DStv SHOWCASE SEPTEMBER 2017: IN PICTURES. They came, they saw, they devoured the upcoming content MultiChoice showed.

They came they saw, they consumed.

The content that is.

On Thursday MultiChoice held a Media Showcase day at its MultiChoice City headquarters in Johannesburg with South Africa's widely diverse and eclectic national press corps covering television.

The satellite pay-TV provider rolled out sizzle reels and made content announcements, talked about how MultiChoice is improving content discovery, held panel sessions with shows and stars and did top-level executive presentations and Q&A sessions.

Included in the packed, but beautifully segmented, and perfectly flowing and structured day, were multiple educational background sessions on virtually every aspect of MultiChoice's TV business that matters, with receptive and responsive MultiChoice, M-Net and SuperSport executives who answered every single question the media had.

The DStv Media Showcase was the second one MultiChoice held this year, following the one in February.

And it was essentially perfect in every practical way.

MultiChoice brilliantly utilised the internal resources of the MultiChoice City complex - from the cinema auditorium with its comfortable wide-seats, big screen and sound, to the side venue, and even the building's rooftop where lunch was served.

In a business where appearance can often be everything, the DStv Media Showcase on Thursday was as close as possible to pitch perfect with not a single thing out of order or to complain about.

MultiChoice create a contained, perfect environment for journalists and TV critics to work and to listen, see, absorb, learn, understand and to ask questions with zero external interruption.

MultiChoice put up a virtually flawless content presentation with exactly the right, extremely knowledgeable executives who were all in attendance and who all answered every question - without knowing what the media would be asking next.

The DStv Media Showcase, packed with information, trailers, sizzle reels, previews, content announcements about programming and upcoming changes and improvements to MultiChoice's pay-TV service, was insightful, extremely comprehensive and inclusive, and very well organised. 

Power points, toilets, free WiFi, breaks, snacks and drinks were all in abundance and within quick and easy reach - as were multiple publicists, executives and on-air talent of new upcoming shows.

SuperSport's scary/brilliant/funny and ever-amazing presenter Neil Andrews as the day's compère was back for a 3rd time and remained as brilliant, humorous and quick-witted as ever.

Talking about Television doesn't get done better in South Africa than what MultiChoice managed with its DStv Media Showcase on Thursday - it was a veritable Tour de Television with just the right pace and an avalanche of information for the media.

Although they're extremely busy people, the friendly and super-informed Mark Rayner (MultiChoice CEO), Aletta Alberts (MultiChoice head of content), Yolisa Phahle (M-Net CEO) who just jetted in and landed the morning from Nigeria, Gideon Khobane (SuperSport CEO), Graeme Cummings (MultiChoice head of digital media) and Nkateko Mabaso (M-Net general manager for South Africa) all attended and did great presentations.

They all mingled with the media and, very bravely, answered every single question journalists threw at them.

There were surprises aplenty (Ooh! A secret and beautiful Blue Planet II sizzle reel of the show coming to BBC Worldwide's BBC Earth), a real-time MultiChoice employee makeover to showcase E! Entertainment's upcoming How Do I Look SA? with Roxy Burger, fascinating content reveals, and even a panel discussion for Lifetime's (DStv 131) upcoming second season of Married At First Sight SA.

The whole DStv Media Showcase was wonderfully book-ended at the beginning and right at the end by extremely creative voice-overs and funny one-liners over little bits of the just concluded 7th season of Game of Thrones.

It was very well done in the vein of scenes with mostly Jamie and Cersei observing the land and fleets of ships and talking about it as approaching content.

If television were a theme park, the DStv Media Showcase was like spending a day inside one.

The DStv Media Showcase ended off the evening with an utterly perfect cocktail evening under a large white tent on the one side of the "old" MultiChoice backlot next to the one entrance.

It was a genius idea - both in the space utilisation and flawless execution.

Once again it was within easy-to-reach walking distance of MultiChoice City with drinks and various food trucks waiting there, ranging from a pizza truck and hamburger truck to dessert where you could choose your made-to-order items.

