Monday, September 26, 2011

Officials involved with SA's migration process to digital terrestrial television suspended after allegations of misappropriating R29 million.


Three officials involved with South Africa's digital television migration to digital terrestrial television (DTT) have been suspended after allegations of misappropriating R29 million.

Andrew Hlubi, the chief financial officer (CFO); Molefi Mollo, business development officer; and Archie Mbatha, the supply-chain manager at the Universal Service and Access Agency of South Africa (Usaasa) have all been suspended pending the outcome of a forensic audit.

Usaasa is the body tasked with the project of the logistics surrounding the subsidy that will be given by the government to the 5 million poorest TV households in South Africa to be able to buy a set top box (STB) when South Africa's TV industry switches from analogue broadcasting to a digital broadcasting system.

According to the forensic audit, millions of rand were paid to companies who haven't completed projects, incorrect contractors who were paid even if they didn't do any work.

Sunday, September 25, 2011

REVIEW. Kenny Kunene's ca$h can't carry his KK - So What cashy-yet-trashy reality show on e.tv.


Kenny Kunene's crass reality show KK – So What seems to prove that if you're name is Kenny Kunene you can buy a Lamborghini. And a Porche. Just not really quality when it comes to television.

KK – So What that started on Saturday on e.tv with cameras following Sandton's often-controversial business provocateur is a stale and boring ''show-off'' show – literally flashing the cash (and very little else) in a production filled with fluff and very little fun. Why e.tv spent money to add this show to the line-up that was apparently first offered to SABC1 will remain as much a mystery as to why Kenny and the production company have him wear sunglasses blocking his eyes to viewers – thereby keeping the title subject of this vanity project distant.

E.tv's seemingly strugging publicity department wasn't able to, or didn't care, to actually alert all South Africa's TV critics like me and several others that KK – So What is starting, what the show is about, or even make a screener of the episodes available to all critics beforehand. Yet the first of the 26 episodes of KK – So What finally unspooled on Saturday evening on the commercial free-to-air broadcaster looking like a tedious FTV party segment that got stretched out too long. The overuse of monotonous techno rave music makes KK – So What best watched with the mute function on.

Devoid of any real drama and partially looking like a shoddy Channel O music video made somewhere in Africa, KK – So What comes across as uninspired, trash television that includes scenes of hands counting cash, liquor buying dished up as drama, and the obligatory staff being berated. When you've got cash (like the Kardashians) you have servants people you can boss around. It would appear to be the same at the ZAR business empire. Turn off the sound, add narrative subtitles, and you could have the Africa Magic channel Nollywood movie of the week while you're watch KK – So What.

Meanwhile Kenny Kunene keeps dropping kernels of inane Oprah-isms like ''When you are in trouble or when you have a problem, smile and you get a smile back''. One wonders if neither Kenny nor the producers thought of how the premise of an incredibly self-indulgent show such as this would have been much more interesting, and so much better, if the show rather followed the people who have to work for South Africa's self-anointed sushi king.

Characters like Kieran Lindeque (ZAR fashion editor) with the pixie-like haircut who talks in the third person, or phat Gayton McKenzie (one of Kenny's business directors and also one of the executive producers together with Gary Edwardes) who quips ''I'm a bulldog. You can't f- like a puppy,'' could possibly prove more interesting as subjects for a show such as this than merely following Kenny Kunene's cashy-yet-trashy exploits.

KK – So What remains one dimensional and fixated/focused on Kenny and his conspicuous consumption. The show stays with the image of him already established as a sushi-caviar-champagne business maverick, providing viewers with little that's new, or of interest, than the already-familiar and overexposed tabloid persona. There's no depth, no new angle and very little else other than a wealth of fool's gold on full display.

''We can stop at any garage, anywhere, and you'll see people flocking us,'' says Gayton McKenzie to camera with a ''I don't need sex'' T-shirt in a scene where he and Kenny parks in a Lamborghini at an Engen 1-Stop and the producers then start filming the gawking onlookers. ''A lot of people criticise and say 'Ja, you're spitting in the faces of the poor. What about the poor people? You see, people are happy for us. Even poor people are happy for us.'' (Yes. The production values of KK – So What make Paris Hilton's The Simple Life look almost National Geographic.)

