The out-of-cash SABC hovering on
the brink of financial collapse has shocked the new interim board members, new
communications minister, as well as returning staffers, who discovered that the
broadcaster not only has no money for the switch to digital terrestrial
television (DTT) but is still using tapes.
Like a real-life Upside Down in the hit
Netflix TV drama Stranger Things set
in the 1980s, the SABC’s Auckland Park headquarters and its regional offices
across the nation are caught in a bizarre time warp, working as if it’s still
living in the era of the Sony Walkman, VHS video cassettes and Betamax video
players.
Mathatha Tsedu, SABC interim board deputy
chairperson revealed to parliament that although the media and broadcasting
world of 2017 is a fully digital environment, the beleaguered South African
Broadcasting Corporation is operating in an old and outdated analogue bubble as
if it’s still the 1980s.
“The majority of the SABC’s outside
broadcasting (OB) trucks that do the outside broadcasts are analogue,” Tsedu
told parliament’s portfolio committee on communications.
“So we need to replace them. It’s just that
simple.”
“The SABC buys content outside in digital
form. But when we store it, because we don’t have digital storage, we store it
in tapes. So we buy it as 2017 content, and we store it as 1980 format.”
Mathatha Tsedu explained to parliament how
the SABC will have perform a Back to the
Future like miracle maneuver to catch up with digital broadcasting at some
point in the future.
“When the SABC eventually gets money to get a
digital library we’re going to have to take our 2017 content – that we took
back to 1980 – back to whatever the year will be when we do that,” said
Mathatha Tsedu.
“Even in the news broadcasts, the final
output of news still goes, some of it, in tape – in 2017! There’s need for a
huge budget that should help us to cross over.”
Current affairs
‘still working on tapes’
An SABC current affairs producer in mid-April during a "rediffusion" staff session with the new SABC interim board, told the
board that she was shocked to find upon her return to the South African public
broadcaster that the SABC still works with tapes.
She stood up and said “I returned to the SABC
20 months ago. It was like moving back in time."
"The technology or the lack of technology in this place is shocking. In TV
current affairs we're still working on tapes."
"In current affairs there are 7 or 8 cameramen available to all the
current affairs programmes. We've been told we can only have one cameraman, per
programme, per week. How are we supposed to shoot our inserts?"
Dumile Mateza, TV
news presenter said the SABC News (DStv 404) channel the SABC supplies to
MultiChoice’s DStv satellite pay-TV platform “is under threat."
"The channel started in 2013. We had a channel head. Today SABC News
doesn't have a channel head. It means the channel has been driven by
freelancers, all the time. All the staff you see on that channel has been
driven by freelancers."
"When the SABC got the chance to set up this channel on DStv, they got the
opportunity to start something that they could take forward once digital TV
migration comes in. SABC News has been neglected."
"We have been rudderless on the SABC News channel since Themba
Mthembu retired three years ago and we have been left to our own devices."
Poobie Pillay, an
SABC advertising executive said "Landmark was implemented last year
April. Landmark is an ad booking system that was meant to book client adverts
and run across all 18 SABC radio stations. Landmark wasn't tested before
implementation, there was no research done as to why we should use this
software system for radio."
"The SABC has lost million by using and implementing the Landmark system.
My colleagues and I've got clients on a daily basis ... we've got, Afrikaans
ads are on Ukhozi FM; it's just a mess. We can't execute competitions and we
are losing millions of rand."
"It's a year later and we're passing credits of over R100 million to
clients."
No money for digital
TV switch
Last week Ayanda Dlodlo, the new minister of
communications, told parliament’s Standing Committee on Public Accounts (SCOPA)
that the SABC doesn’t have any money for the broadcaster’s long-delayed switch
from analogue to digital TV (DTT), a process known as digital migration.
In September 2011 SABC executives and the
board promised parliament that the SABC’s DTT offering will entail 18 TV
channels – 17 TV channels and one interactive video service channel.
In May 2015 the SABC’s former controversial
chief operating officer (COO) Hlaudi Motsoeneng said the SABC will launch its
DTT offering with only 5 channels.
In April 2016 Hlaudi Motsoeneng said the SABC
will launch 4 so-called “language-based” TV channels: one Sesotho, Setswana and
Sepedi language TV channel; one Nguni focused channel for Zulu, Xhosa, Siswati
and Ndebele; a third channel for Tsonga and Venda language speakers; and a
fourth SABC TV channel for Afrikaans viewers.
Hlaudi Motsoeneng said he secured R1 billion
for the SABC for the production of new local TV content for these
"language-based" channels. Over a year later, again nothing
materialised.
Ayanda Dlodlo told SCOPA that the SABC’s
latest bailout request to treasury – similar to the one it got in 2009 in the
form of a R1.47 billion government guaranteed loan from Nedbank – was
completely inadequate, since the SABC, beyond staying afloat, must also switch
to digital broadcasting.
“What was presented to me, does not take
account of that fact that we are moving from analogue to digital. Therefore the
funding request does not cover all of those things that are related to the migration
from analogue to digital.”
“So to me, it was a funding request that was
inadequate. It was almost like putting Elastoplast on a wound, instead of
treating the wound,” said Ayanda Dlodlo.
While other South Africa broadcasters like
M-Net and available streaming services in Africa like Naspers’ ShowMax and
Netflix work in a fully digital environment with digital playout and literally
beam episodes and seasons of shows in by satellite to vast digital libraries,
the SABC struggles on with tapes.
In April the SABC experienced severe schedule
disruption and had to delay the start of the new season of Survivor San Juan Del Sur on SABC3
when the channel’s playout division suddenly discovered technical issues with
the tape it was unable to fix in time for broadcast.