It was simply beautiful to see, beautiful to eat; beautiful to experience.

DAILY TV NEWS ROUND-UP. Today's interesting TV stories to read from TVwithThinus - 21 September 2017.

Here's the latest news about TV that I read, and that you should too:

■ Correspondent Ayman Mohyeldin is getting his own weekend anchoring show on MSNBC (StarSat 263).
His show will be followed by yet another new MSNBC weekend show with Kasie Hunt as the anchor.

■ Leslie Moonves says CBS and CBS News is talking about what to do with the CBS Evening News.
South African and African viewers can still see it on Sky News (DStv 402).

■ Firefly at 15 years: The cast shares their oral history about the short-lived science fiction show.


■ Manga Nawa-Mukena (37), MultiChoice Namibia's former marketing manager back in court for fraud case. 
After she made MultiChoice Namibia pay N$2 million (R2 million) over a period of 4 years into her bank account that appeared on invoices, Manga Nawa-Mukena is back in court for a 4th appearance.
The lovely Manga denied guilt on charges of fraud and forgery.
She handed in the invoices, but claims she doesn't know how her bank account details ended up on the 80 falsified invoices. She will appear in court again on 17 November.


■ Stephen Colbert slams Donald Trump over the American president's obsession with the Emmys and ratings.

■ Sabrina the Teenage Witch is following Archie as a live-action TV teen drama series.
The Chilling Adventures of Sabrina will be a dark horror show designed to serve as a companion series to Riverdale that is seen on

■ After winning big with The Handmaid's Tale at the 2017 Emmys, Hulu is pumping another $2.5billion into making more TV series.
Will launch another 7 new original TV series within the next 6 to 9 months.

■ A 5th Game of Thrones prequel drama series is being developed and could possibly make it to television.

■ Research finds 59% of TV companies are unprepared and unequipped for advanced TV.

■ Netflix's success only makes it burn through more and more money.
Spending cash on original content is to blame for Netflix's growing debt, and it's not going to stop until Netflix's user growth stops.

eNCA news anchors complain about 'toxic environment' at eNCA as freelance news readers say they're forced to work without contracts.

eNCA (DStv 403) news anchors are complaining about a "toxic work environment" at the eMedia Investments run TV news channel carried on MultiChoice's DStv satellite pay-TV platform, with freelance news readers saying they're working without contracts.

TVwithThinus asked eMedia Investments on Wednesday if it can please say whether eNCA freelance news anchors, working late nights and weekends for instance, have contracts, and if not, why not, or how does it work?

Spokesperson Vassili Vass declined to answer the question specifically.

TVwithThinus also asked about Sally Burdett apparently promising news anchors contracts - something else that according to news anchors haven't happened and if eNCA and eMedia Investments has any possible comment or explanation.

eNCA anchors say they are living in fear of speaking out about their "toxic working environment", fearing that they'd be dropped from the news reading schedule.

"The company adheres to all labour laws of the country,' said Vassili Vass in response. "The matter of contracts, freelance and otherwise, is an internal matter on which we will not be drawn to comment in public."

"That said, certain freelancers who provide ad hoc services are paid on the provision of proper invoices, and any freelancer (or any employee for that matter) who feels like he or she has not been properly accommodated in that regard is free to approach our human resources department and the matter will be attended to."

"Should any employee have any grievances, there are properly established internal channels which deal with the issues."

"All employees are treated fairly and respectfully during this process, thus talk of a toxic environment are therefore false, defamatory and unfounded. It is in our view, mischief making."

The Star newspaper first reported on Wednesday about eNCA that is apparently flouting South Africa's labour laws.

eNCA news anchors told the newspaper they're living in fear, because they don't know how much they will be paid, don't have contracts that's required by law, and don't want to force the issue, fearing that they'll be let go.

One longtime eNCA news anchor told The Star that "If you complain you are removed from the roster. And there is no contract that you can go back to and say: 'But I have a contract to work this number of shifts a month".