The seemingly constructed, carefully-edited ''reality'' of KK – So What is also painfully evident in places. Kenny gets pulled over in his car by the traffic police, but the stationary camera is already on the side of the road before the event, showing Kenny's oncoming car being flagged to pull over. Reconstructed for the cameras after the fact, or does this show also have producers who can predict events like Nonhle Thema's ''reality'' show Nonhle Goes to Hollywood earlier this year?

''The hard truth is money gives you options. People want to make as if money is not important. There's two important things in anybody's life: oxygen and money,'' says Kenny. Sadly it's clear that neither more money nor more oxygen would be able to make KK – So What breathe a little bit better.

BBC Entertainment gets a new logo change and a new moving channel ident with 5 different versions.


BBC Entertainment (DStv 120) has a new on-air look (although no word from BBC Worldwide on this, which runs this British general entertainment channel in South Africa).

The word ''entertainment'' in the BBC Entertainment logo employs a new font, and the new on-screen BBC Entertainment ident has animated, abstract shards that twirl and eventually spin out wider against the backdrop of the red, blue, purple and pink colour palette thanks to high-gloss CGI.

There's 5 different variations of the new BBC Entertainment ident, capturing a sense of dance-like movement and in a sense, the ''performing arts''.

e.tv grabs the broadcasting rights of Power Rangers Samurai; the 'reboot' of the once formidable, long-running kids series.


No word from e.tv (of course), but e.tv has grabbed the broadcasting rights for Power Rangers Samurai, the next and latest in the long-running Power Rangers kids series and basically the start of a ''reboot'' of the franchise.

The Los Angeles based distributor Marvista Entertainment has signed a licencing deal with e.tv in South Africa, as well as some other broadcasters across Europe, Australia and New Zealand.

Saturday, September 24, 2011

Michael Holmes gone from BackStory on CNN International; Isha Sesay taking over as the new presenter of BackStory.


The veteran presenter Michael Holmes has suddenly left Backstory on CNN International (DStv 401) and will be replaced by Isha Sesay from Monday 26 September, who takes over as the new presenter of Backstory on weekdays at 23:00 (South African time).

Michael Holmes isn't giving the backstory on the Backstory departure, although he will be moving to general news anchor duties and will present one of the daily International Desk editions on the 24 hour news channel.

Michael Holmes was the presenter of BackStory since it started on CNN International in 2008.

Friday, September 23, 2011

BREAKING. TopTV: 'Digital terrestrial television (DTT) is a threat to us' and a 'significant threat to our market share expansion'.


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Pay TV operator TopTV told parliament that the advent of digital terrestrial television (DTT) in South Africa, where the country will be switching from analogue to digital broadcasting, is ''a challenge for us'' and that ''at the end of the day it represents new competition against platforms such as us''.

''One such manner that such competition manifests is that it creates more avenues for advertising. The SABC spoke of creating 18 new TV channels and that's an opportunity for them to take an ever greater portion of the advertising market, which we're only just starting to go towards,'' Thato Mahapa, TopTV's senior manager for regulatory affairs, told the government.

''Digital terrestrial television in South Africa will also be a threat to us in the sense that it will be cheaper; there will be no monthly cost and more channels. DTT creates multichannel viewing with the only significant an annual TV licence fee. Essentially DTT will also be covering the same target market that we look at. For us as a new entrant into the South African broadcasting market we see DTT presenting a significant threat to our market share expansion. But we still consider it as a necessary development,'' Thato Mahapa said.

Thursday, September 22, 2011

BREAKING. e.tv warns government on digital terrestrial television: 'New spectrum tampering is going to ghetto-ize free TV for the masses.'


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e.tv's group CEO Marcel Golding warned/implored parliament that ''new tampering with the spectrum allocation is going to ghetto-ize free TV for masses of people in this country.''

