Rika Sennet, Bianca Langedyk, Moses Williams, Vilje Maritz, Julia Marone, Beata Bena, Sibongile Mlambo and Marlo Minnaar.

"It's a coming-of-age story spanning multiple generations," Tina Kruger said.

About the role, Diaan Lawrenson said "It's not often that you get the opportunity to play more mature, older female characters which are not stereotypical".

"I think both Lisa and Henriette are both complex characters. Neither are good or bad. Both have pasts - like all of us. Things have happened. There's pain and joy. It's enjoyable to be on a set where there is a safe space in which Sunel Haasbroek played a huge role in creating."

"Within that safe space you can play and emote complex women. It's a joy. It's nice to do a role where you're no longer arm candy alongside a complex male character. It's great to get the opportunity to play the woman who is layered."

Sunel Haasbroek explained that with lensing Appels en Tee the goal was "to make the kykNET viewer feel at home watching it".

Bianca Langedyk, who portrays Annie de Klerk, Henriette's daughter, isn't hearing-impaired in real life but plays her deaf daughter with aplomb and learnt sign language for the role.

"Initially, I didn't realise what I was taking on," she said. "I did a lot of research, I've also met a lot and have hearing-impaired friends. The mom of one of my friends is also a speech therapist and she works with hearing-impaired people and I also spoke with her and asked how I can play the character of Annie as authentically as possible."

"I'm not deaf but I spoke with a lot of people, did a lot of research, and Jana the sign language coach, also helped me a lot. I spent a lot of time learning sign language."

Actor Neels van Jaarsveld, who portrays the character of Wessel de Klerk, said "You can watch Appels en Tee and immediately bond with the various characters to such an extent that you instantly wonder how everything will end for each one of them".

"When I saw the cast and that it's Diaan and Tinarie and these fantastic young people, I knew we would create something fantastic for viewers to watch."

Film editor Canya Cruywagen said "In this situation, I was in the enviable position to actually be on set during filming. That helped me tremendously to start looking at the rushes and that was a big benefit in the editing process later".

"I read the script and then I take it from scene one to the last. I look through all the takes, then I read the script again and then I map how I would like to put it all together. Although that's not always how it works out. There are so many factors that influence the process."

"I cut it together, and then I move on, and then I watch it again the next day. Sometimes I think: 'Oh wow, what did I do?' and then, depending on how much time I have, I change some things."

Tina Kruger laughs. "Canya is always the first one who cries since she sees it first. She would send voicenotes saying 'I just cut this scene and it's wonderful'. 

Actor Moses Williams said it's great that more series are being filmed along the Garden Route.

Recent Afrikaans drama series lensed here include Netflix's Tuiskoms and kykNET's Juffrou X.

"Hopefully, there will be many more," Moses Williams said. "Previously, people like me had to go to the big cities like Cape Town and Johannesburg to go and try and find opportunities and to become part of productions."

"To be able to wake up in your own bed in the morning and go to a set because it's filming where you live, and to be able to return to your own house in the evening to go and sleep is a blessing. I can definitely say it makes a big difference for these kind of productions like Appels en Tee to come to our towns."

"It doesn't mean that other locations wouldn't be as suited to film Appels en Tee but I really think the Garden Route has so much more to offer and we look forward to welcoming many, many more TV and film productions there."

TVwithThinus asked Tina Kruger about the multi-generational depiction and inclusion and whether it was part of the pitch from kykNET's side, or something the creatives decided to build into the story.

"It's important when you craft a family drama series to have something for every viewer within the mix of the compelling story."

"I think there are other family dramas with a bigger focus on the younger generations, but for us as Appels en Tee writers, it was very important, specifically for this series, to show moms and daughters, fathers and daughters, and older adults and their children, as well as the impact and effect we all have on each other."

"Early on it's the teenager who discovers a letter and it's from her grandmother and she realises that it's her grandmother who did something and nobody knows about this. And it's about how something a grandmother did that affects more than one generation and a teenager today."

"We spoke a lot about the show title of Appels en Tee (Apples and Tea) and the apples represent the bruisable, innocent youth within the 1998 timeline. Tea represents a healing medicine for the present."


FLEUR DE THÉ. High tea in Cape Town with kykNET for the media launch of its new Afrikaans drama series Appels en Tee


Thinus Ferreira

Any time is a good time for a tea party and that is exactly what kykNET (DStv 144) did at Welgemeend in Cape Town for the media launch of its latest Afrikaans drama series, Appels en Tee (Apples and Tea) starting on Tuesday 21 October at 20:00.

It's been a very long time since a South African TV channel - anyone - did something a little bit different, and more distinct, than the all-the-same, general media launch for a new TV show and kykNET hit it out of the tea garden park with its beautiful, intimate, well-organised and colourful Appels en Tee high tea event.


At the upmarket venue, the cast, creatives and producers mingled together with media, where kykNET (correctly and smartly!) screened two episodes to show the media the content, while two Q&A sessions took place - one after each of the episodes.

Tea flowed - together with (of course) wine as well as sparkling wine on offer - as guests munched on delectables ranging from chocolate and dessert later, to various sandwiches, cheeses, savouries and waiters carrying around trays with tasties by the crate-full.

kykNET gave the media a high-gloss brochure about Appels en Tee that contains episode synopses for the 10-episode series, a breakdown of the story, a credit list of who worked on it, as well as character bios and actor breakdowns - with photos - so you know immediately who plays what character and who the characters are.

Tina Kruger is the executive producer and head writer of Appels en Tee, with Berdene Burger as director, producer and writer. Gita Fourie was the third writer, with Sunel Haasbroek as cinematographer.