The issue in in the public eye, although eNCA says it is an internal matter.

Also odd is that eNCA and eMedia Investments isn't willing to confirm that all eNCA freelance news anchors have signed contracts - as required by law - something that would put the issue to bed immediately.

DAILY TV NEWS ROUND-UP. Today's interesting TV stories to read from TVwithThinus - 20 September 2017.

Here's the latest news about TV that I read, and that you should too:

■ "Haunting, chilling, peerless, plausible." How The Handmaid's Tale changed television.
Everybody is now buzzing about the drama that won the best Emmy. South Africans haven't been able to watch it - and still can't.
- The Handmaid's Tale win validates online video streaming services as an equal competitor to traditional TV.
- M-Net (DStv 101) will finally start to show it - a month and a half from now on 30 October. South Africans likely would perhaps have seen it sooner already if M-Net and DStv didn't dump the M-Net Edge channel at the beginning of the year.
- Shonda Rhimes calls the Emmys "embarrassing".

■ The Murdoch's global television ambitions.
The Murdochs is interested in taking over pay-TV broadcaster Sky in the United Kingdom, but they and their 21th Century FOX have their sights on much larger, international TV goals - specifically India. And they want Europe, South America, Africa and Australia.

■ FOX News (StarSat 261) accused of blacklisting.

■ Poor SABC says it can't afford to broadcast all national sports matches.

■ "Patriotic" American TV shows are falling out of favour in the rest of the world.
American TV studios now deliberately toning down the over-done "America first" tone of dramas.

■ New video takes viewers behind-the-scenes of the new Star Trek: Discovery.
But it's not available to viewers in South Africa and Africa - although the show will be made available on Netflix Africa and South Africa from the end of this month.

■ Zambia tries to assure Zambians that StarTimes' decoders are safe.
Subscribers are also complaining about the bad video and sound quality of StarTimes channels - something that TopStar admits.

ITV Choice had another upfront. Two weeks ago. But neither I nor the others telling you about Television knew or can actually tell you anything about it.

ITV plc's ITV Choice (DStv 123) recently had a content upfront in South Africa again to showcase its upcoming programming and where ITV executives spoke but, apologies  - the lack of coverage and reporting about it is because TVwithThinus wasn't invited to it, nor told it would be happening.

Neither were other media - so sorry about that, and for not being able to do what we're supposed to, should do, love to do, and could do.

Last week Thursday just after the conclusion of M-Net's (DStv 101) media launch for The Wedding Bashers, a journalist came up to me and asked why TVwithThinus isn't doing any reporting on the ITV Choice upfront showcase.

I was flabbergasted.

Gobsmacked, I said I wasn't aware that something like that took place and that I don't believe that something like that happened.

I explained that I very specifically asked ITV Choice last year when the channel did a similar upfront in Johannesburg and also failed to alert a lot of journalists about it, if it could communicate beforehand if something like that were to take place again and if the press could please just be kept in the loop (and was assured it would be done).

The journalist said she also didn't get any communication from ITV Choice, but thought that I would have, and only knew about it from co-incidentally seeing a tweet on social media on the day - apparently 31 August. The journalist said she won't now be covering ITV Choice.

I really couldn't believe that ITV Choice'c communication to the press would be this non-existent and bad (again) about something like a programming and content upfront after it was something I specifically raised with ITV Choice a year ago and specifically asked to just be kept informed about.

After the journalist asked me, I in turn decided to quickly ask around to get a sense from other journalists and media working in print, online and radio from across South Africa - Cape Town, Johannesburg, Durban, even places like East London - if they're knew of any ITV Choice showcase event.

One by one, each and every single one of them at the event we were attending, said they didn't know about ITV Choice's upfront, and don't care about ITV Choice, with differing levels of total indifference towards the TV channel brand.

A Durban journalist with a radio show and covering television told me he's never gotten any communication from ITV Choice "and I don't care. I don't bother covering ITV Choice. ITV Choice has never invited me to anything".