Marcel Golding appeared before parliament's portfolio committee on communications and the hearings into digital TV migration in which South Africa is lagging behind. South Africa is risking falling further behind after the Independent Communications Authority of South Africa (Icasa) indicated that it wants to amend the digital migration policy for the country again, with possible spectrum allocation changes.

''Working people also have ambitions to have better TV's with higher definition. It is certainly going to be the standard as time unfolds. Why cut our spectrum? There's should be sufficient spectrum available after the digital dividend is assessed, of whether spectrum should be kept for new entrants if and when a market study has been done that indicates that it's viable for those businesses to be established,'' Marcel Golding said.

''We can't make those decisions today, we need more experience to do that. We appeal to Icasa to leave the regulations for now so that we can all proceed. We're not saying there shouldn't be new TV entrants. We're saying all this is leading to a delay.''

''And while we're moving into a delay, masses of people in this country are being denied multichannel television because there are individual groups who want TV stations. From e.tv's side we want to be cosntructive. We want to make digital terrestrial television (DTT) work for the country. A lot of these things are not what we wanted but we're doing it and supporting it because we think that's what government wants.''

BREAKING. e.tv to launch its digital terrestrial television (DTT) service in April 2012; full commercial launch between July and September 2012.


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The free-to-air commercial South African broadcaster e.tv plans to launch its digital terrestrial television service in April 2012 - a soft launch, with a full commercial launch planned for between July 2012 and September 2012.

ALSO READ: e.tv plans to launch the commercial free-to-air broadcaster's DTT service and new TV channels within the first half of 2012.

''e.tv wishes to launch a digital terrestrial television (DTT) service within the next 9 to 12 months,'' Lara Kantor, senior e.tv executive told parliament's portfolio committee on communications. She said e.tv will join SABC with a soft DTT launch in April 2012, followed by a full commercial launch between July and September 2012 ''the date to be confirmed when we are more confident.''

We don't want to raise expectations yet again and not be able to fulfill those,'' Lara Kantor warned. ''Meeting those deadlines will require focus from e.tv and strong collaboration of industry and government. e.tv is committed to work with all other roleplayers to make sure our pans are aligned and that the free-to-air platform will be successful,'' she said.

''We are committed to launching DTT in 2012. We need leadership [from government and the regulator Icasa] to resolve those matters speedily,'' Lara Kantor implored.

ALSO READ: e.tv on digital terrestrial television (DTT) in South Africa: ''Our greatest challenge lies before us''; needs DTT ''for our own survival''.
ALSO READ: e.tv and M-Net seems to be fighting with each other the functionality of the free-to-air set top box control.
ALSO READ: e.tv on free-to-air set top box control: ''We do not have any direct benefit from this system. We appeal for finality on this matter.''

BREAKING. e.tv on free-to-air Set top box Control: 'We do not have any direct benefit from this system. We appeal for finality on this matter.'


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''We believe that there are just two major roadblocks standing in the way of a major digital terrestrial television (DTT) launch in 2012. Those are continuining delays on the decision on set top box control and the possible amendment of Icasa regulations,'' Lara Kantor, senior e.tv executive, told parliament's portfolio committee on communications.

''STB Control relates to the free-to-air set top box. e.tv was asked to work on that system so that government can achieve certain policy goals,'' Lara Kantor said. ''We certainly believe it will strengthen the free-to-air platform and in that regard we support it.''

''But we do not have any direct benefit from implementing this system as e.tv. But we are concerned that as long as there are objections to encryption, as long as there are debates on whether it's required, how much it will cost, and who should own it, we cannot finalise the free-to-air set top box standard,'' Lara Kantor said.

''As long as that standard is not finalised, manufacturers can't produce boxes and we cannot launch. The pay TV system can launch, because this does not impact directly on their box, but our hands are tied. We really appeal for finality on this matter.''


ALSO READ: e.tv and M-Net seems to be fighting with each other over functionality of the free-to-air set top box for digital terrestrial television (DTT).
ALSO READ: e.tv on digital terrestrial television (DTT) in South Africa: ''Our greatest challenge lies before us''; needs DTT ''for our own survival''.