The Appels en Tee main cast includes Diaan Lawrenson, Ivan Zimmermann, Jacques Erasmus, Ian Roberts, Tinarie van Wyk Loots, Neels van Jaarsveld, Rika Sennet and Bianca Langedyk, as well as Moses Williams, Vilje Maritz, Julia Marone, Beata Bena, Sibongile Mlambo and Marlo Minnaar. 



Appels en Tee is an Afrikaans family drama (with English subtitles) fully centred around female characters and anchored in the two main characters of Lisa (Diaan Lawrenson) and Henriette (Tinarie van Wyk Loots), who share some tragic secret from their past that, in a sense, destroyed their lives and caused an end to their friendship.

What this tragic and fateful "we will never speak about this" incident and secret from the past is, is slowly revealed through flashbacks to 1998 as Henriette and her family (who are in a financial crisis after having lost their farm) coincidentally end up at the home of Lisa 27 years later.

Appels en Tee is also a multi-generational drama series. 

Besides the tension-filled current and past friendship dynamic between Lisa and Henriette, as well as the tension-filled relationships both of them have with their husbands, there are also grandparents on both sides, as well as kids on both sides, who interact with emotional (romantic?) entanglements that ensue.

Produced by Meerfout Films, Appels en Tee looks very similar to the recently released Afrikaans drama series Tuiskoms - also a family drama series. Appels en Tee was filmed in Hoekwil with beautiful cinematography.

Also notable: The inclusion of a deaf character, Annie, played by Bianca Langedyk (who isn't deaf) but learnt sign language for the role.


















Wednesday, August 28, 2024

12th Silwerskerm Film Festival: Day 1 | Programme manager Tina Kruger on 2024's 'full, vibrant and expansive slate'.


by Thinus Ferreira

As kykNET's 12th Silwerskermfees film festival kicks off today in Cape Town with a glitzy raft of film premieres, deal-making, panel discussions and ending with an awards show on Saturday, thousands of film biz cognoscenti are once again set to descend on The Bay Hotel in Camps Bay for what the programme manager promises will be "a full, vibrant and expansive festival".

Over the next few days attendees and panellists - some flying in from as far as Dubai and London - will listen to panel sessions, attend master classes in the Rotunda and Theatre on the Bay, and have a glass of wine on the deck before Saturday night's Afrikaans film and TV awards show at the Cape Town International Conference Centre (CTICC) that will seat 1 300 people.

With over 60 litres of sunflower oil, 40kg of flavouring salts and 2 500 boxes that will be used, attendees will munch their way through over 275kg of popcorn as they watch an array of TV pilot episodes, short films, features and a slate of new documentaries.

"Like all other film festivals internationally, we need to continue to be very agile within this space, to continue doing what the Silwerskermfees set out to do in the first place which is to incubate projects and to give new voices an opportunity," Tina Kruger, the festival's programme manager tells me.

"The Silwerskermfees is doing an impeccable job when it comes to fostering a documentary film slate. Last year was the first time we included screening TV pilots and this year we are expanding on that with full-feature documentaries screening at this year's festival."

"The Silwerskermfees keeps expanding in what it offers. We're not just reaching traditional festival goers but we're also open to the public who can come and see and experience the content so that it goes wider than just the immediate film industry".

"Likewise, filmmakers and executives get the chance to rub shoulders with the people who they are making the content for - viewers - and not just getting together for themselves. I think that's a very important shift for the festival as a whole."

Tina Kruger says she's looking to the 2024 Silwerskermfees "which will be a full and vibrant and expansive festival".


Unique Afrikaans focus
Waldimar Pelser, channel director for premium channels at M-Net, tells TVwithThinus that the Silwerskermfees film festival continues to provide a unique Afrikaans focus with a wide umbrella for South Africa's film and TV industry.

"The Silwerskermfees, firstly, has a unique Afrikaans focus. So when we look for film projects to support, we try to find those stories in the Afrikaans community, mostly but not limited to the Western Cape. This Afrikaans community has had uneven access to platforms for storytelling on the big screen. Our efforts aim to address this."

He says those who make kykNET films for Silwerskerm are seasoned filmmakers "but increasingly new voices who often enter the industry for the first time by making a short film for Silwerskermfees" are included as well.

"This, then, is our second unique focus: Silwerskerm is fundamentally a developmental festival where new filmmakers are guided by recognised mentors to make their big screen début."

"There is a great need for mentorship and capital directed at new voices," Waldimar Pelser explains.

"In this vein, Silwerskerm has yielded hundreds of short films and dozens of new film- and TV makers who started their careers with Silwerskerm. We want to sustain this festival as an incubator for talent in the Afrikaans space, even though many of our filmmakers also produce content in other languages." 


Asked whether Afrikaans film specifically is under pressure, Waldimar Pelser says "One could argue Afrikaans film is under less pressure than English language or vernac films in South Africa because Afrikaans films benefit from a dedicated channel which needs a certain volume of films and TV shows every year to fill a linear schedule and satisfy paying subscribers".

"This level of reliable demand has been a game changer for the industry because the volumes of Afrikaans content required always remains above a certain critical level, enabling a small industry to plan and thrive around it."

"At the same time it is true that the entire film industry is under pressure. Afrikaans films are not immune."

"Cinemas are emptier than before Covid and have not recovered. Films premiering on subscription video-on-demand (SVOD) services means they often skip theatrical release and pay-TV, which further diminishes the opportunities to recoup costs."

"We are therefore always developing new models to try and fund local films in a way that squares with our mandate, recognises our budgetary constraints, but also allows filmmakers to seek additional external funding."