Another print journalist asked: "What is ITV?" while another journalist said to me: "I never get anything from ITV Choice".

A TV critic told me: "I know and saw nothing. I didn't pick up on any ITV Choice stories about anything the channel had. It probably just shows how non-existent everything is they might be doing. That two weeks went by should tell you."

"Haven't heard anything. Got nothing," said another TV critic.

Of course it's as scientifically unsound a poll as anything to gauge instant sentiment from a group of TV critics, journalists and editors standing around and sipping champagne but it was quite revealing.

On a personal level for me however it's disturbing and disconcerting that ITV Choice would do something like showcasing content at an upfront but not bother to communicate to media, TV critics and journalists covering TV either beforehand and/or afterwards that it did so.

While ITV Choice is definitely the biggest loser, to a degree the media as messengers are losing out too when they're not able to bring the news.

Personally I like ITV Choice and I've kept close track about its programming since the channel launched in South Africa in May 2015 on MultiChoice's DStv satellite pay-TV platform.

Two weeks ago I remarked how I thought ITV Choice actually had the best Princess Diana 20th anniversary of her death documentary from all of the available programming across the various DStv channels.

As background to this sorry saga: Exactly a year ago ITV Choice also held a showcase but similarly didn't bother to communicate to media about it, although some Johannesburg press and one journalist from Port Elizabeth were invited and attended.

MultiChoice that has publicists specifically working in conjunction with channels and who themselves attended, similarly couldn't be bothered beforehand to reach out to media to make sure that they are at or aware of the ITV Choice upfront, or afterwards to get the information that was shared, out to journalists.

At the time, and after thinking a lot about it and out of respect for ITV Choice, I decided not to report on ITV Choice's lack of communication with the press in regard to the ITV Choice upfront.

What I did do a year ago was to take it up with the channel directly, and to make the effort to share the concerns I had with ITV Choice.

After a long conversation, I gave ITV Choice the benefit of the doubt that it was a mistake in the sense that ITV didn't realise or understand why it's important to keep media in the loop.

I explained why it's important to have stakeholder media like the Press Covering Television at your programming upfront, and why it is important to, at the very least, just communicate if you work in media, communications and television that you're going to have an upfront.

Last year I specifically asked ITV Choice, and was assured by ITV Choice, that in future it would communicate beforehand if it did a similar programming upfront to give media a heads-up about what it is busy with and planning, so journalists are not blindsided and caught unaware.

I really thought I was heard. I felt that ITV Choice understood where I and other media covering television, are coming from, and why we are desperate for the baby monitor to be switched on and for the communication to be flowing - even when you have to listen in from another room.

Cue a year later and ITV Choice failed to keep its promise - moving something that I was willing to forgive (although it really irked me at the time) as a genuine "didn't know better" mistake, squarely to the "Oops, I did it again" and don't seem to care box.

If you're wondering as a potential advertiser, as a dedicated or casual viewer of ITV Choice, as somebody generally interested in media, or as a TV executive or producer why there isn't any coverage of ITV Choice's upfront, it's because TVwithThinus genuinely can't and neither can others.

I can't tell you what Katherine Wen, ITV channel director said - or any of the other ITV Choice executives - after all the effort they made to fly to South Africa.

I couldn't hear what she had to say and afterwards there were no speech transcripts; no interview offered. In fact, neither I nor others even knew she was here.

I can't tell you what Paul Ridsdale, ITV's head of marketing said about ITV Choice's successes and possibilities (presumably there are) and his message and insights to South Africa's advertisers and ad buyers. It's a shame and shameful, really.

I can't tell you what ITV Choice executives said about ITV Choice's (sure to be lovely) British programming, or its content and content strategy(ies).

ITV Choice couldn't be bothered to give that information about what ITV Choice thinks about its own programming, either pre- or post its upfront.

There's no ITV Choice 2017 upfront pictures to show, no sense of what upcoming programming highlights or content developments ITV Choice is really excited or proud about - in fact, there's nothing to show.

In South Africa's TV industry where several TV channel operators from Zee TV to e.tv have joined the likes of Discovery Networks International, FOX Networks Group Africa, BBC Worldwide Africa and a growing number of others in doing upfronts to court advertisers and the press and to proudly beam about its programming, it's bizarre that ITV Choice communicates so badly about its own show-and-tell.

While its supposedly a premium pay-TV channel, ITV Choice, in its lack of proper upfront communication is more akin to what one expects from South Africa's struggling public broadcaster, the SABC.

Will ITV Choice get better at keeping the media in the loop when it has what is arguably its biggest event on its own TV calendar? Who knows?

I'm no longer holding thumbs.

And where I once cared a lot, then cared, I'm starting to care less and less. There's too many TV channels and too little time.

As the number of TV channels and programming choices that are available to South African viewers and to pay-TV subscribers keep growing, you'd think that it would be very, very important for ITV Choice to make sure, and to maximise every opportunity to get the word out there - especially with something like an upfront.

You'd think that in the cacophony of content, ITV Choice would do everything it can to communicate as best it could - that ITV Choice would crow about its own content as loudly as it could to get traction within all the noise that surrounds not just ordinary viewers, but the media trying to cover it.

Sadly, it feels as if ITV Choice - as far as South Africa and Africa are concerned - have yet to come to the realisation that in the profusion of choices, ITV Choice's biggest letdown in the content communication race, is itself.

BROMANCE. So, Bromans is the latest British tele-trash and comes complete with naked Gladiator lads ... and genital casts.

In the age of "Peak TV" and more terrific television across the spectrum, there's also been a widening of the Trash TV side, exemplified by yet another trashy new British reality teletrash entry, Bromans that comes complete with, yes, lets say it, genital casts.

What is this new trash, you may ask?

In Bromans that just started on ITV2 in the United Kingdom, 8 so-called "modern day" Brit-trash lads are thrown back in time to live in Romans times to compete for prizes.

Within the first 5 minutes the lot has to get naked, Gladiator-wise to recreate the Roman-slave experience, because nothing spells out TV-trash as quickly as getting "nekkid" in a cosplay reality TV show.

The British print media has had a field day with the TV trash of Bromans - a title play between the words "bromance" and "Romans" - in which the blokes are filmed in "Roman times" to see if they can live and cope (and fight naked) like Roman gladiators.

Oh, warns ITV - that also does highbrow TV like Downton Abbey - "Bromans contains strong language and nudity".

"Why can't we pull ourselves away from trash television like ITV2's Bromans?"laments Britain's The Sun. When a UK tabloids newspaper, itself trash, starts to worry, you should know the end of the world is one step nearer.

The Daily Mail calls Bromans vain and vacuous, saying "these are Tony Blair's millennials. This nation can be proud".

The Evening Standard reports that some of the bro-bros were allegedly "tricked" to take part, while Britain's The Metro breathlessly exclaimed that Bromans might just become "your new guilty viewing pleasure".

The tabloid magazine OK!, a bastion of accurate investigative reporting also reports that the dudes were "tricked" into appearing on the show, lured by promises of it merely being a "summer jolly".

There's not just muscle in the show but also golden bikinis and sand wrestling as the moron men's girlfriends have to rake through Colosseum sand to find clothes for them.

Luckily a classics professor Dr Andrew Sillett in Britain who live-tweeted the first episode, ready to point out mistakes, was delighted by how historically accurate Bromans surprisingly turned out to be.

Despite the penises, Dr Andrew Sillett says even the full-frontal male nudity of Bromans serves a real purpose and tweeted: "Obvious an excuse to show eight c*cks on ITV2 at five minutes past the watershed, but some truth in the humiliation of the gladiator".

Thank you, professor!

Forbes was harsh and gave a colisseum thumbs down, saying Bromans "fails as both history and entertainment" and is "simply a reality-couple-adventure show containing a heavy dose of various naked body parts, with all of its ancient world information seemingly cribbed from either Gladiator or 300".

Who knows if South African viewers will ever get to see the tele-trash of Bromans?

Will it pop up on ITV Choice (DStv 123) or CBS Reality (DStv 132) or one of the other reali-trashy channels on DStv or StarSat?

Who knows? More importantly, who really cares?

THE SMALL PRINT. MultiChoice is giving DStv Premium subscribers free access to Showmax until the end of March 2019 - for now.

MultiChoice that last week announced the bundling of a free Showmax subscription for all DStv Premium subscribers won't remain a free value add-on forever: Showmax will remain a free fold-in service until the end of March 2019 - for now.

MultiChoice is not planning on making Showmax available on a free-use basis to lower-tiered bouquets besides DStv Premium.

Last week MultiChoice announced that all DStv Premium subscribers can now add Naspers' subscription video-on-demand (SVOD) service to their existing DStv subscription for no extra monthly charge.

DStv Premium subscribers are now able to access Showmax - a SVOD service costing R99 per month - through DStv Explora decoders, the DStv Now app, online and smart TV sets. (Here's the steps to take.)

Showmax carries a catalogue of 25 000 TV shows and films and DStv Premium subscribers can now use up to four mobile devices such as smartphones and tablets to access the DStv Now app.

Interestingly DStv Premium subscribers accessing Showmax through DStv Explora decoders can't actually download shows - it can only be watched as "live" video streaming.

Reaction to the DStv Premium free Showmax link-up news was near-universally positive and is part of the tighter integration between Showmax and MultiChoice as the 2-year old SVOD service is folding its South African and African operations into the DStv Digital Media unit of MultiChoice.

One thing that DStv Premium subscribers have to keep in mind as they link their DStv Premium accounts and Showmax and shouldn't forget is that there's more important consumer information hidden in the small print: the Showmax add-on won't be a free included service forever.

While MultiChoice didn't specify it at all in last week's press release, the free Showmax offer for DStv Premium subscribers does actually come with an expiry date - a point at which DStv Premium subscribers will have to pay for it.

It could also be that when that time comes, MultiChoice might decide to extend the free use Showmax period, but that will only be known in 18 months' time.

In any case it would be prudent for DStv Premium subscribers who do link their DStv Premium and Showmax accounts to make use of the additional free service, to set a date reminder for March 2019 and to, when the time comes, check to then see if they will have to pay, or otherwise to delink or cancel Showmax in a year and a half's time from now if they don't want to continue with it.

In response to a media enquiry asking if Showmax will remain a free add-on service or if it will remain free for DStv Premium indefinitely, MultiChoice says it will remain free "for now until 31 March 2019".

Asked if Showmax will be made available to other DStv subscribers besides Premium bouquet customers, MultiChoice says that "including Showmax in the subscription at no extra charge is exclusively for our DStv Premium customers".

M-Net adds The Handmaid's Tale after the Hulu show wins the 2017 Emmy award for Best drama series.

Impossible for South Africans to watch anywhere, M-Net (DStv 101) has now acquired and added the post-apocalyptic show The Handmaid's Tale that will start on the channel on Monday 30 October at 22:00.

With Game of Thrones not eligible this year, The Handmaid's Tale swept The 69th Annual Prime Time Emmy Awards and became the toast of this year's Emmy awards with multiple wins as it also beat out Netflix to become the first-ever video streaming TV series to win the Emmy in the highly-prized Outstanding Drama Series category.

Here's the interesting part: It's the first time ever since America's Prime Time Emmy Awards TV ceremony has been broadcast on South African television that the show that won the best drama series category has not been broadcast somewhere on South African television.

It's yet another indication of just how fast and unpredictably the TV industry globally and in South Africa is changing that even legacy broadcasters and new subscription video streaming services are unable to keep up.

The Handmaid's Tale, the 32-year old story based on  Margaret Atwood's post-apocalyptic book that struck a cord with Hulu viewers and Emmy voters has not been accessible to South African TV viewers despite the large number of TV services available that South African viewers can pay for.

Before its Emmy win, The Handmaid's Tale hasn't been seen anywhere on MultiChoice's DStv or StarTimes Media SA's StarSat's collection of TV channels, M-Net, the SABC, e.tv or the fast-growing flurry of subscription video-on-demand (SVOD) services like Netflix, DEOD, Showmax, ONTAPtv, Kwesé Play or Amazon Prime Video despite the growing TV watching options available to South Africans.

Out of 13 nominations, The Handmaid's Tale won 8 Emmy awards after extremely positive reviews from TV critics the past few months.

The bigger publicity and Emmy wins will undoubtedly spur some South Africans on to now use illegal online torrent sharing and downloading sites to watch episodes since The Handmaid's Tale - a show from the Hulu streaming service in America - isn't available to watch legally in South Africa anywhere.

The show's first season of 10 episodes that was filmed in Toronto, Canada, will roll out on M-Net a month and a half from now. It's not yet clear if M-Net has any plans to speed up the starting date and bring The Handmaid's Tale to South African viewers sooner following its big Emmy win on Sunday night in America.

The Handmaid's Tale is set in a near-future America, renamed Gilead - a type of oppressive, totalitarian and futuristic yet Middle Age type world destroyed by environmental pollution and sexually transmitted diseases.

As a result women's rights have been taken away as fertility plunged, with the few women who can bare children - called handmaids - being ruthlessly controlled in a new hierarchical regime of social classes.

It's in this world that June Osborne, renamed Offred - and played by Elisabeth Moss who won the Emmy for best actress in a drama series - finds herself.

Vulture nicknamed Elisabeth Moss "the Queen of Peak TV".

DAILY TV NEWS ROUND-UP. Today's interesting TV stories to read from TVwithThinus - 19 September 2017.

Here's the latest news about TV that I read, and that you should too:

■ A new satellite pay-TV service, TStv, says it plans to launch on 1 October in Nigeria - but will it?
TStv blatantly plays on MultiChoice's DStv name, and promises a mix of TV channels already available on DStv and StarSat/StarTimes - but how will that work?
TStv even promises English Premier League (EPL) soccer coverage - but how?

■ Why the series finale of the vampire drama The Strain on FOX (DStv 125 / StarSat 131) ended with a glimmer of hope.
"Bleaker versions were discussed" but the producers felt the audience would "feel too depressed" and that it "just didn't seem like it would be very satisfying".

■ Sean Spicer on his surprise Emmy stage appearance.
He explains how it came about, what scared him - and a lot of interesting details of what happened afterwards. And even more fascinating insight in another first-hand report with details from what he said afterwards.

■ The viewership of the 69th Annual Prime Time Emmy Awards 2017 remains at a record-low. Viewers don't see the air-conditioners blowing outside to keep the red carpet cool, while Allison Janney ironically complained about global warning during the show.
- And how The Handmaid's Tale - a 32-year old book, became a timely TV show and the toast of this year's Emmys.

■ The programming bosses of America's big TV networks reveal the strategies
in a MUST-READ on how they plan on turning around falling ratings for the new TV season.

■ The ratings of kids TV is falling sharper than any other viewing demo in America.

■ Corporate paranoia is growing inside ESPN, the American sports channel that dumped Africa a few years back and is now trying to worm its way back to the continent through Kwesé TV.
ESPN is embroiled in ongoing embarrassment that current and former ESPNers describe as "self-inflicted wounds" as inside angst grows.
-While ESPN's problems keep piling up, ESPN seems confused about what is really happening.

■ Yet another American TV critic is a gonner.
Jeff Jensen is out at Entertainment Weekly - and he finally burns it down in a MUST READ as he reveals how trash Warner Bros. was in deliberately excluding Entertainment Weekly from its media strategy for launching the Harry Potter movies.
Of course EW did a cover story anyway and scooped the rest to serve its readers. Warner Bros. realised its time to crawl back and play nice.